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Bilge Ebiri

Tomatometer-approved critic

Reviews

Movies TV Shows
Silent Friend (2025) 100% EDIT “It’s an unforgettable film. ” – New York Magazine/Vulture May 6, 2026 Full Review Last Summer (1969) 80% EDIT “A hard movie to shake... This is also why a restoration is so welcome now: It can finally be appreciated for its aesthetic merits as well as for its narrative ones. ” – New York Magazine/Vulture Apr 30, 2026 Full Review The Devil Wears Prada 2 (2026) 78% EDIT “This remains a great part for Hathaway, who can hint at all sorts of neuroses beneath a character’s surface pep. ” – New York Magazine/Vulture Apr 29, 2026 Full Review Over Your Dead Body (2026) 68% EDIT “Once the mayhem starts, Over Your Dead Body is not clever or artful enough to really wow us — and it really wants to wow us.” – New York Magazine/Vulture Apr 27, 2026 Full Review Fuze (2025) 73% EDIT “While Fuze demonstrates much of Mackenzie’s technical abilities and his clear skill with actors, it does ultimately feel a bit vaporous. It’s a minor effort from a major director.” – New York Magazine/Vulture Apr 24, 2026 Full Review Normal (2025) 76% EDIT “Maybe the meaninglessness is the point. I was never bored by Normal, but I’d also be lying if I said I was ever excited by it. ” – New York Magazine/Vulture Apr 16, 2026 Full Review You, Me & Tuscany (2026) 66% EDIT “The Tuscan landscape looks lovely, and the film demonstrates a generosity toward its characters that, let’s face it, feels like a balm when the real world can be so stupid and rough. ” – New York Magazine/Vulture Apr 10, 2026 Full Review The Stranger (2025) 90% EDIT “The Stranger, it turns out, is a story for our times, which makes this lovely new version doubly welcome.” – New York Magazine/Vulture Apr 3, 2026 Full Review The Super Mario Galaxy Movie (2026) 42% EDIT “All The Super Mario Galaxy Movie has, unfortunately, is the messianic fervor with which it throws everything at us. ” – New York Magazine/Vulture Apr 2, 2026 Full Review Mike & Nick & Nick & Alice (2026) 76% EDIT “It feels destined for cult status. ” – New York Magazine/Vulture Mar 30, 2026 Full Review Two Prosecutors (2025) 97% EDIT “Loznitsa turns that sentiment into a stylistic philosophy in Two Prosecutors, creating a world where both physical and spiritual imprisonment are woven into the very fabric of the picture.” – New York Magazine/Vulture Mar 25, 2026 Full Review Palestine '36 (2025) 98% EDIT “At a time when our movies feel as though they’re getting smaller and more meaningless, it’s refreshing to see works of such sweep and ambition, whatever their flaws may be.” – New York Magazine/Vulture Mar 23, 2026 Full Review Project Hail Mary (2026) 94% EDIT “At heart, this is a kids’ film in the guise of a 156-minute sci-fi adventure. It doesn’t want to awe us so much as it wants to awwww us. For better and worse, it succeeds. ” – New York Magazine/Vulture Mar 19, 2026 Full Review Pompei: Below the Clouds (2025) 98% EDIT “Shot in black and white and filled with images of collapse, Below the Clouds is nevertheless a strangely hopeful work.” – New York Magazine/Vulture Mar 6, 2026 Full Review Hoppers (2026) 94% EDIT “A fun, modest little movie with enough zip and charm to keep kids engaged, and as such, one doesn’t want to criticize it too much. But the memory of what Pixar once was... may still make us wonder where all that energy and originality and artistry went.” – New York Magazine/Vulture Mar 2, 2026 Full Review The Ballad of Judas Priest (2026) EDIT “ While The Ballad of Judas Priest may not always feel complete, by centering the music, it excites our curiosity long after the credits roll.” – New York Magazine/Vulture Feb 20, 2026 Full Review The Only Living Pickpocket in New York (2026) 100% EDIT “The film Segan has made is very much its own thing. It’s a twilight fable of a city that’s changing, whose spirit remains distinct and grand and full of mystery, much like the remarkable actor at its center.” – New York Magazine/Vulture Feb 20, 2026 Full Review Queen at Sea (2026) 95% EDIT “Queen at Sea winds up being a movie about all of life’s mad uncertainties. ” – New York Magazine/Vulture Feb 19, 2026 Full Review At the Sea (2026) 33% EDIT “The whole film is series of fragments, and not particularly good ones.” – New York Magazine/Vulture Feb 19, 2026 Full Review Rose (2026) 100% EDIT “Watching Hüller, already a master of submerged heartbreak in so many previous parts, we might begin to suspect that we’re witnessing her greatest role yet.” – New York Magazine/Vulture Feb 19, 2026 Full Review Rosebush Pruning (2026) 27% EDIT “Rosebush Pruning tries to be about something while pretending not to be about anything at all; it’s somehow both too stupid and too cool for the room. ” – New York Magazine/Vulture Feb 19, 2026 Full Review Mouse (2026) 100% EDIT “For all the inherent sadness of its subject matter, Mouse is never depressing, thanks to the delicacy of O’Sullivan and Thompson’s filmmaking. ” – New York Magazine/Vulture Feb 19, 2026 Full Review Days of Heaven (1978) 93% EDIT “A movie in which the images and the music and the offbeat voice-over combine to create a completely new point of view, like that of an innocent god discovering the world anew.” – New York Magazine/Vulture Feb 3, 2026 Full Review Run Amok (2026) 67% EDIT “If Run Amok doesn’t entirely succeed, it’s mostly because it dares to do too much: Our tantalizing glimpses of what this musical production might have looked like suggest an experimental vibe that the film never quite manages to deliver. ” – New York Magazine/Vulture Feb 3, 2026 Full Review The Musical (2026) 59% EDIT “For all its simple, primary-color narrative, The Musical captures something authentic about the all-consuming, world-destroying power of resentment. ” – New York Magazine/Vulture Feb 2, 2026 Full Review
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