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Solzy at the Movies

Solzy at the Movies is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Danielle Solzman.

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Rating Title | Year Author Quote
3.5/5
Ready or Not 2: Here I Come (2026) Danielle Solzman Ready or Not 2 works because it understands what made the original effective without simply retracing its steps.
Posted May 07, 2026  Edit critic review
3/5
Kentucky Roses (2026) Danielle Solzman As a Hallmark entry, Kentucky Roses delivers a familiar, formula-driven romance anchored by the iconic Churchill Downs. The setting provides much of the film’s strength, offering atmosphere and visual authenticity that often outweigh the narrative itself.
Posted May 01, 2026  Edit critic review
5/5
Power to the People: John & Yoko Live in NYC (2026) Danielle Solzman Power to the People: John & Yoko Live in NYC stands as the definitive way to experience these historic performances.
Posted Apr 30, 2026  Edit critic review
5/5
The Devil Wears Prada 2 (2026) Danielle Solzman The Devil Wears Prada 2 proves there’s still something vital—and relevant—left in Miranda, Andy, Emily, and Nigel’s world.
Posted Apr 29, 2026  Edit critic review
4/5
Stick It (2006) Danielle Solzman Twenty years later, Stick It is still nailing the landing.
Posted Apr 28, 2026  Edit critic review
4/5
Private Benjamin (1980) Danielle Solzman Private Benjamin remains a sharp fish-out-of-water comedy that still holds up as both a star vehicle for Goldie Hawn and a snapshot of early 1980s studio comedy.
Posted Apr 28, 2026  Edit critic review
3.5/5
The Other Woman (2014) Danielle Solzman he Other Woman is a solid, entertaining comedy that succeeds because of its cast and commitment to the bit.
Posted Apr 24, 2026  Edit critic review
4/5
Romy and Michele's High School Reunion (1997) Danielle Solzman For all its exaggerated accents, bold fashion, and ‘90s sheen, Romy and Michele’s High School Reunion remains a sharp and affectionate comedy about female friendship.
Posted Apr 24, 2026  Edit critic review
3.5/5
While You Were Sleeping (1995) Danielle Solzman Despite its flaws, While You Were Sleeping endures as a rom-com that thrives on its casting and its Chicago setting, even if it asks viewers to accept some significant leaps in logic along the way.
Posted Apr 21, 2026  Edit critic review
4/5
Kissing Jessica Stein (2001) Danielle Solzman Twenty-five years later, Kissing Jessica Stein remains a smart, witty, and surprisingly nuanced romantic comedy.
Posted Apr 21, 2026  Edit critic review
5/5
27 Dresses (2008) Danielle Solzman As a film, 27 Dresses is more character-driven, but it’s more than just a film about two people on a poster running into obstacle after obstacle on their way to falling in love.
Posted Apr 14, 2026  Edit critic review
4/5
Bridget Jones's Diary (2001) Danielle Solzman Even 25 years later, Bridget Jones’s Diary remains charming, funny, and surprisingly relatable.
Posted Apr 13, 2026  Edit critic review
4/5
Josie and the Pussycats (2001) Danielle Solzman There’s so much happening over the course of 98 minutes: an overload of satire, a tone that’s all over the place, and elements that feel either extremely dated or strangely prescient.
Posted Apr 12, 2026  Edit critic review
4.5/5
The Sweetest Thing (2002) Danielle Solzman The Sweetest Thing let its women be loud, vulgar, romantic, delusional, and sincere all at once.
Posted Apr 10, 2026  Edit critic review
3.5/5
Never Been Kissed (1999) Danielle Solzman Never Been Kissed is a charming and engaging romantic comedy that holds up in a number of places all these years later, though a few implausible plot points and dated social dynamics keep it from being anywhere close to perfect.
Posted Apr 10, 2026  Edit critic review
0.5/5
The Drama (2026) Danielle Solzman The Drama is not the film it was marketed to be, and that disconnect is both misleading and irresponsible.
Posted Mar 31, 2026  Edit critic review
5/5
Down With Love (2003) Danielle Solzman Down with Love is more than just an homage—it’s a film that fully understands the genre it’s celebrating and finds a way to make it feel fresh for a modern audience.
Posted Mar 31, 2026  Edit critic review
4/5
How to Lose a Guy in 10 Days (2003) Danielle Solzman How to Lose a Guy in 10 Days is exactly what it promises: a playful, predictable rom-com with enough charm, chemistry, and ridiculous hijinks to keep you entertained.
Posted Mar 30, 2026  Edit critic review
4.5/5
Notting Hill (1999) Danielle Solzman Notting Hill may be built on an unlikely premise, but it’s the sincerity beneath it that makes it last.
Posted Mar 26, 2026  Edit critic review
4.5/5
My Best Friend's Wedding (1997) Danielle Solzman My Best Friend’s Wedding holds up because it balances humor, heartfelt emotion, and surprising honesty.
Posted Mar 25, 2026  Edit critic review
4.5/5
Pretty Woman (1990) Danielle Solzman Pretty Woman endures not just as a romantic comedy, but as a snapshot of Hollywood at its glossy, larger-than-life best.
Posted Mar 23, 2026  Edit critic review
5/5
Project Hail Mary (2026) Danielle Solzman Lord and Miller have crafted an epic sci-fi crowd-pleaser that earns its place among the genre’s modern greats.
Posted Mar 19, 2026  Edit critic review
3.5/5
Mogambo (1953) Danielle Solzman Mogambo offers classic Hollywood star power...
Posted Mar 18, 2026  Edit critic review
4.5/5
Hoppers (2026) Danielle Solzman Hoppers is an animated adventure that balances humor, action, and environmental awareness in a way that feels both entertaining and thoughtful.
Posted Mar 05, 2026  Edit critic review
5/5
Paul McCartney: Man on the Run (2025) Danielle Solzman Thanks to Morgan Neville’s direction and the wealth of archival material, this period of Paul McCartney’s life finally gets its due in Man on the Run.
Posted Feb 27, 2026  Edit critic review
4.5/5
Ella Enchanted (2004) Danielle Solzman Anne Hathaway’s performance carries both comedic timing and warmth, while the supporting cast and colorful design add layers of fun and personality.
Posted Feb 25, 2026  Edit critic review
4/5
Richard Pryor Here and Now (1983) Danielle Solzman Richard Pryor... Here and Now captures a performer at a pivotal moment—allegedly sober, yet still fully Pryor: raw, fearless, and unflinchingly honest.
Posted Feb 24, 2026  Edit critic review
3.5/5
How to Make a Killing (2026) Danielle Solzman How to Make a Killing is a darkly comic thriller with plenty of laughs, suspense, and morally gray fun.
Posted Feb 18, 2026  Edit critic review
3/5
Rent (2005) Danielle Solzman Rent is one of those films that you either love or you don’t.
Posted Feb 16, 2026  Edit critic review
2/5
Wuthering Heights (2026) Danielle Solzman In reshaping Brontë’s sprawling tragedy into something more streamlined and provocative, Fennell delivers a Wuthering Heights that is visually striking and intermittently compelling but dramatically uneven.
Posted Feb 12, 2026  Edit critic review
5/5
Let's Spend the Night Together (1982) Danielle Solzman What Ashby and company have done is turn Let’s Spend the Night Together into one of the best concert films that I have ever experienced watching on a screen of any size.
Posted Feb 11, 2026  Edit critic review
4/5
Miracle: The Boys of '80 (2026) Danielle Solzman When one thinks of the top sports moments during the 20th century, the Miracle on Ice is probably in the top five slots—that’s what makes Miracle: The Boys of ’80 a compelling documentary.
Posted Jan 30, 2026  Edit critic review
3.5/5
Ma Mère, Dieu et Sylvie Vartan (2025) Danielle Solzman Once Upon My Mother is a film that will resonate with anyone who has faced obstacles, familial or otherwise, even if it doesn’t entirely escape the challenges inherent in life-spanning adaptations.
Posted Jan 14, 2026  Edit critic review
4.5/5
Dirty Dancing (1987) Danielle Solzman Dirty Dancing delivers classic romance, iconic choreography, and a killer soundtrack, earning its place as a beloved film while reminding us of the social and cultural world it reflects.
Posted Jan 12, 2026  Edit critic review
3/5
Greenland 2: Migration (2026) Danielle Solzman Greenland 2: Migration is entertaining enough in spots, but overall, it’s an average sequel that doesn’t quite live up to its potential.
Posted Jan 08, 2026  Edit critic review
4/5
Truth (2015) Danielle Solzman Truth serves as a reminder of what it means when journalists stand up against intimidation and interference.
Posted Jan 05, 2026  Edit critic review
5/5
Broadcast News (1987) Danielle Solzman Revisiting Broadcast News now, it’s striking how little James L. Brooks got wrong about television news—and how much worse the industry has become at pretending otherwise.
Posted Dec 31, 2025  Edit critic review
5/5
Traffic (2000) Danielle Solzman After all this time, Traffic still holds up as both a gripping story and a cautionary tale.
Posted Dec 30, 2025  Edit critic review
5/5
Into the Arms of Strangers: Stories of the Kindertransport (2000) Danielle Solzman The Oscar-winning documentary Into the Arms of Strangers: Stories of the Kindertransport remains an essential film about the Holocaust.
Posted Dec 29, 2025  Edit critic review
5/5
Anne Frank Remembered (1995) Danielle Solzman Thirty years later, Anne Frank Remembered remains essential not because it adds mythology to Anne Frank, but because it restores her humanity.
Posted Dec 29, 2025  Edit critic review
5/5
The American President (1995) Danielle Solzman Over 30 years after its release, The American President plays as a sobering portrait of principled leadership that feels increasingly rare.
Posted Dec 25, 2025  Edit critic review
5/5
A Few Good Men (1992) Danielle Solzman Under Rob Reiner’s direction, Cruise, Nicholson, and Moore elevate Aaron Sorkin’s dialogue into something timeless, ensuring the film remains as compelling today as it was upon release.
Posted Dec 25, 2025  Edit critic review
3/5
Anaconda (2025) Danielle Solzman Chaotic, occasionally silly, and self-aware, it leans into meta humor and absurd situations with solid chemistry from Paul Rudd and Jack Black.
Posted Dec 25, 2025  Edit critic review
5/5
Erin Brockovich (2000) Danielle Solzman More procedural than courtroom spectacle, Erin Brockovich succeeds as a legal drama through its attention to detail and Julia Roberts’ Oscar-winning performance.
Posted Dec 23, 2025  Edit critic review
4/5
Miss Congeniality (2000) Danielle Solzman Twenty-five years later, Miss Congeniality still holds up because it knows exactly what it is: a smart, funny showcase for Sandra Bullock’s charisma, supported by a delightful ensemble and Michael Caine’s scene-stealing turn.
Posted Dec 22, 2025  Edit critic review
4/5
Danny Collins (2015) Danielle Solzman A decade later, Danny Collins endures as Al Pacino leads a strong ensemble through a heartfelt tale of redemption underscored by John Lennon’s music.
Posted Dec 19, 2025  Edit critic review
3.5/5
Good Fortune (2025) Danielle Solzman At the end of the day, Good Fortune is clever, funny, and surprisingly thoughtful about wealth, privilege, and human connection.
Posted Dec 19, 2025  Edit critic review
3.5/5
Sisu: Road to Revenge (2025) Danielle Solzman At a brisk 89 minutes, the film delivers nonstop action throughout its runtime, with no shortage of stunts or set pieces.
Posted Dec 19, 2025  Edit critic review
4.5/5
The Housemaid (2025) Danielle Solzman The Housemaid is a tense, twist-filled thriller with suspense, style, and darkly entertaining performances that would make Hitchcock proud.
Posted Dec 18, 2025  Edit critic review
3.5/5
How Do You Know (2010) Danielle Solzman Fifteen years later, How Do You Know still isn’t perfect, but it’s far more charming and thoughtful than its early reputation suggests.
Posted Dec 17, 2025  Edit critic review
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