Billie Eilish - Hit Me Hard and Soft: The Tour (Live in 3D) (2026)
89%
3/5
EDIT
“It’s an extraordinary turn, immersive and spectacular, and Eilish delivers a five-star performance for the folks in attendance. If only the film around her was as good as the gig.” –
Irish Independent
May 7, 2026
Full Review
Trad (2025)
3/5
EDIT
“Films about teenagers finding their voice through song will never get old – and this one might be the first to channel a sweet, crowd-pleasing narrative through the lively, powerful draw of traditional Irish music.” –
Irish Independent
May 7, 2026
Full Review
Once Upon a Time in a Cinema (2026)
3/5
EDIT
“...Once Upon a Time in a Cinema is intentionally broad and undeniably cartoonish, the kind of film they used to make all the time in this country. Familiar and old-fashioned, you’ll know exactly where this thing is headed.” –
Irish Independent
May 2, 2026
Full Review
Hokum (2026)
88%
4/5
EDIT
“Every great ghost story requires a pitch-black sense of humour, and Hokum is as funny as it is freaky. Scott, a pro in every department, aces the assignment.” –
Irish Independent
Apr 30, 2026
Full Review
Exit 8 (2025)
93%
4/5
EDIT
“Some patience is required, obviously. But director and co-writer Genki Kawamura crafts a compelling puzzle, and Exit 8 is the real deal, a brainy psychological frightener...” –
Irish Independent
Apr 23, 2026
Full Review
Michael (2026)
39%
1/5
EDIT
“Dumb as a rock and as deep as a puddle, "Michael" is big on fantasy but short on humanity.” –
Irish Independent
Apr 21, 2026
Full Review
Kiss of the Spider Woman (2025)
76%
2/5
EDIT
“Here is a film that tries everything and commits to nothing. Condon and his cast give it loads, but the finished product is slow, watery and tonally uneven. ” –
Irish Independent
Apr 16, 2026
Full Review
Lee Cronin's The Mummy (2026)
47%
2/5
EDIT
“Another dull Mummy flick? I’m afraid so. Cronin will have better days.” –
Irish Independent
Apr 16, 2026
Full Review
undertone (2025)
74%
3/5
EDIT
“This film feels like something of a choppy companion piece to that renowned 2007 crowd-pleaser. It’s nicely shot with excellent sound design. But a few original ideas and a tidier third act wouldn’t have hurt.” –
Irish Independent
Apr 10, 2026
Full Review
Father Mother Sister Brother (2025)
84%
4/5
EDIT
“Sweet, sincere and refreshingly straightforward, Father Mother Sister Brother keeps things tidy and compassionate, and is quite unlike anything else you’ll see at the pictures this year.” –
Irish Independent
Apr 8, 2026
Full Review
One Last Deal (2026)
3/5
EDIT
“Distasteful plot twists pile up, and Jimmy is a very difficult geezer to root for. But Dyer – an actor in the midst of a well-deserved career renaissance – embraces the chaos and plays a strong solo game. Nice dancing, too.” –
Irish Independent
Mar 13, 2026
Full Review
How to Make a Killing (2026)
44%
3/5
EDIT
“Margaret Qualley and Topher Grace lend a hand – but it’s the Powell Show, all the way, and our charming Texan friend elevates another ordinary big-screen diversion. Imagine what he could do with a real hit.” –
Irish Independent
Mar 12, 2026
Full Review
Peaky Blinders: The Immortal Man (2026)
90%
3.5/5
EDIT
“Trim, accessible and refreshingly coherent, the film accomplishes what the final two seasons could not: it tells a proper story, it follows a straight line and it gives its cranky, chain-smoking lead a genuinely thrilling send-off.” –
Irish Independent
Mar 5, 2026
Full Review
THE BRIDE! (2026)
57%
1/5
EDIT
“It’s an ugly, irritating film, the kind that makes good performers look bad. Buckley, a victim of shoddy writing and toneless direction, deserves better.” –
Irish Independent
Mar 4, 2026
Full Review
Scream 7 (2026)
31%
2/5
EDIT
“Dull for the first half and confusing in the second, Scream 7 is utterly preposterous and entirely inconsequential; a horror without brains, wit and imagination. ” –
Irish Independent
Feb 26, 2026
Full Review
Paul McCartney: Man on the Run (2025)
100%
5/5
EDIT
“McCartney’s golden commentary anchors and enriches this riveting and rewarding project.” –
Irish Independent
Feb 25, 2026
Full Review
Cold Storage (2026)
81%
3/5
EDIT
“Goofy, scrappy and unforgivably chatty, Cold Storage could do with some sharper jokes and bigger scares.” –
Irish Independent
Feb 19, 2026
Full Review
If I Had Legs I'd Kick You (2025)
92%
4/5
EDIT
“It’s all close-ups and close calls, arguments and tantrums, and this stressful, feverish film will have you sweating. ” –
Irish Independent
Feb 19, 2026
Full Review
Whistle (2025)
64%
1/5
EDIT
“Janky visual effects lower the tone and there is a sense throughout of Hardy and Egerton making up the rules – and the dialogue – as they go along. Do yourself a favour and rewatch Final Destination instead.” –
Irish Independent
Feb 12, 2026
Full Review
Wuthering Heights (2026)
57%
3/5
EDIT
“You don’t make a film this showy, this unapologetically raunchy without hoping for a big reaction. It’s on the way, I’d bet. Just don’t go taking any of it too seriously.” –
Irish Independent
Feb 9, 2026
Full Review
A Quiet Love (2025)
3/5
EDIT
“Big topics – too big for a shared space, perhaps – and this eager, heartfelt documentary sometimes gets in its own way. But you’ll be glad you watched it.” –
Irish Independent
Feb 6, 2026
Full Review
Twinless (2025)
97%
5/5
EDIT
“The less you know about this one, the better. Intelligent and inventive, Sweeney’s unconventional grief comedy is full of surprises and is next-to-impossible to discuss without spoiling.” –
Irish Independent
Feb 6, 2026
Full Review
Nouvelle Vague (2025)
92%
4/5
EDIT
“True, Godard was a pain in the neck, and the real Breathless shoot caused a great deal of stress for its cast and crew. This witty and enchanting reconstruction, however, looks as if it was a joy to make, from start to finish.” –
Sunday Independent (Ireland)
Jan 29, 2026
Full Review
Is This Thing On? (2025)
87%
4/5
EDIT
“This isn’t a film about telling jokes; it’s about what happens when couples forget to make the effort with one another. It’s also a bit of a hoot.” –
Sunday Independent (Ireland)
Jan 29, 2026
Full Review
H Is for Hawk (2025)
81%
3/5
EDIT
“There is a sense of strain throughout this respectable, warm-hearted film from director Philippa Lowthorpe and co-writer Emma Donoghue. A responsibility, perhaps, to honour the nature side of Helen’s tale, and the real human drama. ” –
Sunday Independent (Ireland)
Jan 22, 2026
Full Review
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