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Maxance Vincent

Tomatometer-approved critic
Biography:

Maxance Vincent is a freelance film and TV Critic based in Montreal, Canada. A recent graduate in Journalism at the Université de Montréal, Maxance developed a fond affinity for genre cinema and specialized in his writing on the subject. You can find his work through many publications, including InSession Film, FilmSpeak, Awards Radar, and Loud & Clear Reviews, among others.

Reviews

Movies TV Shows
In the Blink of an Eye (2026) 17% 1.5/5 EDIT “What tries to be a live-action version of Godfrey Reggio’s Koyaanisqatsi, Powaqqatsi and Naqoyqatsi [...] ultimately ends up being a complete nothingburger that has nothing of interest to say, thematically, narratively, and aesthetically.” – The Cinema Spot Mar 19, 2026 Full Review Pompei: Below the Clouds (2025) 97% 3.5/4 EDIT “It’s definitely [Gianfranco Rosi's] best film, and one worth thinking about for a (very) long time…” – Awards Radar Mar 19, 2026 Full Review Peaky Blinders: The Immortal Man (2026) 91% 3.5/5 EDIT “Peaky Blinders: The Immortal Man accomplishes a rare feat in the world of television: satisfyingly wrapping up the story of a beloved character many audience members thought they would never see again.” – Loud and Clear Reviews Mar 19, 2026 Full Review Heel (The Good Boy) (2025) 86% D+ EDIT “Komasa’s formal impulses are still intact, but they’re in service of a screenplay that has no idea what it wants to say about anything it lays in front of the audience.” – InSession Film Mar 12, 2026 Full Review undertone (2025) 72% 5/5 EDIT “A modern horror masterwork.” – Loud and Clear Reviews Mar 10, 2026 Full Review Hoppers (2026) 93% 4.5/5 EDIT “Hoppers will undoubtedly stand the test of time as one of [Pixar's] most vivid and dynamic works, at a time when they needed a reminder that innovation should always be at the forefront of every film they make.” – The Cosmic Circus Mar 8, 2026 Full Review War Machine (2026) 69% 3/5 EDIT “Hughes has never been a particularly impressive filmmaker. War Machine has finally allowed him to showcase what kind of action artist he is, without any constraints.” – The Cosmic Circus Mar 8, 2026 Full Review The President's Cake (2025) 99% 4/5 EDIT “Even when Hadi stages scenes that are lighter in nature, the spectre of Hussein’s regime is still present, and the resulting feeling of unease never goes away.” – Movies We Texted About Mar 7, 2026 Full Review Pegasus 3 (2026) A- EDIT “The pleasures of watching a film like Pegasus 3 lie in your being transported by Han’s sheer mastery of the visual medium of cinema.” – InSession Film Mar 7, 2026 Full Review Midwinter Break (2026) 61% B+ EDIT “Don’t let this movie fly off your radar.” – InSession Film Mar 4, 2026 Full Review The Napa Boys (2025) 57% B+ EDIT “There will be critics (and audience members) who will say that The Napa Boys is one of the worst movies ever made. I am not one of those people.” – InSession Film Mar 3, 2026 Full Review Dreams (2025) 52% D EDIT “Michel Franco’s ‘Dreams’ fails to meet the moment with a mostly empty erotic drama that takes a repulsive turn near its "shocking" denouement.” – Film Speak Feb 27, 2026 Full Review My Father's Shadow (2025) 97% 3.5/5 EDIT “My Father’s Shadow is slightly flawed, but one can’t overstate how cogent and powerfully told it is.” – Movies We Texted About Feb 27, 2026 Full Review Psycho Killer (2026) 10% F EDIT “[Psycho Killer] is a disaster of Wiseau-esque proportions, a once-in-a-generation piece of flopsweat so horrible it could be the next big [...] cult classic.” – Film Speak Feb 27, 2026 Full Review Scare Out (2026) F EDIT “There may never be a better example of the sentence "when you find out your goat washed" than in watching Zhang Yimou’s Scare Out.” – InSession Film Feb 25, 2026 Full Review The Bluff (2026) 54% 2/5 EDIT “[The Bluff] is yet another mindless, forgettable [...] direct-to-streaming blockbuster from Prime Video, likely to be consumed by the masses, become the "#1 movie in the world" on the streaming service and be quickly forgotten within a week.” – Loud and Clear Reviews Feb 23, 2026 Full Review Pillion (2025) 99% A- EDIT “As a debut feature, Pillion couldn’t have been better.” – Film Speak Feb 21, 2026 Full Review Blades of the Guardians (2026) 96% 3.5/4 EDIT “It absolutely does feel special that Yuen Woo-ping is still making movies and keeps finding new ways to enthrall audiences by showcasing images (and stunts) you’ve never seen before.” – Awards Radar Feb 21, 2026 Full Review How to Make a Killing (2026) 43% 2/5 EDIT “On the heels of Park Chan-wook’s [No Other Choice], releasing something as toothless and dull as How to Make a Killing feels unacceptable.” – The Cosmic Circus Feb 19, 2026 Full Review Nirvanna the Band the Show the Movie (2025) 98% 5/5 EDIT “You’ve never seen anything quite like Nirvanna the Band the Show (and the Movie). There isn’t anything like it, and there definitely won’t be a worthy successor anytime soon.” – The Cosmic Circus Feb 11, 2026 Full Review Good Luck, Have Fun, Don't Die (2025) 82% D- EDIT “This is the first time I've felt nothing while watching a movie by one of my favorite artists, who should probably keep taking a sabbatical if his grand return to moviemaking is as listless as this…” – Film Speak Feb 11, 2026 Full Review Scarlet (2025) 72% 4/5 EDIT “In an era where Hollywood blockbuster innovation seems to be at an all-time low, a film like Scarlet might stand the test of time by the end of the year and be remembered as one of 2026’s most stunning animated achievements.” – The Cosmic Circus Feb 10, 2026 Full Review The Strangers: Chapter 3 (2026) 17% 0/4 EDIT “Chapter 3 is a boring excuse of a "film" with zero redeeming qualities, whether intentionally or unintentionally. No, wait, there is one positive thing to say about the film, and it could be the year’s biggest glimmer of hope yet: it’s over.” – Awards Radar Feb 9, 2026 Full Review GOAT (2026) 84% 3/5 EDIT “Kids will be dazzled by the film’s astonishing animation, while adults will enjoy the positive message at its center, which could inspire their children to aim for bigger goals than they currently have.” – Loud and Clear Reviews Feb 9, 2026 Full Review Revolver Lily (2023) B EDIT “Yukisada quickly elevates the material with raw images of tangible, painterly power and a bevy of well-mounted, tightly calibrated action that recalls the heroic bloodshed work of John Woo and Tsui Hark.” – InSession Film Feb 6, 2026 Full Review
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