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Robert Daniels

Tomatometer-approved critic

Reviews

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Wishful Thinking (2026) 100% EDIT “With an inquisitiveness recalling Richard Linklater and a feeling of tragic wonder, writer/director Graham Parkes’s feature directorial debut is an assured, complex story about two people with a love so strong it could literally move mountains. ” – Screen International Mar 19, 2026 Full Review DreamQuil (2026) EDIT “A harried psychological thriller, whose enthralling style is not enough to overcome its cliched storytelling.” – Screen International Mar 18, 2026 Full Review Forbidden Fruits (2026) 83% EDIT “The barrage of dumb jokes delivered by an adept cast gives this gnarly horror comedy some real cult appeal” – Screen International Mar 17, 2026 Full Review Hokum (2026) 95% EDIT “An engagingly frigid performance by [Adam] Scott furthers the film’s keen ability to conjure overwhelming anxiety from its many punchy jump scares, combining to make Hokum an exceptionally chilling horror film.” – Screen International Mar 17, 2026 Full Review Mike & Nick & Nick & Alice (2026) 80% EDIT “A successfully brash and giddy action-comedy whose many endearing parts make for a remarkable whole. ” – Screen International Mar 16, 2026 Full Review Ready or Not 2: Here I Come (2026) 76% EDIT “More bloody and gratuitously violent than the 2019 original, Ready or Not 2: Here I Come delivers short-term thrills in an emotionally hollow gore fest.” – Screen International Mar 14, 2026 Full Review I Love Boosters (2026) 100% EDIT “Not content with making a modest comedy about stylish shoplifters, Boots Riley’s imaginatively outlandish fast-fashion satire I Love Boosters continues the director’s penchant for maximalist social statements. ” – Screen International Mar 13, 2026 Full Review The Gates (2026) 55% 2/4 EDIT “Van Der Beek keeps the film interesting and guarded, even when it tries so hard to blurt out its every theme and lesson. So while "The Gates" itself isn’t a total smash, it’s a more than sturdy final effort from a beloved actor. ” – RogerEbert.com Mar 13, 2026 Full Review Project Hail Mary (2026) 95% 2.5/4 EDIT “It’s an enjoyable, yet overly familiar, excursion. By disavowing narrative and aesthetic boundaries, 'Project Hail Mary' struggles to become boundless. ” – RogerEbert.com Mar 10, 2026 Full Review War Machine (2026) 69% EDIT “Though Ritchson tries to humanize 81’s sudden thrust into leadership, his tics, doubling as clichés, lack depth.” – New York Times Mar 8, 2026 Full Review Redux Redux (2025) 97% 3/4 EDIT “The film’s sci-fi tone holds best, not when the McManus brothers try to explain the technological components, but when these characters’ find solace in their shared trauma. ” – RogerEbert.com Feb 20, 2026 Full Review Last Ride (2026) 2/4 EDIT “There is a good movie lurking within writer/director Cinqué Lee’s survivalist coming-of-age thriller ‘Last Ride.' It’s just suspended between two half-told stories.” – RogerEbert.com Feb 20, 2026 Full Review Sentient (2026) 70% EDIT “Jones’ inability to find a stable middle ground blanches the purity of his intentions, reducing his film’s potent message into an overwrought screed. ” – RogerEbert.com Feb 2, 2026 Full Review Kikuyu Land (2026) EDIT “One hopes that this stimulating and well-researched documentary allows the Kikuyus to be heard.” – RogerEbert.com Feb 2, 2026 Full Review Levitating (2026) EDIT “While the film’s ambition... can get the better of it, when its myriad of transcendental scenes do occur, they hit with incredible might. ” – RogerEbert.com Feb 2, 2026 Full Review Everybody To Kenmure Street (2026) 100% EDIT “Felipe Bustos Sierra’s "Everybody to Kenmure Street" is a spirited and imperative portrait of collective action whose urgency painfully speaks to now.” – RogerEbert.com Feb 1, 2026 Full Review Lady (2026) 95% EDIT “With a keen mixing of archival news footage, real political issues and an empathetic eye—Nwosu’s "Lady" is a vibrant and invigorating debut feature whose intelligent narrative calibrations make for a galvanizing picture of sisterhood.” – RogerEbert.com Feb 1, 2026 Full Review Shame and Money (2026) 100% EDIT “There isn’t a single false beat in director German–Kosovan filmmaker Visar Morina’s anti-capitalist venture "Shame and Money."” – RogerEbert.com Feb 1, 2026 Full Review A Poet (2025) 100% 3.5/4 EDIT “It’s very easy to dismiss a film about a hapless loser. But it’s nearly as difficult to ignore a performance like the one Rios gives.” – RogerEbert.com Jan 30, 2026 Full Review Run Amok (2026) 67% EDIT “The execution is so lacking due to its half-formed ideas and its grating tone, that it all just crumbles before it comes remotely close to the finish line. ” – RogerEbert.com Jan 30, 2026 Full Review The Friend's House Is Here (2026) 100% EDIT “This is a powerful film about the importance of performance that perceptively knows what it wants to be and approaches its artistic goals with confidence and defiance. ” – RogerEbert.com Jan 30, 2026 Full Review Frank & Louis (2026) 92% EDIT “Petra Biondina Volpe’s caretaker drama "Frank & Louis" is a distressing, albeit distant picture that survives on its two lead actors. ” – RogerEbert.com Jan 30, 2026 Full Review Chasing Summer (2026) 71% EDIT “While the wild and fun "Chasing Summer" isn’t necessarily Decker at her best. It’s certainly her at her most content. ” – RogerEbert.com Jan 30, 2026 Full Review Antiheroine (2026) EDIT “It’s great hearing and learning from today’s Love—a candid personality re-entering an over tightened world lacking in spontaneity and honesty. ” – RogerEbert.com Jan 30, 2026 Full Review Time and Water (2026) 92% EDIT “A stirring record of human hopes and regrets. ” – RogerEbert.com Jan 30, 2026 Full Review
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