Jake Pitre
Jake Pitre's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Strangers: Chapter 3 (2026)
17%
EDIT
“This concluding chapter seems destined to please almost no one other than those mystical, befuddling folks who wanted to know what makes the Strangers tick. And even then... it’s difficult to imagine much satisfaction from such a languid experience.” –
In Review Online
Mar 10, 2026
Full Review
All You Need Is Kill (2025)
83%
EDIT
“It can’t be overstated how much of a marvel the 3D animation is to behold... [but the] considerable pleasures... are unfortunately burdened by essential limitations.” –
In Review Online
Aug 12, 2025
Full Review
The Virgin of the Quarry Lake (2025)
84%
EDIT
“Some small qualms aside, The Virgin of Quarry Lake is an effective work of storytelling that fruitfully captures the curdling rage of growing up as the world around you burns.” –
In Review Online
Aug 12, 2025
Full Review
It Ends (2025)
100%
EDIT
“[It Ends] takes its easy-to-market conceit and plays with it, iterates on it, takes it to logical conclusions, and keeps things interesting until the very last moment.” –
In Review Online
Aug 12, 2025
Full Review
Dog of God (2025)
87%
EDIT
“Does its best to make and leave an impression [and] in that regard, many memorable images surely do arrive... but the film ultimately ends up buckling under its limited sense of storytelling.” –
In Review Online
Jul 29, 2025
Full Review
The Code (2024)
EDIT
“One could crassly but accurately call it the rousing cinematic answer to digital brainrot.” –
In Review Online
May 3, 2025
Full Review
Timestalker (2024)
87%
EDIT
“In Lowe’s capable hands, it’s delivered with as much imagination and humor as one could hope for. ” –
In Review Online
Aug 5, 2024
Full Review
Infinite Summer (2024)
88%
EDIT
“Ambiguity can be a powerful cinematic tool, or a crutch. Infinite Summer leans dangerously close to the latter case, flirting with complicated ideas about identity and transformation but refusing to engage with the severity of the consequences therein. ” –
In Review Online
Aug 1, 2024
Full Review
T-Blockers (2023)
100%
EDIT
“T Blockers operates simultaneously as a defiant political throwdown and a campy alien invasion horror-comedy, and for the most part, it balances those tones with an adept hand” –
In Review Online
Mar 7, 2024
Full Review
The Becomers (2023)
94%
EDIT
“Zach Clark’s The Becomers overcomes this preconceived notion of the pandemic film, effectively transcending how trite most commentary on the era has typically been.” –
In Review Online
Oct 5, 2023
Full Review
Mami Wata (2023)
97%
EDIT
“The gorgeous black-and-white cinematography, combined with Juhen’s memorable performance as Prisca, work to underline the complexity of African representation today.” –
In Review Online
Aug 15, 2023
Full Review
The Sacrifice Game (2023)
90%
EDIT
“Jenn Wexler’s The Sacrifice Game falls into this kind of machinic genre assemblage, yet it manages to stand out by shaping into something achingly cute and, at times, unexpected.” –
In Review Online
Aug 4, 2023
Full Review
The Florida Project (2017)
96%
EDIT
“Sean Baker's latest avoids being an exploitative portrayal of poverty by empathetically portraying its characters' daily struggles, and giving time to a variety of perspectives.” –
Seventh Row
Dec 15, 2017
Full Review
The Little Girl Who Was Too Fond of Matches (2017)
86%
EDIT
“Thanks to [Simon] Lavoie's confident direction, Matches builds hope for the continued strength and creativity of Qubcois horror cinema, refreshed by the raw input of genre outsiders.” –
Seventh Row
Sep 28, 2017
Full Review
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