Colin Bennett
Colin Bennett's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Anastasia (1956)
92%
EDIT
“Whether or not the mystery has any historical value, the film version of it is never dull. ” –
The Age (Australia)
Mar 5, 2026
Full Review
Breakfast at Tiffany's (1961)
87%
EDIT
“The whole thing could be straight from the pages of the "New Yorker" and Miss Hepburn does full justice to its slightly cockeyed lyricism.” –
The Age (Australia)
Mar 4, 2026
Full Review
THX 1138 (1971)
72%
EDIT
“It seems cruel to say it, but the most exciting bit is not a part of the film at all but a prologue extracted from the Buck Rogers serial.” –
The Age (Australia)
Feb 20, 2026
Full Review
Vanishing Point (1971)
65%
EDIT
“Vanishing Point's vrroom-vrroom footage is gripping; its message and inevitable finale left me cold.” –
The Age (Australia)
Feb 5, 2026
Full Review
A Face in the Crowd (1957)
95%
EDIT
“Kazan presents the maneuverings behind the TV screen with savage, satiric force. ” –
The Age (Australia)
Feb 4, 2026
Full Review
Arabesque (1966)
78%
EDIT
“Practically every shot in the film Is taken through a mirror, a glass tank...or something else of the sort that happens to be at hand. And this overwrought style reduces the film, in turn, to a mere reflection of the entertainment it could have been.” –
The Age (Australia)
Feb 3, 2026
Full Review
Bite the Bullet (1975)
69%
EDIT
“It's a bullet worth biting.” –
The Age (Australia)
Jan 15, 2026
Full Review
The Magnificent Seven (1960)
93%
EDIT
“John Sturges has a fine eye for visually dramatic effects in colored CinemaScope, and the romantic-heroic image is well conveyed.” –
The Age (Australia)
Jan 14, 2026
Full Review
Peeper (1975)
29%
EDIT
“Quite early on, the endless weak plot complications and soon become a heavy millstone around its neck.” –
The Age (Australia)
Nov 22, 2025
Full Review
The Wiz (1978)
38%
EDIT
“No myth-making magic here.” –
The Age (Australia)
Nov 18, 2025
Full Review
Death Race 2000 (1975)
80%
EDIT
“It makes its satirical points economically, with great stunting, and at 1 1/4 hours does not outstay its welcome despite the gory carnage on the roads.” –
The Age (Australia)
Oct 8, 2025
Full Review
Hennessy (1975)
EDIT
“Two-thirds of the film are a rather dull warm-up.” –
The Age (Australia)
Oct 8, 2025
Full Review
Superman: The Movie (1978)
87%
EDIT
“Reeve manages a satirical edge at the expense of Superman's self-righteous, goody-goody perfection. He handles the cartoon-bubble dialogue with just the right range of knowing expressions.” –
The Age (Australia)
Jul 8, 2025
Full Review
Rollerball (1975)
56%
EDIT
“This mock-serious, fashionable, feeble "protest" against barbarity in leisure and sterility in life feeds on its own brutality, almost as though it were programed as a two-hour commercial to popularise a new sport.” –
The Age (Australia)
Jun 5, 2025
Full Review
Night Moves (1975)
78%
EDIT
“This is a most intriguing film, if ultimately inconclusive and unsatisfactory. ” –
The Age (Australia)
May 28, 2025
Full Review
The Stepford Wives (1975)
55%
EDIT
“Its characterisation is mostly dull, and visually it is uneventful, to say the least.” –
The Age (Australia)
May 2, 2025
Full Review
Brannigan (1975)
47%
EDIT
“It's a modestly holding slice of cops and robbers.” –
The Age (Australia)
Apr 12, 2025
Full Review
Supervixens (1975)
49%
EDIT
“Evidently Russ now has pretentions to caricature, if not satire -- on dirty cops and aggressively liberated women. He strives for a super-comic. All he manages is a kind of vicious facetiousness.” –
The Age (Australia)
Apr 11, 2025
Full Review
2001: A Space Odyssey (1968)
90%
EDIT
“The film gives a graphic impression, as no predecessor has done, of the relative magnitude of the craft and the limitless universe itself.” –
The Age (Australia)
Apr 9, 2025
Full Review
Capone (1975)
32%
EDIT
“This is skin-deep stuff... no new light is shed on the underworld king, or the 1920s” –
The Age (Australia)
Apr 8, 2025
Full Review
Monty Python and the Holy Grail (1975)
92%
EDIT
“There are uninspired lapses... and there are rich and hilarious moments of the absurd. A review cannot help turning into a catalogue of the hits rather than the misses.” –
The Age (Australia)
Apr 1, 2025
Full Review
At Long Last Love (1975)
23%
EDIT
“With one toneless exception this cast cannot even enunciate, although the wit of the Porter lyrics demands to be heard distinctly.” –
The Age (Australia)
Mar 25, 2025
Full Review
Tommy (1975)
71%
EDIT
“I only wish the astonishing Mr. Russell would not lay on the symbols quite so thick... so that any soul-searching message had a chance to emerge through the non-stop clamor.” –
The Age (Australia)
Mar 18, 2025
Full Review
The Prisoner of Second Avenue (1975)
52%
EDIT
“If you give a genuinely bitter role to Jack Lemmon, he will make it too disturbingly real for comfort.” –
The Age (Australia)
Mar 7, 2025
Full Review
Nashville (1975)
89%
EDIT
“Mostly an exhilarating experience -- funny, deadly satire, rich in pieces of character the feeling of immediacy. I have seldom gone all the way with the off-beat Robert Altman. But I accept this juggled jigsaw as a splendidly original statement.” –
The Age (Australia)
Feb 27, 2025
Full Review
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