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Angie Han

Tomatometer-approved critic

Reviews

Movies TV Shows
Love Language (2026) EDIT “In neither case is the pairing able to generate enough heat to convince us of the pull between them.” – The Hollywood Reporter Mar 17, 2026 Full Review Basic (2026) EDIT “The pair are great fun to watch together, and certainly share more interesting chemistry with each other than either does with Nick, who, as played by Smith, is exactly the handsome blank slate he needs to be and not much more.” – The Hollywood Reporter Mar 17, 2026 Full Review Family Movie (2026) 91% EDIT “As a celebration of the Bacon-Sedgwick clan’s bond and a love letter to their craft, Family Movie is sweet and sincere. As an actual movie to be enjoyed by people who don’t share those last names, it has all the limitations of, well, a family movie.” – The Hollywood Reporter Mar 17, 2026 Full Review Mike & Nick & Nick & Alice (2026) 80% EDIT “As played by Marsden, González and Vaughn, they have more than enough vibrancy and charisma to sell us on these people in the moment. And what emerges from their shared chemistry is an unexpectedly earnest story about regret and second chances.” – The Hollywood Reporter Mar 16, 2026 Full Review Over Your Dead Body (2026) 73% EDIT “It actually comes as a slight disappointment when... Over Your Dead Body transitions into a relatively straightforward battle for survival. But at least “straightforward,” in this case, still means packed with playful punches. ” – The Hollywood Reporter Mar 16, 2026 Full Review Power Ballad (2026) 100% EDIT “Like the catchiest pop hits, it’s a little bit familiar, a little bit unexpected and utterly, thrillingly satisfying.” – The Hollywood Reporter Mar 16, 2026 Full Review Pretty Lethal (2026) 64% EDIT “The impression Pretty Lethal leaves behind is one of unfulfilled potential, an exciting premise executed as a fitfully fun but mostly forgettable distraction.” – The Hollywood Reporter Mar 16, 2026 Full Review The Saviors (2026) 55% EDIT “It’s a message that’s always worth remembering, and one that sadly feels more essential than ever. If only it had been delivered in a package sturdy enough to really sell it.” – The Hollywood Reporter Mar 16, 2026 Full Review The Sun Never Sets (2026) EDIT “Swanberg’s loose approach to storytelling, in which he outlines a plot and then lets his cast improvise the lines, is perhaps the movie’s greatest asset.” – The Hollywood Reporter Mar 14, 2026 Full Review Kill Me (2026) 100% EDIT “If its exploration of these ideas is ultimately too incomplete to feel fully satisfying, its performances are strong enough to draw attention throughout.” – The Hollywood Reporter Mar 13, 2026 Full Review Wishful Thinking (2026) 100% EDIT “It’s a goofy premise that would be done no favors by thinking about the rules too hard. So, wisely, Parkes does not really try. Instead, he applies it as a Charlie Kaufman-lite thought experiment focused on exactly two people.” – The Hollywood Reporter Mar 13, 2026 Full Review I Love Boosters (2026) 100% EDIT “Watching it feels less like being transported into a different universe than putting on X-ray goggles to look at our own -- and finding, buried under all the frustration and despair, a joyful and unruly sense of hope.” – The Hollywood Reporter Mar 13, 2026 Full Review If I Go Will They Miss Me (2026) 96% EDIT “Rather than give in to either misery porn or glossy sentimentality, however, If I Go Will They Miss Me finds intense emotionality in a disarming sense of tenderness. ” – The Hollywood Reporter Feb 2, 2026 Full Review The Friend's House Is Here (2026) 100% EDIT “The film’s predominant mood is one not of despair but of defiance, placing its faith in the enduring powers of friendship and creativity.” – The Hollywood Reporter Jan 26, 2026 Full Review Bedford Park (2026) 96% EDIT “Though its unflashy style and delicate emotionality are unlikely to sweep viewers off their feet, its eye for fine detail and bittersweet tone make it an absorbing experience worth seeking out.” – The Hollywood Reporter Jan 25, 2026 Full Review People We Meet on Vacation (2026) 76% EDIT “People We Leave on Vacation might not be anyone’s idea of a forever home. But it’s a lovely place to visit for a few lazy hours.” – The Hollywood Reporter Jan 9, 2026 Full Review Anaconda (2025) 48% EDIT “Anaconda can’t be accused of skimping on excitement when the characters spend half the movie racing through the jungle in cars or on foot or by boat. But the weightless and unimaginative action feels less cinematic than theme park-y.” – The Hollywood Reporter Dec 23, 2025 Full Review Oh. What. Fun. (2025) 34% EDIT “As a gift for Mom, Oh. What. Fun. is the equivalent of a fancy candle snapped up at the last minute: expensive-looking and tasteful, wholly unobjectionable and disappointingly generic.” – The Hollywood Reporter Dec 3, 2025 Full Review Ask E. Jean (2025) EDIT “Whether in voiceover snippets of her writing, clips of her mid-’90s talk show or interviews from the present, what shines through bright as day is her personality: curious, mischievous and candid, without pretense and also not without warmth.” – The Hollywood Reporter Nov 26, 2025 Full Review Keeper (2025) 49% EDIT “Keeper’s narrative lands as gossamer-thin and feather-light despite Maslany’s meaty performance. Better to think of this less as a story than a mood, a procession of unsettling dream logic.” – The Hollywood Reporter Nov 13, 2025 Full Review Taylor Swift | The Official Release Party of a Showgirl (2025) 64% EDIT “While there’s something to be said for the communal experience of absorbing an album surrounded by dozens of likeminded fans, what’s actually being served up on screen is more filler than killer.” – The Hollywood Reporter Oct 6, 2025 Full Review Swiped (2025) 45% EDIT “It’s hard to shake the feeling that we’re only scratching the surface of a story that surely must be more complicated than the straightforwardly uplifting girlboss fable it’s being packaged and sold to us as.” – The Hollywood Reporter Sep 10, 2025 Full Review Charlie Harper (2025) 57% EDIT “The showy structure overwhelms the unshowy story. All the frantic time-jumping and self-important narrating leaves little room for Charlie and Harper to simply breathe.” – The Hollywood Reporter Sep 4, 2025 Full Review Karl (2025) EDIT “If the portrait it offers is ultimately too broad and too shallow to be definitive, it’s still an engaging look at a man whose influence will live on for decades to come.” – The Hollywood Reporter Sep 3, 2025 Full Review H Is for Hawk (2025) 80% EDIT “As an appreciation of birds and our connection to them, it's engrossing and endearing -- a fresher take, certainly, than yet another weepie about dog or cat owners. But as an exploration of grief, it's hindered by a 128-minute run time.” – The Hollywood Reporter Aug 31, 2025 Full Review
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