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D+
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Mortal Kombat II
(2026)
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Jacob Oller
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Injecting a dash of schlocky B-movie energy into this lifeless video game sequel is like trying to defibrillate a fighter after a fatality has popped their head like a cherry tomato.
Posted May 06, 2026
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B+
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Hokum
(2026)
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Matthew Jackson
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Hokum is the latest fruit of McCarthy’s chameleonic gifts, and his best film yet.
Posted May 01, 2026
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C
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Swapped
(2026)
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Jacob Oller
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Swapped is an overly familiar adventure towards empathy, one light on comedy and insight despite plenty of visual imagination in its world of flora-fauna hybrids.
Posted May 01, 2026
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B-
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Deep Water
(2026)
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Simon Abrams
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Features an impressive mix of practical and special effects and a mostly well-synthesized combination of old-school melodrama and modern cynical humor.
Posted Apr 30, 2026
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A-
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Black Christmas
(1974)
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Noel Murray
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Mostly, Black Christmas is too terrifying to be funny, let alone full of holiday cheer.
Posted Apr 29, 2026
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B-
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The Devil Wears Prada 2
(2026)
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Monica Castillo
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Although not all of the jokes and emotional beats land, The Devil Wears Prada 2 still gets the essence of what made the original a hit. The characters, slightly changed by time and their industry’s winds of change, are still compelling.
Posted Apr 29, 2026
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B
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The Sheep Detectives
(2026)
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Tim Grierson
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The Sheep Detectives evokes the sunny spirit of classics like Babe while teaching important lessons about death and community. And it contains a wonderful Julia Louis-Dreyfus performance as a smart sheep who discovers she’s got a lot to learn.
Posted Apr 27, 2026
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C
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Apex
(2026)
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Caroline Siede
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A survival thriller that starts solidly enough before gleefully careening of a cliff thanks in no small part to an absolutely wackadoo performance from Taron Egerton.
Posted Apr 24, 2026
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D+
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Desert Warrior
(2025)
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Monica Castillo
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While the story onscreen is dull and the performances uninspired, it’s the story around Desert Warrior that solidifies it as a strange chapter in a country’s self-promotional history.
Posted Apr 23, 2026
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C-
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Michael
(2026)
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Monica Castillo
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There’s almost an element of comfort in its predictability, even as it skirts as much controversy as possible, finally throwing up a card that reads “His Story Continues,” when it’s time to bail. Only, the audience knows what’s next.
Posted Apr 21, 2026
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Legend
(1985)
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Keith Phipps
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As a visual experience, Legend retains its appeal, but for more sober-minded filmgoers, it's intriguing primarily as a intriguing failure.
Posted Apr 17, 2026
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B-
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Roommates
(2026)
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Caroline Siede
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[While the] framing device is purposefully heighted, Sandler and East are fantastic at bringing a level of emotional realism to Devon and Celeste’s complicated bond, which is two parts Girls, one part Single White Female.
Posted Apr 17, 2026
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B-
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They Will Kill You
(2026)
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Jesse Hassenger
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Though They Will Kill You is not a true original, it manages to do a little more than bounce around the John Wick-to-Deadpool spectrum
Posted Apr 16, 2026
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C-
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Mike & Nick & Nick & Alice
(2026)
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Jesse Hassenger
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Mike & Nick & Nick & Alice is one of those would-be genre-mashers eager to call itself a sci-fi buddy-action gangster rom-com, despite not actually having much of any of them.
Posted Apr 16, 2026
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B
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Hoppers
(2026)
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Jesse Hassenger
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Unlike a lot of its animated competitors, Hoppers is at its best when it’s most manic.
Posted Apr 16, 2026
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C
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The Super Mario Galaxy Movie
(2026)
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Jesse Hassenger
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The Super Mario Galaxy Movie settles for moments of visual inspiration that replicate the little rushes of opening up new worlds in one of the games, while letting almost every character stagnate into bland affability
Posted Apr 16, 2026
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C-
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Lee Cronin's The Mummy
(2026)
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Simon Abrams
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What really sinks Lee Cronin’s The Mummy is its creators’ heedless insistence on flooding viewers with the ridiculous, logic-frying plot twists.
Posted Apr 16, 2026
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D+
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Balls Up
(2026)
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Jacob Oller
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Man cannot live on dick jokes alone.
Posted Apr 15, 2026
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C+
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Lorne
(2026)
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Tim Grierson
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If, somehow, you’re just now getting into Saturday Night Live and haven’t already ingested endless lore about the most enduring of sketch shows, Lorne might be a meaningful primer. For everyone else, you’ve heard this joke before.
Posted Apr 15, 2026
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C
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ChaO
(2025)
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Elijah Gonzalez
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A talented animation team does its best to bail water from this sinking ship, but an overreliance on contrivances and slapstick leaves too many holes to plug.
Posted Apr 14, 2026
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A-
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Blue Heron
(2025)
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Jacob Oller
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This staggering debut relitigates the past and the perspective one had while living it, performed with the regret and acceptance that sadly only comes with time.
Posted Apr 13, 2026
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C-
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Thrash
(2026)
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Simon Abrams
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An emotionally constipated eco-thriller that winks at its audience throughout, but whose bloody violence and pandering laugh lines never goes full-tilt Sharknado.
Posted Apr 10, 2026
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C
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You, Me & Tuscany
(2026)
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Rory Doherty
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You, Me & Tuscany bought the right ticket, but it’s flying to Italy on autopilot.
Posted Apr 09, 2026
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D
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Outcome
(2026)
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Tim Grierson
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While there are affecting moments in Outcome about the perils of celebrity, far too often Hill comes close to true self-reflection, then quickly scurries away.
Posted Apr 09, 2026
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B-
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James and the Giant Peach
(1996)
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Tasha Robinson
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While the film is beautiful to look at it, it can still be hard to sit through.
Posted Apr 09, 2026
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B-
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Exit 8
(2025)
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Jacob Oller
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Adapting the hit game with an engrossing aesthetic, Exit 8 is tedious, but smart enough to use that to its advantage.
Posted Apr 08, 2026
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C+
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Faces of Death
(2026)
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Jacob Oller
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It’s a straightforward slasher with a tech-savvy twist, ironically not outlandish enough to stand out from the formerly forbidden footage filling our feeds every single day.
Posted Apr 06, 2026
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C
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The Towering Inferno
(1974)
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Keith Phipps
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As the bland, star-laden drama gets swallowed by fiery special-effects setpieces, it feels like one type of big-budget mediocrity giving way to the next.
Posted Apr 02, 2026
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B
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The Drama
(2026)
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Natalia Keogan
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A wonderfully thorny exploration of primordial desires for connection, destruction, and stability. Don’t expect any genuine relationship advice, but also be warned that this is not a glib exercise in aimless edginess.
Posted Mar 31, 2026
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They Will Kill You
(2026)
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Alison Willmore
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But for all its bloodshed, the movie’s not sharp enough to land a cutting blow — or even to break skin.
Posted Mar 30, 2026
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B-
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Kontinental '25
(2025)
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Jacob Oller
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This warped, slimy riff on Roberto Rossellini’s Europa ’51 refocuses that classic cinematic guilt trip on the amusing insufficiencies of modern self-righteousness.
Posted Mar 27, 2026
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B
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Yes
(2025)
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Anna McKibbin
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Lapid’s garish maximalism will surely isolate some filmgoers, but the satire of Yes! Works best when it’s fearless—unbothered by the genocidal regime it captures.
Posted Mar 26, 2026
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B
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Miroirs No. 3
(2025)
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Jacob Oller
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Miroirs No. 3 coats its small-scale tragedy in the realistic emotional debris of avoidance, obsession, and transference.
Posted Mar 20, 2026
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Hollywood Boulevard
(1976)
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Nathan Rabin
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For those willing to overlook periodic missteps into the nether regions of bad taste, Hollywood Boulevard is the sort of scrappy, resourceful, smart B-movie that threatens to give shameless opportunism a good name.
Posted Mar 19, 2026
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B-
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Late Shift
(2025)
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Jarrod Jones
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Its tension isn’t sensational or even relentless despite this pressure-cooker setup, though in the film’s better moments, it gets the adrenaline pumping just fine.
Posted Mar 19, 2026
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B-
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Forbidden Fruits
(2026)
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Jacob Oller
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A fantastic cast and a script full of zingers keep the wavering modern witch story mean and magical.
Posted Mar 18, 2026
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The Howling
(1981)
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Nathan Rabin
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Laden with visual puns as well as subtle and not-so-subtle tributes to werewolf movies past, The Howling looks terrific, and benefits from a fine cast.
Posted Mar 17, 2026
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C-
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Normal
(2025)
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Jacob Oller
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Neither the bit nor the bloodbath tap into any of the chaotic juvenilia that’s made Wheatley’s gonzo genre romps stand out—and its star is visibly tiring of his own career pivot.
Posted Mar 17, 2026
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C
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Over Your Dead Body
(2026)
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Jacob Oller
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The sprawling gnarliness of this marital mess gets away from Jorma Taccone.
Posted Mar 16, 2026
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B-
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Ready or Not 2: Here I Come
(2026)
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Andy Crump
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Weaving is great at expressing helpless surrender and whiteknuckle petrification... The effect of her performances is cathartic, frequently hysterical, and key to Ready Or Not 2: Here I Come‘s success.
Posted Mar 14, 2026
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Show Me Love
(1998)
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Scott Tobias
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These details only serve to heighten the love story, which is triumphantly sweet in a way adult romances can never really be, perhaps because adolescent passion is so optimistic, unguarded by experience.
Posted Mar 12, 2026
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B-
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Reminders of Him
(2026)
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Caroline Siede
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Romance may be the thing that gets audiences in the door, but it’s the questions of motherhood and morality that will linger.
Posted Mar 11, 2026
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B
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Project Hail Mary
(2026)
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Jacob Oller
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It's no miracle that the film lands its central relationship, but it is impressive that it feels personal despite its grand sci-fi scope.
Posted Mar 10, 2026
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B
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undertone
(2025)
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Katie Rife
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In this way, undertone is the perfect horror film for our era, one in which superstition and technology not only coexist, but feed one another.
Posted Mar 09, 2026
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B-
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War Machine
(2026)
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Caroline Siede
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Forget the gritty realism and quippy one-liners that so often define the modern action genre, War Machine is proudly, almost guilelessly old-fashioned.
Posted Mar 06, 2026
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C-
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Protector
(2025)
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Jacob Oller
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Milla Jovovich snarls, stabs, and dual-wields her way through this grim copy of a copy, breaking the glass ceiling of who can star in one of these bloodthirsty parental nightmare-fantasies.
Posted Mar 06, 2026
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C
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Peaky Blinders: The Immortal Man
(2026)
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Rory Doherty
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Knowing that some “next generation” reboot of Peaky Blinders is in the works goes a long way to explain why The Immortal Man feels like an obligatory and fatalistic highlight reel of Tommy Shelby’s anger, guilt, and self-hatred.
Posted Mar 05, 2026
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B+
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Umamusume: Pretty Derby - Beginning of a New Era
(2024)
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Elijah Gonzalez
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At once melodramatic, jaw-dropping, and oddly inspiring, Beginning Of A New Era captures the irrational passion of sports in all its hooved glory.
Posted Mar 02, 2026
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C+
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The Bluff
(2026)
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Caroline Siede
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The Bluff is a rollicking good time despite the fact (or maybe because of the fact) that the line between thrilling and ridiculous has never felt more razor thin than it does here.
Posted Feb 25, 2026
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C+
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Dreams
(2025)
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Jacob Oller
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The abusive push-pull between America and Mexico, the conflict between the exotic fantasy of a Latin lover and its xenophobic underbelly, crashes into two people too ill-defined to function as anything more than symbols.
Posted Feb 25, 2026
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