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Andrew Parker

Tomatometer-approved critic
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Reviews

Movies TV Shows
The Things You Kill (2025) 96% 9/10 EDIT “The film leads down a dark, but thoughtfully twisting path, and it’s a testament to Khatami’s vision that everything adds up in such a creative and succinct manner by the end.” – The Gate Mar 21, 2026 Full Review Miroirs No. 3 (2025) 94% 6/10 EDIT “Trauma and repression aren’t new territory for Petzold, but the little filmmaking touches he brings help to redeem the film overall.” – The Gate Mar 21, 2026 Full Review Sweetness (2025) 90% 7/10 EDIT “Sweetness sticks to what it’s good at, creating a vibe of maximum discomfort and leaning into a fluid sense of situational morality.” – The Gate Mar 21, 2026 Full Review What Does that Nature Say to You (2025) 100% 9/10 EDIT “Everything is laid out on the dinner table by Sangsoo, and it’s up to the viewer to figure out where they choose to look for emphasis. There’s a consistent base rhythm to What Does That Nature Say to You that entrances.” – The Gate Mar 21, 2026 Full Review Nika & Madison (2025) 6/10 EDIT “Even when Thomas slows the film down, sometimes illogically, to have the friends hash out their problems, the leads and the depth of the characters remain the film’s strongest assets.” – The Gate Mar 21, 2026 Full Review Tow (2025) 81% 7/10 EDIT “Byrne’s ability to explore what it’s like to watch someone continually falling and failing to hit bottom is bracing, devastating, and often, funny, even when those quips are masking an obvious amount of pain, sadness, and projection.” – The Gate Mar 21, 2026 Full Review Ready or Not 2: Here I Come (2026) 76% 6/10 EDIT “It’s all in the name of good, gory fun, and while it doesn’t have the confidence, polish, or novelty that the first film does, Ready or Not 2 still satisfies on a basic level.” – The Gate Mar 21, 2026 Full Review Project Hail Mary (2026) 95% 8/10 EDIT “This is a shining example of how to do a film of this scale and do it right.” – The Gate Mar 14, 2026 Full Review Hair of the Bear (2025) 2/10 EDIT “The action is empty and rote, marred by lethargic direction and low light cinematography that does the actors, sets, and natural beauty of the Manitoba wilderness all a huge disservice.” – The Gate Mar 14, 2026 Full Review In the Blink of an Eye (2026) 17% 5/10 EDIT “Where there should be profundity, there’s a curious emptiness that suggests none of this was fully thought through before going to camera.” – The Gate Mar 14, 2026 Full Review undertone (2025) 72% 7/10 EDIT “A movie designed to be watched in the confines of a theatre where sound can travel all around the viewer, undertone gets a lot of mileage out of its core concept.” – The Gate Mar 14, 2026 Full Review Reminders of Him (2026) 56% 4/10 EDIT “For a romance, there are very few sparks outside of some requisite kissing, love making, and bits where Withers can have an excuse to take his shirt off, but there’s no swooning or sizzle to be found here.” – The Gate Mar 14, 2026 Full Review Nawi: Dear Future Me (2024) 6/10 EDIT “NAWI: Dear Future Me has strong sensibilities, is on the right side of history, and the noblest of aims. It makes the most of what the filmmakers have at their disposal.” – The Gate Mar 11, 2026 Full Review THE BRIDE! (2026) 57% 8/10 EDIT “It’s brash, confrontational, empowered, and most importantly, entertainingly high in energy.” – The Gate Mar 8, 2026 Full Review Scream 7 (2026) 31% 4/10 EDIT “At this point it becomes clear that Scream 7’s particular brand of humour has become the thing series detractors have been saying for a long time. It’s smug. ” – The Gate Feb 27, 2026 Full Review Paul McCartney: Man on the Run (2025) 100% 7/10 EDIT “Even if viewers aren’t fans of Wings or McCartney’s 1970s output, it’s an easy watch with the man himself giving a lot of insight and hindsight into where his head and heart were at during this period.” – The Gate Feb 27, 2026 Full Review Kokuho (2025) 93% 9/10 EDIT “Sang-il treats every character, development, and bit of tradition with respect and a delicate touch, all without feeling like a boring history lesson or a monotonous lyrical poem to forgotten traditions.” – The Gate Feb 27, 2026 Full Review Jimpa (2025) 53% 5/10 EDIT “The result is a film that’s trying desperately to overwhelm the viewer into feeling a lot of different things at once, when it would be much better suited to focusing on the obvious, singular thread that gives Hyde’s film the greatest meaning. ” – The Gate Feb 27, 2026 Full Review In Cold Light (2025) 54% 7/10 EDIT “The script from Patrick Whistler is a standard crime melodrama, but Giroux brings it to vibrant life at every turn.” – The Gate Feb 27, 2026 Full Review This Is Not a Test (2025) 43% 6/10 EDIT “This is Not a Test is a meat and potatoes kind of horror movie with just enough of a powerful hook to keep things interesting. ” – The Gate Feb 27, 2026 Full Review The President's Cake (2025) 99% 6/10 EDIT “It adds a layer of dramatic manipulation that’s hard to fully shake, but the film itself offers a nice reflection of its protagonist. It gets the job done by any means necessary. ” – The Gate Feb 27, 2026 Full Review The Bluff (2026) 54% 6/10 EDIT “t’s a mildly enjoyable movie for what it is, even if the scope of the whole thing suggests it could be a lot better.” – The Gate Feb 27, 2026 Full Review EPiC: Elvis Presley in Concert (2025) 97% 8/10 EDIT “No matter what one thinks of his biopic, it’s clear that Luhrmann has a great affinity and respect for The King. He gets his stage presence and the man behind the music like an actual scholar, and this is just further evidence of that.” – The Gate Feb 21, 2026 Full Review Sirāt (2025) 91% 9/10 EDIT “There’s a fascinating question at the heart of Sirat: if the world was ending, would we realize it was happening at first, or would we be so caught up in our own problems that any other dangers would barely register until it’s too late.” – The Gate Feb 21, 2026 Full Review Montréal, ma belle (2025) 8/10 EDIT “The vulnerability, warmth, and underlying desire that radiates from Feng is achingly portrayed by the [Chen], who has never shied away from roles that require her to examine the fraught nature of sexual attraction. ” – The Gate Feb 21, 2026 Full Review
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