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Brian Tallerico

Tomatometer-approved critic

Reviews

Movies TV Shows
They Will Kill You (2026) 78% 2/4 EDIT “ In the end, it’s just not creative or confident enough to kill its many flaws.” – RogerEbert.com Mar 19, 2026 Full Review Hokum (2026) 95% 3.5/4 EDIT “'Hokum’ isn’t a slow burn, but one of its strengths is how it slides in and out of shocking images and dread-filled atmosphere.” – RogerEbert.com Mar 19, 2026 Full Review Mike & Nick & Nick & Alice (2026) 80% 3/4 EDIT “It’s a comedy that’s consistently displays its eccentric personality but rarely feels like it’s desperately pushing a punchline for a laugh.” – RogerEbert.com Mar 19, 2026 Full Review Monitor (2026) EDIT “It wades into the increasingly crowded genre of how the internet is going to kill us, but with too little thematic exploration or impressive craft. ” – RogerEbert.com Mar 19, 2026 Full Review Sender (2026) 50% EDIT “The problem is that too many of Goldman’s choices as a director seem to actively be working against what Britt Lower brings to his interesting script” – RogerEbert.com Mar 19, 2026 Full Review Imposters (2026) EDIT “It’s a film rich with ideas, and its two leads never falter. ” – RogerEbert.com Mar 19, 2026 Full Review Black Zombie (2026) EDIT “I still love zombie movies. I think Bedward does, too. She’s just made a film that allows you to love them in a different context.” – RogerEbert.com Mar 19, 2026 Full Review Family Movie (2026) 91% EDIT “It’s very cool that the Bacons are so supportive and collaborative. Sadly, that can’t be all to hold onto in a movie.” – RogerEbert.com Mar 19, 2026 Full Review Kill Me (2026) 100% EDIT “'Kill Me' gets a bit more convoluted because the nature of the mystery requires to do so, but it actually works best when it steps back from the whodunit of it all and captures two semi-broken people becoming whole again through their connection. ” – RogerEbert.com Mar 19, 2026 Full Review Chili Finger (2026) EDIT “It navigates the ridiculous and the relatable, holding both in the same beat.” – RogerEbert.com Mar 19, 2026 Full Review The Rise of the Red Hot Chili Peppers: Our Brother, Hillel (2026) 2.5/4 EDIT “Like most music docs, 'The Rise of the Red Hot Chili Peppers, Our Brother Hillel’ will work best for fans of its subject. ” – RogerEbert.com Mar 19, 2026 Full Review Ready or Not 2: Here I Come (2026) 76% 3/4 EDIT “It helps a great deal to have a wickedly fun ensemble ready to play this murderous game, led once again by a physical, engaged, immediate performance from Samara Weaving.” – RogerEbert.com Mar 17, 2026 Full Review Over Your Dead Body (2026) 73% 2.5/4 EDIT “The movie ends up being stolen by Olyphant, who hasn’t been this truly villainous in a long time. ” – RogerEbert.com Mar 16, 2026 Full Review Beyond the Duplex Planet (2026) EDIT “What’s so refreshing about Greenberger’s approach, and something that’s captured well in Beth Harrington’s film, is the lack of sentimentality in his conversations. ” – RogerEbert.com Mar 15, 2026 Full Review Seahorse (2026) EDIT “It’s a drama with the best of intentions that falls short by not truly committing to what I believe is its intent: Humanizing the unhoused in a way that makes them more than just figures in a news story or people overlooked on the street.” – RogerEbert.com Mar 15, 2026 Full Review A Safe Distance (2026) EDIT “Some of the material about the "freedom" of the criminal life is a bit overwritten … and the final act has a a few choices and a twist that didn’t land for me, but the bulk of 'A Safe Distance' works.” – RogerEbert.com Mar 15, 2026 Full Review The Sun Never Sets (2026) EDIT “What it lacks sometimes in dialogue, it makes up in character detail and even visuals.” – RogerEbert.com Mar 15, 2026 Full Review Your Attention Please (2026) EDIT “And how can anyone listen to Kristin Bride and not want to cheer her on? She deserves ALL of our attention.” – RogerEbert.com Mar 15, 2026 Full Review Anima (2026) 91% EDIT “It’s a movie of pregnant pauses and deep considerations masquerading as insight, and one that’s consistently sterile in its presentation.” – RogerEbert.com Mar 15, 2026 Full Review The Peril at Pincer Point (2026) EDIT “It's aggressively weird, and that’s why it works. ” – RogerEbert.com Mar 15, 2026 Full Review The Saviors (2026) 58% EDIT “There’s just nothing to hold onto when one looks back on 'The Saviors,’ a movie that arguably would have been more interesting told from the other perspective, the POV of a refugee brother and sister dealing with their nosey neighbors.” – RogerEbert.com Mar 15, 2026 Full Review Wishful Thinking (2026) 100% EDIT “Hawke and Pullman are both consistently spectacular, the kind of young stars who inspire hope for long careers every time they’re on screen. ” – RogerEbert.com Mar 15, 2026 Full Review Pretty Lethal (2026) 64% 1.5/4 EDIT “A movie with one banger of an action sequence surrounded by thin characters, flat plotting, and even a boring climax.” – RogerEbert.com Mar 15, 2026 Full Review I Love Boosters (2026) 100% 3/4 EDIT “It’s a wickedly clever skewering of the moral rot at the center of the fashion industry delivered with enough vision to make your eyes hurt.” – RogerEbert.com Mar 13, 2026 Full Review Dreams (2025) 52% 1.5/4 EDIT “It is so aggressively affectless that it’s ultimately as forgettable as its title, something you might half-remember after waking up.” – RogerEbert.com Feb 27, 2026 Full Review
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