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Gregory Nussen

Gregory Nussen's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Dead Lover (2025) 83% 8/10 EDIT “At once wretched, beguiling in its vileness, hopelessly romantic, and fascinatingly disgusting, Dead Lover cements Glowicki as one of Canada's most exciting voices.” – Screen Rant Mar 20, 2026 Full Review Phoenix Jones: The Rise and Fall of a Real Life Superhero (2026) 6/10 EDIT “The directorial debut from Bayan Joonam gives Phoenix the space to speak, but the juicier bits are left dangling at the end like a hanging chad.” – Screen Rant Mar 19, 2026 Full Review Crash Land (2026) 7/10 EDIT “It is a raucous comedy that actually deserves that oft-abused "heart-forward" label. Silly, sweet, and abundantly surprising, Dempsey Bryk's feature debut pulls off a rare stunt indeed.” – Screen Rant Mar 19, 2026 Full Review Adam's Apple (2026) 8/10 EDIT “Adam’s Apple is a rare and special gem of a documentary.” – Screen Rant Mar 19, 2026 Full Review Wishful Thinking (2026) 100% 8/10 EDIT “Much of this wouldn't work without the two Herculean performances at the center. Lewis Pullman, in particular, is an extraordinary force.” – Screen Rant Mar 18, 2026 Full Review Sender (2026) 50% 8/10 EDIT “Lower's work here is especially phenomenal. As Julia, who chugs Celsius energy drinks like milk for a babe, she jitters and slashes her way through psychosis.” – Screen Rant Mar 17, 2026 Full Review Over Your Dead Body (2026) 73% 5/10 EDIT “Ultimately, Over Your Dead Body is too messy for its own good. It is unable to settle into any one choice.” – Screen Rant Mar 17, 2026 Full Review Normal (2025) 84% 7/10 EDIT “Wheatley is such a strong technician that the film easily rises above its, well, normalcy, to become something much more distinct.” – Screen Rant Mar 17, 2026 Full Review Seekers of Infinite Love (2026) 8/10 EDIT “Einbinder... turns in a magnificently dialed-in, heart-forward and honest performance. Theroux has rarely been this funny and he somehow makes what could be a cartoonish character feel believable and sympathetic.” – Screen Rant Mar 17, 2026 Full Review Mike & Nick & Nick & Alice (2026) 80% 4/10 EDIT “Very little works in Mike & Nick & Nick & Alice, in spite of several strong performances.” – Screen Rant Mar 16, 2026 Full Review Power Ballad (2026) 100% 7/10 EDIT “Power Ballad continues Carney's long run of success with yet another charmer. Of course, it's easy to charm when you have Paul Rudd as your center.” – Screen Rant Mar 15, 2026 Full Review Family Movie (2026) 91% 5/10 EDIT “Being that this is a real family that has worked together for decades, their chemistry elevates the somewhat lackluster writing to deliver a pleasurable, if tame experience.” – Screen Rant Mar 15, 2026 Full Review Brian (2026) 100% 8/10 EDIT “From top to bottom, Brian just really works. It knows what game it's playing and does it with grounded honesty and the kind of blistering comedy that can only emanate from a truly genuine place.” – Screen Rant Mar 15, 2026 Full Review The Saviors (2026) 55% 5/10 EDIT “Adam Scott and Danielle Deadwyler do what they can to make Hamedani's script zip along, and it is not without pleasure, but the ultimate goal of its critique falls woefully flat.” – Screen Rant Mar 14, 2026 Full Review Ready or Not 2: Here I Come (2026) 76% 4/10 EDIT “If Ready or Not was a chess match, Here I Come is tic-tac-toe.” – Screen Rant Mar 14, 2026 Full Review The Sun Never Sets (2026) 9/10 EDIT “Fanning has a special way of presenting someone that can be both open and closed in equal measure... Ultimately, The Sun Never Sets is her film, and she is such an infinitely pleasurable actor to watch that everything else goes down smoothly.” – Screen Rant Mar 14, 2026 Full Review I Love Boosters (2026) 100% 7/10 EDIT “It is, ultimately, a film completely uninterested in subtlety. That's both to its credit and to its detriment.” – Screen Rant Mar 13, 2026 Full Review undertone (2025) 72% 5/10 EDIT “A film which makes extraordinary use of negative space – not just auditory but visual, begging viewers to scan every frame for any possible indication of threat or lurking evil – undertone works best when gnawing at nagging expectations. ” – Screen Rant Mar 10, 2026 Full Review Project Hail Mary (2026) 95% 9/10 EDIT “As for Ryan Gosling, this is, without a doubt, the eminently charming actor's best work yet. ” – Screen Rant Mar 10, 2026 Full Review Bodycam (2025) 86% 4/10 EDIT “But politically and narratively, it's quite strained. Its runtime is only 75 minutes, but it feels much longer, and never really justifies itself as more than a V/H/S-style short.” – Screen Rant Mar 9, 2026 Full Review Agent Zero (2026) 3/10 EDIT “It makes for a particularly bland film when your main character is a mostly inactive participant in their own story. Perhaps the title is inadvertently accurate, then.” – Screen Rant Mar 9, 2026 Full Review Pompei: Below the Clouds (2025) 97% 9/10 EDIT “The poetry of Rosi's images hits with a church bell's vibrations.” – Screen Rant Mar 6, 2026 Full Review Youngblood (2025) 71% 7/10 EDIT “Sure, the film still skates along the familiar grooves of an underdog story, but the context of the film's production within a culture of exclusion elevates the material above its clichés.” – Screen Rant Mar 4, 2026 Full Review THE BRIDE! (2026) 57% 8/10 EDIT “Gyllenhaal's second feature is an explosive representation of social disruption. A screaming cry, The Bride! utilizes its influences to belt a clarion call against hedonism, police complicity, violence against women, and the patriarchal system that binds.” – Screen Rant Mar 4, 2026 Full Review Hoppers (2026) 93% 7/10 EDIT “Daniel Chong's film isn't perfect, but it reaches such a strange fever pitch of hilarity and political prescience that it demands respect.” – Screen Rant Mar 2, 2026 Full Review
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