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Diana Dabrowska

Diana Dabrowska's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
Dogman (2018) 84% EDIT “By redefining the dichotomous categories of "victim" and "executioner," Garrone creates an intriguing coming-of-fear story.” – Cinema Scope Sep 6, 2018 Full Review First Man (2018) 87% EDIT “Armstrong's trip becomes a means for emotional emancipation, a backdrop for an intimate, universal story about dealing with trauma.” – Cinema Scope Sep 6, 2018 Full Review Peur de rien (2015) 100% EDIT “The real revelation of the film is the seductive and stunningly beautiful lead actress, Manal Issa: her transformation is captivating, convincing, and seemingly effortless. She's a delight.” – Cinema Scope Sep 26, 2017 Full Review From Afar (2015) 79% EDIT “Vigas makes the viewer wonder: How thin is this line? Where do the limits of indifference, repulsion, devotion, obsession, or maybe even true love end?” – Cinema Scope Sep 26, 2017 Full Review The Endless River (2015) EDIT “While the idea of hope rising from the ashes of tragedy might work on paper, in practice it undermines the severity of what has come before. The shift in mood suggests a film that is finally, for all its sinister power, quite naïve.” – Cinema Scope Sep 26, 2017 Full Review Looking for Grace (2015) 44% EDIT “The main disappointment of Looking for Grace is the finale, which replaces the Altmanesque ensemble style with something reminiscent of Kislowski's last works.” – Cinema Scope Sep 26, 2017 Full Review Abluka (2015) EDIT “Ignorance and conformity infect the family dynamic. Terror is everywhere. This is a film with a very modern vision.” – Cinema Scope Sep 26, 2017 Full Review Planetarium (2016) 15% EDIT “This liquified Chanel ad doesn't take us to heaven along the way-it just plunges us into an infernal abyss of boredom.” – Cinema Scope Sep 25, 2017 Full Review Demon (2015) 92% EDIT “Marcin Wrona is attempting to make a serious movie within a genre framework, and he succeeds in balancing the right amounts of fear, humour, and grotesquerie.” – Cinema Scope Sep 25, 2017 Full Review The Danish Girl (2015) 66% EDIT “The Danish Girl is imperfect and sometimes cloying, but in its own way beautiful and honest. Its message is that everyone should have the right and courage to fight for their happiness.” – Cinema Scope Sep 25, 2017 Full Review Blood of My Blood (2015) 75% EDIT “The connections are apparent, but forced; the attempted cinematic blood transfusion does not flow smoothly, and the film winds up in agony, along with its audience.” – Cinema Scope Sep 25, 2017 Full Review Nocturnal Animals (2016) 74% EDIT “Despite the fulsomeness of Ford's cinematic reference points, one can't avoid the feeling that something crucial is still missing.” – Cinema Scope Sep 25, 2017 Full Review Never Ever (2016) EDIT “The director's attempts to provoke and disturb are straight out of a textbook. The film is not complex.” – Cinema Scope Sep 25, 2017 Full Review Indivisible (2017) EDIT “[Indivisible] offers redemption rather than punishment, and offering several powerful variations on the theme of freedom.” – Cinema Scope Sep 25, 2017 Full Review Death in Sarajevo (2016) 76% EDIT “This tragicomedy asks how many times a continent can die and not draw any new conclusions from the experience.” – Cinema Scope Sep 25, 2017 Full Review La La Land (2016) 91% EDIT “La La Land may look like the world that we dream about, but it also understands the cruelty that can come out of (or undermine) those dreams.” – Cinema Scope Sep 25, 2017 Full Review
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