Jack Martin
Tomatometer-approved critic
Billie Eilish - Hit Me Hard and Soft: The Tour (Live in 3D) (2026)
89%
4/5
EDIT
“Billie Eilish – Hit Me Hard and Soft: The Tour Live in 3D is a technically impressive concert movie that successfully immerses viewers into the live experience while allowing and encouraging fans to remotely enjoy themselves.” –
Film Feeder
May 8, 2026
Full Review
Mortal Kombat II (2026)
68%
3.5/5
EDIT
“[The filmmakers] are simply a couple of kids in a sandbox playing around with their many action figures, and this is the delightful result that comes from a clear place of passion and admiration for these characters and the wacky worlds they inhabit.” –
Film Feeder
May 6, 2026
Full Review
The Sheep Detectives (2026)
95%
4/5
EDIT
“The Sheep Detectives is one of the year’s biggest surprises thus far, as it offers not just a compelling and often unpredictable murder-mystery plot, but also strong emotional depth and lovable characters with plenty of heart.” –
Film Feeder
May 5, 2026
Full Review
The Devil Wears Prada 2 (2026)
78%
4/5
EDIT
“The Devil Wears Prada 2 wisely tempers its nostalgia-baiting in favour of a surprisingly meaningful study of how modern media is slowly eroding the soul of passionate cultural outlets, making it an unexpectedly worthy sequel.” –
Film Feeder
May 2, 2026
Full Review
Hokum (2026)
88%
3.5/5
EDIT
“It may not necessarily do anything that rewrites the rulebook, and in some parts features its own brand of hokum, but it is an efficiently executed tale of spiritual scares that may just get under your skin.” –
Film Feeder
Apr 29, 2026
Full Review
Mother Mary (2026)
72%
3.5/5
EDIT
“If you’re able to go along with the flow that Lowery has created for yet another entry in his undefinable filmography, you’ll find Mother Mary to be a fascinating experience that embraces theatricality of varying definitions.” –
Film Feeder
Apr 26, 2026
Full Review
Apex (2026)
67%
4/5
EDIT
“Apex is a solid survival thriller. Not a groundbreaking one by any means, but well-executed enough to remain impressive in its fair share of natural thrills and humanist suspense.” –
Film Feeder
Apr 25, 2026
Full Review
Michael (2026)
39%
1/5
EDIT
“To use one of his most memorable songs, it’s bad. It’s bad. It’s really, really bad.” –
Film Feeder
Apr 23, 2026
Full Review
Rose of Nevada (2025)
100%
3.5/5
EDIT
“Rose of Nevada is another formidable made-by-hand offering by an auteur that is actively disproving the notion that modern-day filmmaking can be one thing and one thing only.” –
Film Feeder
Apr 22, 2026
Full Review
Lee Cronin's The Mummy (2026)
47%
2.5/5
EDIT
“Lee Cronin’s The Mummy goes for broke with a franchise reinvention that is grotesquely gory and stylishly deranged, but a derivative script filled with tonal imbalance and frustrating character decisions keep it stuck in its tomb.” –
Film Feeder
Apr 18, 2026
Full Review
Roommates (2026)
65%
3/5
EDIT
“Like her sister Sunny did in You Are So Not Invited to My Bat Mitzvah, [Sadie Sandler] leads Roommates with enough genuine charm and likeability to overcome some shaggy storytelling by screenwriters Jimmy Fowlie and Ceara O’Sullivan.” –
Film Feeder
Apr 17, 2026
Full Review
Balls Up (2026)
23%
0.5/5
EDIT
“It’s lowest-common-denominator all the way, and it’s just utterly miserable to even talk about, let alone actually watch.” –
Film Feeder
Apr 16, 2026
Full Review
Glenrothan (2025)
17%
1.5/5
EDIT
“Sadly, it all leaves Glenrothan an unfortunate dud, made by people whose goodwill is strong but their storytelling skills less so.” –
Film Feeder
Apr 14, 2026
Full Review
You, Me & Tuscany (2026)
66%
3/5
EDIT
“It’s a miracle that it works at all, even if it’s about as generic as we’ve come to expect from this type of movie.” –
Film Feeder
Apr 13, 2026
Full Review
undertone (2025)
74%
3.5/5
EDIT
“It’s enough to where the film, even at times when it doesn’t fully take advantage of its unique setup, can send genuine chills down your spine and straight to your eardrum.” –
Film Feeder
Apr 12, 2026
Full Review
Outcome (2026)
28%
1.5/5
EDIT
“Largely comes across as a whiny, woe-is-me plea for support amid some very serious accusations that films like this attempt to trivialise in slightly heinous fashion.” –
Film Feeder
Apr 10, 2026
Full Review
The Stranger (2025)
90%
4/5
EDIT
“A fascinating psychological thriller... but examined from a more neurodivergent perspective it becomes a possible allegory for the misunderstanding of autistic people’s struggles with overall emotional output.” –
Film Feeder
Apr 9, 2026
Full Review
California Schemin' (2025)
96%
4.5/5
EDIT
“It all adds to a confident and assured directorial debut for McAvoy, who handles the transition beautifully and makes you very curious as to where he’ll take his filmmaking career next.” –
Film Feeder
Apr 8, 2026
Full Review
Father Mother Sister Brother (2025)
84%
2.5/5
EDIT
“Intriguingly, or perhaps frustratingly, there’s very little to say about any of these stories.” –
Film Feeder
Apr 7, 2026
Full Review
The Drama (2026)
76%
3.5/5
EDIT
“The end result is more uncomfortable than it is truly provocative.” –
Film Feeder
Apr 5, 2026
Full Review
The Super Mario Galaxy Movie (2026)
42%
3/5
EDIT
“As far from perfect as it may be, Mario lovers will find themselves enjoying the bright and colourful nonsense of a sequel that maintains enough playfulness and fun to make up for its lack of simplicity. Not bad at all for a forty-year-old plumber.” –
Film Feeder
Apr 1, 2026
Full Review
Mike & Nick & Nick & Alice (2026)
76%
2/5
EDIT
“A low-energy action movie with time-travel that doesn’t reach beyond its limitations, offering a surprisingly lethargic tone and dull characters that not even a few lively moments can save from fading away.” –
Film Feeder
Mar 30, 2026
Full Review
The Magic Faraway Tree (2026)
91%
3/5
EDIT
“It’s sweetly harmless, giving kids an imaginative world to lose themselves in with eccentric characters who are simple yet identifiable, and providing adults with a soothing distraction while they get on with other things in their life. ” –
Film Feeder
Mar 29, 2026
Full Review
Splitsville (2025)
84%
4/5
EDIT
“Splitsville is a very funny slapstick-heavy screwball comedy which delivers plenty of laughs from the physical and thematic misery of its central characters, as well as the growing awkwardness of their shared situation.” –
Film Feeder
Mar 26, 2026
Full Review
Pretty Lethal (2026)
57%
3/5
EDIT
“Pretty Lethal is a silly but enjoyable ballet-centric action movie that is aware enough of its own preposterousness to focus on delivering fun fight choreography over more necessary plot and character development.” –
Film Feeder
Mar 25, 2026
Full Review
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