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6/10
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Mortal Kombat II
(2026)
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Jonathan W. Hickman
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Once Karl Urban enters the arena, the film becomes just self-aware enough to survive its own arcade-style ultraviolence.
Posted May 08, 2026
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6/10
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The Devil Wears Prada 2
(2026)
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Jonathan W. Hickman
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It’s a film caught between eras. Between instinct and data. Between legacy and relevance.
Posted May 01, 2026
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7/10
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Deep Water
(2026)
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Jonathan W. Hickman
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"Deep Water" is loud, ridiculous, and intermittently thrilling—and it works precisely because it knows better than to pretend otherwise.
Posted May 01, 2026
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6/10
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Animal Farm
(2025)
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Jonathan W. Hickman
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This is a softened, watered-down version of a story built on sharp edges—one that seems almost uneasy with the very ideas it’s meant to deliver.
Posted May 01, 2026
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3/10
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Michael
(2026)
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Jonathan W. Hickman
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It’s a legacy-management exercise, a carefully curated attempt to sand down the rough edges of one of pop culture’s most complicated figures.
Posted Apr 24, 2026
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7/10
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Over Your Dead Body
(2026)
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Jonathan W. Hickman
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"Over Your Dead Body" isn’t interested in nuance. It’s a blunt instrument, a dark joke stretched to feature length.
Posted Apr 24, 2026
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3/10
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Lee Cronin's The Mummy
(2026)
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Jonathan W. Hickman
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"Lee Cronin’s the Mummy" is an ugly, punishing piece of work—an exploitative, "Evil Dead"- adjacent slog that mistakes extremity for impact.
Posted Apr 17, 2026
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5/10
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Normal
(2025)
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Jonathan W. Hickman
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In trying to establish a new "normal" for Odenkirk, the film ends up feeling exactly that—serviceable, familiar, and ultimately forgettable.
Posted Apr 17, 2026
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8/10
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Sisu: Road to Revenge
(2025)
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Jonathan W. Hickman
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There’s no hesitation, no philosophical detour. Just forward motion.
Posted Apr 10, 2026
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6/10
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Hamlet
(2025)
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Jonathan W. Hickman
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It doesn’t so much stage the play as relocate its anxieties into a modern bloodstream. The bones remain familiar, but the shift in tone blunts the tragic force that once felt unavoidable.
Posted Apr 10, 2026
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7/10
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André Is an Idiot
(2025)
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Jonathan W. Hickman
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… a raw, heartfelt public service announcement that desperately begs all of us to get a colonoscopy.
Posted Mar 20, 2026
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8/10
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Project Hail Mary
(2026)
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Jonathan W. Hickman
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As blockbusters go, "Project Hail Mary" potentially appeals to almost anyone.
Posted Mar 20, 2026
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6/10
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undertone
(2025)
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Jonathan W. Hickman
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The feature film debut of writer/director Ian Tuason is a triumph of sound design over narrative, capably building tension but ultimately leading the viewer to a dark, empty place.
Posted Mar 13, 2026
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5/10
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THE BRIDE!
(2026)
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Jonathan W. Hickman
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It should surprise no one that "The Bride!" is sweetened up with enough post-#MeToo angst to give any red-blooded, MAGA, Epstein-era misogynist a mother f*%#ing toothache. Mary Wollstonecraft Shelley would no doubt approve.
Posted Mar 06, 2026
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4/10
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Scream 7
(2026)
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Jonathan W. Hickman
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"Scream 7" feels very much like an unintentional parody. The chuckles the movie evokes are scattershot, and the scares are nearly non-existent.
Posted Feb 27, 2026
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8/10
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Sirāt
(2025)
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Jonathan W. Hickman
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Spain’s Oscar hopeful holds rhythmic power.
Posted Feb 26, 2026
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7/10
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How to Make a Killing
(2026)
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Jonathan W. Hickman
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"How to Make a Killing" is an unapologetic indulgence, written, directed, and performed with sophistication and forbidden delight.
Posted Feb 20, 2026
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7/10
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Crime 101
(2026)
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Jonathan W. Hickman
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"Crime 101" is a smart, muscular, and thoughtful caper film worthy of the talent and respectful of its audience’s intellect.
Posted Feb 13, 2026
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6/10
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Wuthering Heights
(2026)
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Jonathan W. Hickman
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… an utterly devastating account of forbidden love.
Posted Feb 13, 2026
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5/10
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Good Luck, Have Fun, Don't Die
(2025)
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Jonathan W. Hickman
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"Good Luck, Have Fun, Don’t Die" should be more fun. This awkwardly titled, wacky mashup feels like a loose anthology picture but without the structural guidance of a wrap-around framing device.
Posted Feb 13, 2026
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7/10
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Dracula
(2025)
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Jonathan W. Hickman
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"Dracula" is an entertaining, often engaging romance and not a particularly scary movie, as the vampire gets a creative makeover.
Posted Feb 06, 2026
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5/10
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The Wrecking Crew
(2026)
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Jonathan W. Hickman
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"The Wrecking Crew" doesn’t trust the stars enough to carry the picture and injects silly elements that distract from the magnetism of the performers.
Posted Jan 30, 2026
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7/10
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Send Help
(2026)
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Jonathan W. Hickman
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Raimi’s darkly acerbic tone maintains the tension.
Posted Jan 30, 2026
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4/10
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Mercy
(2026)
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Jonathan W. Hickman
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The AI boogieman that’s stalking Hollywood is not a new cinematic plot device. "Mercy" makes the frightful contrivance seem dated, tired, and ultimately not much of a threat.
Posted Jan 23, 2026
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8/10
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Dead Man's Wire
(2025)
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Jonathan W. Hickman
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It’s deftly directed, perfectly performed, and acerbically funny.
Posted Jan 23, 2026
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5/10
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Night Patrol
(2025)
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Jonathan W. Hickman
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Unfortunately, the screenplay of "Night Patrol" feels like the writing team kept brainstorming while making the film and never stopped adding things.
Posted Jan 16, 2026
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8/10
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28 Years Later: The Bone Temple
(2026)
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Jonathan W. Hickman
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a solid middle film in what’s shaping up to be an epic science fiction/horror trilogy.
Posted Jan 16, 2026
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6/10
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Greenland 2: Migration
(2026)
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Jonathan W. Hickman
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The frightful journey is a bit of an exhausting grind, but the film’s short running time and Butler’s sturdy presence keep things humming along.
Posted Jan 09, 2026
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8/10
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The Plague
(2025)
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Jonathan W. Hickman
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… an unusual, nerve-racking, tightly wound dramatic thriller.
Posted Jan 02, 2026
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8/10
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Marty Supreme
(2025)
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Jonathan W. Hickman
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… a hugely entertaining film that sells table tennis as a supremely underappreciated sport.
Posted Dec 25, 2025
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8/10
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Song Sung Blue
(2025)
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Jonathan W. Hickman
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... an inspiring, heartfelt holiday gift.
Posted Dec 24, 2025
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8/10
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The Secret Agent
(2025)
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Jonathan W. Hickman
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"The Secret Agent" is a fascinating and tense thriller written with intention.
Posted Dec 19, 2025
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5/10
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Avatar: Fire and Ash
(2025)
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Jonathan W. Hickman
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The overly busy narrative left little room for the genuine emotional connection that many viewers, like me, felt watching the original.
Posted Dec 19, 2025
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7/10
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Dust Bunny
(2025)
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Jonathan W. Hickman
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Strange, bizarre, and terrifically weird, writer/director Bryan Fuller’s ambitious "Dust Bunny" should whet the appetite of fantasy fans hungry for a mature fairy tale.
Posted Dec 12, 2025
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7/10
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Rental Family
(2025)
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Jonathan W. Hickman
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"Rental Family" introduces a fascinating premise but is unsure what to do with it or which characters to trust to carry the film.
Posted Dec 12, 2025
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6/10
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Wake Up Dead Man: A Knives Out Mystery
(2025)
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Jonathan W. Hickman
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I liked Father Jud well enough, but I wanted more Blanc even if that meant nothing more than learning where he gets his suits or what brand of gin he prefers in his Negroni.
Posted Nov 26, 2025
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8/10
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Hamnet
(2025)
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Jonathan W. Hickman
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The remarkable thing about "Hamnet" is that even at its blackest moments, there is beauty on display. It’s a tricky combination of stark storytelling and textured imagery.
Posted Nov 26, 2025
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5/10
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Jay Kelly
(2025)
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Jonathan W. Hickman
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The goodwill on display by the lovable cast acts to undermine the movie’s message, one that should have shared Baumbach’s expected acerbic wit.
Posted Nov 26, 2025
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7/10
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Wicked: For Good
(2025)
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Jonathan W. Hickman
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The box-checking might satisfy fans, but the rush to cover it all puts "For Good’s" closing act firmly behind its immensely emotive predecessor.
Posted Nov 21, 2025
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8/10
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Natchez
(2025)
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Jonathan W. Hickman
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The finely constructed documentary feature "Natchez" is much more than a travelogue, a profile of a single place. It’s a rich and provocative exploration of America’s past and its fraught future.
Posted Nov 14, 2025
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5/10
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The Running Man
(2025)
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Jonathan W. Hickman
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"The Running Man" is a scattershot, frustrating attempt to track the source material rather than using it as a jumping-off point for another of Wright’s entertaining adventures.
Posted Nov 14, 2025
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7/10
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Nuremberg
(2025)
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Jonathan W. Hickman
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“Nuremberg” is lavish, grand, old-school filmmaking worthy of theatrical exhibition.
Posted Nov 07, 2025
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7/10
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Die My Love
(2025)
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Jonathan W. Hickman
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The film starts as a meandering, ponderous exploration of postpartum depression, but when Ramsay finally sets her hook, it digs deep.
Posted Nov 07, 2025
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8/10
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Predator: Badlands
(2025)
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Jonathan W. Hickman
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“Predator: Badlands” is the Alien-Predator mashup that fans have been craving.
Posted Nov 07, 2025
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5/10
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Ballad of a Small Player
(2025)
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Jonathan W. Hickman
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The turgid narrative turns unforgivingly hostile, even with Colin Farrell doing solid work.
Posted Oct 31, 2025
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6/10
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Bugonia
(2025)
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Jonathan W. Hickman
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The talented director’s focus should be on crafting better narratives.
Posted Oct 31, 2025
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6/10
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Nouvelle Vague
(2025)
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Jonathan W. Hickman
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This behind-the-scenes glimpse into movie history will entertain cineastes, but others may struggle to engage with and understand the point of it all.
Posted Oct 31, 2025
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5/10
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Shelby Oaks
(2023)
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Jonathan W. Hickman
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"Shelby Oaks" is too clean, too well produced, and too fake for its own good.
Posted Oct 24, 2025
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7/10
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Chainsaw Man - The Movie: Reze Arc
(2025)
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Jonathan W. Hickman
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The shared fan communal experience celebrates the power of going to the movies.
Posted Oct 24, 2025
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5/10
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A HOUSE OF DYNAMITE
(2025)
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Jonathan W. Hickman
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Nuclear missile drama frustrates with repetitive structure.
Posted Oct 24, 2025
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