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Dan Scully

Tomatometer-approved critic
Biography:

Dan Scully is a film buff and humorist from Philadelphia whose tastes range from sleaze to prestige. If it?s a picture that moves, Dan wants to know about it. @DanScully

Reviews

Movies TV Shows
The Furious (2025) 100% EDIT “Visual poetry, drenched in blood.” – ScullyVision Apr 28, 2026 Full Review Maddie's Secret (2025) 90% EDIT “An outwardly absurd film that nails its emotional beats without dipping into mockery or winking at the camera.” – ScullyVision Apr 28, 2026 Full Review The Napa Boys (2025) 50% EDIT “That’s perhaps the most frustrating thing about this hot dog belch of a movie: by self-categorizing as anti-comedy, fans can dismiss all legitimate criticism as “you just didn’t get it” and “it’s supposed to be bad!”” – ScullyVision Apr 22, 2026 Full Review Obsession (2025) 96% EDIT “It’s a film that immediately merits a second viewing, and having seen it twice now, I can only imagine what discoveries await me on the inevitable third round. ” – ScullyVision Apr 22, 2026 Full Review Hokum (2026) 88% EDIT “By keeping the larger mechanisms of the mythology ambiguous, the film is able to maximize the terror that comes from not knowing, while also ensuring that nothing is too vague as to be frustrating or incomplete.” – ScullyVision Apr 20, 2026 Full Review Mile End Kicks (2025) 88% EDIT “It’s refreshing to see a woman-led coming of age tale where the protagonist is allowed to be messy.” – ScullyVision Apr 20, 2026 Full Review Lee Cronin's The Mummy (2026) 47% EDIT “As much as I would’ve liked to see a new take on THE mummy, I’m pleased as punch to see a new take on A mummy, even if it really is just Egypt Dead Rise. ” – ScullyVision Apr 17, 2026 Full Review The Drama (2026) 76% EDIT “Borgli has proven himself a master of casting a butt-clenching spell upon even the most savvy crowd, showcasing an alchemy that only cinema can provide. Yes, you should see this with a crowd.” – ScullyVision Apr 3, 2026 Full Review Ready or Not 2: Here I Come (2026) 74% EDIT “A blood-soaked, needledrop-laden, crowd-pleasing horror comedy, all of which rests on the capable shoulders of Samara Weaving, whose ability to scream with rage (and willingness to be drenched in blood) is second to none.” – ScullyVision Mar 21, 2026 Full Review Retirement Plan (2024) EDIT “It’s cute, quippy, and fun, but not without the melancholic presence of knowledge that death comes for us all, and for many of us, it comes before we retire. Best to get busy living instead of writing cheeky capsule reviews of short films. ” – ScullyVision Mar 14, 2026 Full Review Butterfly (2024) EDIT “A level of surrealism that, for all the real world material of the story, lends itself to the beautiful haze of long term memory. ” – ScullyVision Mar 14, 2026 Full Review The Girl Who Cried Pearls (2025) EDIT “Is it stop-motion? CGI? Both? Whatever it is, it’s truly marvelous to behold. ” – ScullyVision Mar 14, 2026 Full Review Forevergreen (2025) EDIT “It’s cute enough, and feels as Disney adjacent as can be on just about every level. ” – ScullyVision Mar 14, 2026 Full Review The Three Sisters (2024) EDIT “A marvel of minimalist animation. ” – ScullyVision Mar 14, 2026 Full Review Jane Austen's Period Drama (2024) EDIT “An odd choice for awards love, as it feels much more like an SNL sketch than a film, but it pleases me to see something so aggressively silly on the Academy’s radar.” – ScullyVision Mar 12, 2026 Full Review Two People Exchanging Saliva (2024) EDIT “A Vonnegut-esque satire that employs its absurdities to strong thematic ends.” – ScullyVision Mar 12, 2026 Full Review Butcher's Stain (2025) EDIT “We’ve seen so many pieces of art about the larger social forces at play, and it’s fascinating to see how they trickle down to a simple workplace drama.” – ScullyVision Mar 12, 2026 Full Review A Friend of Dorothy (2025) EDIT “Well-constructed, but otherwise insufferable. I’m dizzy from all the eye-rolling. ” – ScullyVision Mar 12, 2026 Full Review The Singers (2026) 90% EDIT “It’s a sweet-natured film, albeit a forgettable one, that doesn’t have much by way of thematic depth.” – ScullyVision Mar 12, 2026 Full Review undertone (2025) 74% EDIT “Hearkens back to the early days of the internet when me and my buddies would seek out creepy audio and video at 2AM in my parents’ basement. ” – ScullyVision Mar 11, 2026 Full Review Project Hail Mary (2026) 94% EDIT “Even with the uneven pacing and the fact that the APOCALYPTIC EVENT feels like a non-entity (and suspenseful scenes aren’t all that suspenseful as a result), it’s hard not to get wrapped up in a film so visually arresting.” – ScullyVision Mar 11, 2026 Full Review THE BRIDE! (2026) 57% EDIT “Despite overflowing with ambition, the “too much” feeling is ultimately an asset. What I’m saying is that Gyllenhaal took a bunch of disparate pieces, assembled them into a monster, and then shot it full of electricity. How appropriate!” – ScullyVision Mar 6, 2026 Full Review How to Make a Killing (2026) 44% EDIT “A good movie that should’ve been great, and a great portfolio booster for both Glen Powell and Margaret Qualley. It’s also a reminder that Topher Grace needs to be in more things. ” – ScullyVision Feb 23, 2026 Full Review Wuthering Heights (2026) 57% EDIT “Our leads don’t commit to mutual destruction in any compelling way. They just kinda glare at each other here and there, sometimes in a field. It’s weird and boring. You promised Victorian Jerry Springer. GIVE ME VICTORIAN JERRY SPRINGER.” – ScullyVision Feb 17, 2026 Full Review The Moment (2026) 67% EDIT “Often clever, and decidedly no-holds-barred, even if it leads to an unoriginal, painfully didactic ending.” – ScullyVision Feb 17, 2026 Full Review
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