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Budd Wilkins

Budd Wilkins's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Blue Thunder (1983) 78% EDIT “It’s that rare beast: a rollicking action film with a subversive political agenda.” – Slant Magazine May 6, 2026 Full Review Black Christmas (1974) 73% EDIT “Based loosely on an urban legend, Black Christmas just may be the perfect antidote to the saccharine sweetness of most Christmastime fare. ” – Slant Magazine Apr 29, 2026 Full Review Tih Minh (1918) EDIT “Louis Feuillade’s Tih-Minh is a narratively sprawling, superbly visualized, and consistently action-packed early example of the spy thriller.” – Slant Magazine Apr 9, 2026 Full Review Vampyros Lesbos (1970) 67% EDIT “Jesus Franco’s distaff Dracula riff cheekily upends the conventions of vampire cinema.” – Slant Magazine Mar 26, 2026 Full Review Salem's Lot (1979) 87% EDIT “Salem’s Lot is a masterclass in televisual terror.” – Slant Magazine Mar 24, 2026 Full Review Blue Sunshine (1976) 88% EDIT “The film delivers a deft fusion of horror-movie tropes, social satire, and cult-film weirdness.” – Slant Magazine Mar 5, 2026 Full Review Scars of Dracula (1970) 67% EDIT “Roy Ward Baker’s Scars of Dracula marked a turning point in Hammer’s Dracula series.” – Slant Magazine Dec 19, 2025 Full Review O.C. and Stiggs (1987) 57% EDIT “This is one of Robert Altman’s most doggedly intertextual films.” – Slant Magazine Dec 17, 2025 Full Review Dust Devil (1992) 50% EDIT “Richard Stanley’s Dust Devil is a dark fable about souls in extremis who are half in love with easeful death.” – Slant Magazine Nov 6, 2025 Full Review The Pied Piper (1985) EDIT “The Pied Piper is a pitch-black fairy tale of greed, corruption, duplicity, and betrayal.” – Slant Magazine Sep 24, 2025 Full Review Frankenstein's Bloody Terror (1967) EDIT “The film eventually morphs into something of a monster rally.” – Slant Magazine Aug 25, 2025 Full Review Danger: Diabolik (1968) 65% EDIT “The plot of the film is almost secondary to its fabulous set pieces.” – Slant Magazine Jul 30, 2025 Full Review The Stuff (1985) 68% EDIT “Larry Cohen’s film is a barbed satire of 1980s consumer culture.” – Slant Magazine Jul 29, 2025 Full Review The Glass Ceiling (1971) EDIT “The film is a stylish and sexy exemplar of the Euro-thriller.” – Slant Magazine May 26, 2025 Full Review The Savage Eye (1960) 86% EDIT “The Savage Eye is a New Yorker’s vision of the City of Angels, unflattering and unforgiving. ” – Slant Magazine May 26, 2025 Full Review Morgiana (1972) EDIT “Throughout Morgiana, Juraj Herz makes generous use of fisheye lenses, giving almost every scene an off-kilter, disorienting quality” – Slant Magazine May 26, 2025 Full Review Butterfly Kiss (1995) 75% EDIT “The film is brutal and uncompromising.” – Slant Magazine May 26, 2025 Full Review Up! (1976) 78% EDIT “Motorpsycho and Up! represent two very different tendencies within the Meyer filmography.” – Slant Magazine Apr 23, 2025 Full Review Motorpsycho (1965) 80% EDIT “Motorpsycho and Up! represent two very different tendencies within the Meyer filmography.” – Slant Magazine Apr 23, 2025 Full Review Don't Torture a Duckling (1972) 88% EDIT “Lucio Fulci’s 1972 film is a haunting examination of guilt, innocence, and repression.” – Slant Magazine Apr 21, 2025 Full Review Supervixens (1975) 49% EDIT “Supervixens pushes past the absurd and straight into the realm of pure surrealism.” – Slant Magazine Apr 10, 2025 Full Review Night Moves (1975) 78% EDIT “Arthur Penn’s Night Moves is one of the great revisionist noirs, taking its place alongside Robert Altman’s The Long Goodbye and Roman Polanski’s Chinatown. ” – Slant Magazine Mar 25, 2025 Full Review The Mysterious Castle in the Carpathians (1981) EDIT “Beneath all the japery, there are some serious matters that are being sent up.” – Slant Magazine Mar 18, 2025 Full Review The Golden Fern (1963) EDIT “Jiří Weiss’s film is a haunting fable about arrogance and infidelity.” – Slant Magazine Mar 13, 2025 Full Review Performance (1970) 81% EDIT “The film remains a beguiling time capsule—sensual, cerebral, both ode to and threnody for a very specific time and place.” – Slant Magazine Mar 4, 2025 Full Review
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