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We Live Entertainment

We Live Entertainment is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Aaron Neuwirth, Abe Friedtanzer, Adriana Gomez-Weston, Alan French, Ashley Menzel, Audrey Fox, Catherine Springer, Fred Topel, JimmyO, Karen M. Peterson, Kit Bowen, Kristen Lopez, Sarah Musnicky, Scott Menzel, Zoë Rose Bryant.

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Rating Title | Year Author Quote
Mortal Kombat II (2026) Aaron Neuwirth Now we have Mortal Kombat II, a sequel that follows the traditional pattern of going larger, and in this case, it actually proved better. Shortcoming aside, this bigger, bloodier brawler kontains plenty of fun and killer action.
Posted May 06, 2026  Edit critic review
7/10
The Serpent's Skin (2025) Aaron Neuwirth As something bizarre, fun, and different, this is a trippy one to keep an eye out for.
Posted May 01, 2026  Edit critic review
7/10
Apex (2026) Aaron Neuwirth It’s the way this film goes from a cat-and-mouse game to one where they need to rely on each other. None of this is super deep, but there’s a large amount of fun to behold in this 90-minute quick hit that was much appreciated.
Posted May 01, 2026  Edit critic review
5/10
Deep Water (2026) Aaron Neuwirth A film from the director of Deep Blue Sea and Cliffhanger, feeling like it’s largely on autopilot, didn’t do any favors for my enjoyment. A true shame because the premise is sound.
Posted May 01, 2026  Edit critic review
7/10
RZA's One Spoon of Chocolate (2025) Aaron Neuwirth Looking at RZA’s past couple of films, including Cut Throat City, it shows a filmmaker who has been building toward a proper balance of action, thrills, and thematic weight. One Spoon of Chocolate finds the proper outlet for these many ideas.
Posted May 01, 2026  Edit critic review
7/10
Hokum (2026) Aaron Neuwirth As is, the movie plays something like a puzzle box combined with the paranoia generally found in folk horror. This all does make for a mostly entertaining movie; I just wish a follow-up to Oddity had a bit more to say or freak me out.
Posted May 01, 2026  Edit critic review
The Devil Wears Prada 2 (2026) Aaron Neuwirth The Devil Wears Prada 2 may not replicate the same sense of iconography as the first, but it recreates that fun well enough and feels more balanced by consistently wearing its best looks.
Posted Apr 29, 2026  Edit critic review
3/10
Balls Up (2026) Aaron Neuwirth And yet, Wahlberg feels that Boogie Nights was the film he needed to apologize to his fellow Catholics for.
Posted Apr 24, 2026  Edit critic review
2/10
Special Op: Rent-a-Cop (2026) Aaron Neuwirth This is a dull affair that lacks any real understanding of how to use the talent it has—nothing special about this one.
Posted Apr 24, 2026  Edit critic review
7/10
The Addiction of Hope (2025) Aaron Neuwirth The Addiction of Hope clearly comes from a place of familiarity. Director Martin Grey captures it well and balances it with a solid story about the importance of family.
Posted Apr 24, 2026  Edit critic review
7/10
Beast (2026) Aaron Neuwirth With enough to offer for any viewer that enjoys these types of stories, Beast is a beast of a film that knows how to walk the familiar lines and deliver to its advantage.
Posted Apr 24, 2026  Edit critic review
5/10
Roommates (2026) Aaron Neuwirth It’s just a shame the movie doesn’t remotely stick the landing.
Posted Apr 24, 2026  Edit critic review
8/10
I Swear (2025) Aaron Neuwirth It takes a lot to keep this from feeling like a wildly overblown performance. But yes, Aramayo earns the praise he has received.
Posted Apr 24, 2026  Edit critic review
Michael (2026) Aaron Neuwirth It treats Michael with a high level of respect to a fault, barely skimming the surface of many of its more interesting ideas, and ultimately serves as half a movie.
Posted Apr 21, 2026  Edit critic review
6/10
Thrash (2026) Aaron Neuwirth This movie shouldn’t really work, and in a lot of ways, it doesn’t. However, I had a decent amount of fun watching what doubles as a disaster movie and a shark-attack flick.
Posted Apr 18, 2026  Edit critic review
5/10
The Napa Boys (2025) Aaron Neuwirth o its credit, The Napa Boys’ first half, in particular, is its strongest. The weirdness of what’s going on is well balanced by the realizations about what the film is doing.
Posted Apr 18, 2026  Edit critic review
7/10
The Mountain (2024) Aaron Neuwirth House also clearly wants to tell a story that celebrates New Zealand’s diversity, from the manner of speech to the characters’ choices.
Posted Apr 18, 2026  Edit critic review
7/10
Mile End Kicks (2025) Aaron Neuwirth This is a fun film to consider, as it revolves around a lead character who makes some pretty terrible choices, and yet you continually root for her to either change things around or make them right.
Posted Apr 18, 2026  Edit critic review
7/10
Normal (2025) Aaron Neuwirth A battle royale towards the end of the film, in particular, is a real fun standout. At 90 minutes, this movie is exactly as long as it needs to be and remains quite fun, even after it stops pretending to be normal.
Posted Apr 18, 2026  Edit critic review
6/10
Over Your Dead Body (2026) Aaron Neuwirth There is enough to laugh along with, let alone root for and consider, as we see tables being turned in different manners throughout the feature.
Posted Apr 18, 2026  Edit critic review
Lee Cronin's The Mummy (2026) Aaron Neuwirth Making up for some narratively lacking areas is a game cast happy to play along with Cronin’s ideas for a fun, horror-filled time. In particularly, the children are utilized quite well.
Posted Apr 16, 2026  Edit critic review
Mother Mary (2026) Aaron Neuwirth It feels like we learn about a whole lifetime and everything that’s transpired within it, and yet the grandest element may be a metaphorical spirit trapped inside a floating piece of fabric.
Posted Apr 14, 2026  Edit critic review
7/10
Pizza Movie (2026) Aaron Neuwirth I laughed a lot throughout this film because of the sensibilities of all involved. Removing an inner logic shared by every scene in the film gives you a range of comedic material to work with, and it’s all grounded in what the leads are giving.
Posted Apr 09, 2026  Edit critic review
4/10
Outcome (2026) Aaron Neuwirth Reeves is clearly game to lean into what the story is calling for, but it was simply hard to actually believe in him suddenly becoming a manic mad man trying to retain his reputation.
Posted Apr 09, 2026  Edit critic review
7/10
Exit 8 (2025) Aaron Neuwirth As it stands, there’s a lot here that aligns with what I want in original features, especially those from a smaller system rather than a mainstream IP.
Posted Apr 09, 2026  Edit critic review
7/10
Faces of Death (2026) Aaron Neuwirth Not only does it manage to pull off what it’s aiming for, but the film serves as a much better example of a Scream-type movie than the actual recent entry in that franchise.
Posted Apr 09, 2026  Edit critic review
6/10
You, Me & Tuscany (2026) Aaron Neuwirth Given that romantic comedies are an endangered species in theaters, the mild pleasure found here does enough.
Posted Apr 09, 2026  Edit critic review
5/10
Pretty Lethal (2026) Aaron Neuwirth Not for nothing, but it’s great to see that a schlocky genre film like this is happy to include a talented actress like Simmonds, who may be deaf, but is happy to go along with this sort of nonsense, presumably because it sounded like a fun challenge.
Posted Apr 09, 2026  Edit critic review
6/10
Fantasy Life (2025) Aaron Neuwirth It’s Peet who delivers what’s required here, be it her comedic instincts or interactions with any number of supporting players.
Posted Apr 09, 2026  Edit critic review
6/10
Mermaid (2025) Aaron Neuwirth Even with the surreal nature of it all, the genre-bending story made for an interesting way to take in the broad notion of what gives rise to the infamous "Florida Man."
Posted Apr 09, 2026  Edit critic review
6/10
Miroirs No. 3 (2025) Aaron Neuwirth I couldn’t help but feel a bit at arm’s length this time around. Not unworth checking out for the film’s positive qualities, but just a bit lower on the Petzold scale.
Posted Apr 09, 2026  Edit critic review
7/10
Forbidden Fruits (2026) Aaron Neuwirth I did appreciate how well this film sticks the landing by committing to a certain tone. Yes, some gorier elements occur quite rapidly, but they only add to the way the film’s pitch naturally develops over time.
Posted Apr 09, 2026  Edit critic review
The Super Mario Galaxy Movie (2026) Aaron Neuwirth Despite ultimately moving in the right direction, the continued choice to play things so incredibly safe renders a universe full of imagination as one featuring stories and characters that still never rise above a bland level.
Posted Apr 09, 2026  Edit critic review
The Christophers (2025) Aaron Neuwirth Adding a bit of a caper element and commentary on art culture only increases the value, making this a piece worth checking out.
Posted Apr 09, 2026  Edit critic review
7/10
Heel (The Good Boy) (2025) Aaron Neuwirth There’s strong work going into this film, which is a great way to balance the oddity of what’s taking place here. Graham shows just how amazing he is as a performer, letting his character’s vulnerabilities lead him to both drastic and heartfelt actions.
Posted Apr 01, 2026  Edit critic review
6/10
Home Delivery (2025) Aaron Neuwirth Some of this certainly falls into old tropes. Still, when there’s fun to be had with all the different interactions and the ticking clock that is the eventual birth, it’s easy just to roll along with the intended fun being generated by all involved.
Posted Apr 01, 2026  Edit critic review
7/10
Mike & Nick & Nick & Alice (2026) Aaron Neuwirth Along with having a clever premise that pays off in terms of the comedic elements as well as the sci-fi ones when it comes to appreciating the effort that goes into delivering a solid time travel story, I have to say – this movie looks great.
Posted Apr 01, 2026  Edit critic review
6/10
Ready or Not 2: Here I Come (2026) Aaron Neuwirth I enjoyed the 2019 original fine, but this feels like an improvement from directors Matt Bettinelli-Opin and Tyler Gillett for a few reasons. The kills are more creative, and the leaning on the explosion of bodies never fails to delight.
Posted Apr 01, 2026  Edit critic review
6/10
They Will Kill You (2026) Aaron Neuwirth It’s essentially a game of cat & mouse with a supernatural twist. Much of it thrives on Beetz’s great work in the lead role, along with the heavy dose of style the film affords.
Posted Apr 01, 2026  Edit critic review
The Drama (2026) Aaron Neuwirth Handling the nature of what’s being discussed in such a darkly comedic way is key. Because of the writing and directorial choices, there’s plenty to latch onto in terms of this film’s take on entertainment value.
Posted Apr 01, 2026  Edit critic review
8/10
They Will Kill You (2026) Scott Menzel They Will Kill You absolutely rules. It’s a bloody blast from start to finish and the kind of movie that knows exactly what it is and fully commits to it.
Posted Mar 24, 2026  Edit critic review
8/10
Power Ballad (2026) Scott Menzel Power Ballad is a genuine crowd pleaser with real emotion, heart and a phenomenal soundtrack. John Carney has done it again!
Posted Mar 16, 2026  Edit critic review
7/10
Cold Storage (2026) Aaron Neuwirth Given the bleakness found in HBO’s The Last of Us, it’s refreshing to see a film like this that has far more fun with parasitic fungus.
Posted Mar 14, 2026  Edit critic review
7/10
Youngblood (2025) Aaron Neuwirth As a sports film, the plot follows a familiar trajectory, but it is the added shading that allows this movie to work better than it would otherwise.
Posted Mar 14, 2026  Edit critic review
8/10
Redux Redux (2025) Aaron Neuwirth All of this adds up to a film that is subtly cleverer than it may seem, while also delivering on the thrills of its premise in a very satisfying way.
Posted Mar 14, 2026  Edit critic review
7/10
War Machine (2026) Aaron Neuwirth As a pretty efficient action film that feels like a throwback with modern effects (the heavier-than-expected jingoism reinforces this sentiment), War Machine is the best film on Netflix with that title.
Posted Mar 14, 2026  Edit critic review
5/10
Slanted (2025) Aaron Neuwirth There’s no doubt that the material- and situation-based stories worth looking into in greater depth are the ones I wish this film had explored more effectively.
Posted Mar 14, 2026  Edit critic review
5/10
Reminders of Him (2026) Aaron Neuwirth It’s not a matter of trying to pull this apart; I just wish the results (particularly the writing) were stronger. As it stands, I won’t need too many reminders of this one.
Posted Mar 14, 2026  Edit critic review
4/10
undertone (2025) Aaron Neuwirth While interesting as an exercise in the dependency on audio design, I wanted more.
Posted Mar 14, 2026  Edit critic review
Project Hail Mary (2026) Aaron Neuwirth Project Hail Mary has plenty of movie to offer for audiences, and the only rocky thing about it would be to not take advantage of seeing such a film on the big screen.
Posted Mar 10, 2026  Edit critic review
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