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Jennie Kermode

Tomatometer-approved critic
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Reviews

Movies TV Shows
What is dyslexia? (2026) 4.5/5 EDIT “With a carefully measured pace and a lot of focus on light and movement, the imagery here will be particularly effective at engaging young dyslexic people’s minds.” – Eye for Film May 6, 2026 Full Review Castration Movie Anthology I: Traps (2024) 4/5 EDIT “Weard has a remarkable ability to make viewers feel as if they’re present on the fringes of the action, hanging out in a corner of the room” – Eye for Film May 6, 2026 Full Review I've Seen All I Need to See (2025) 2.5/5 EDIT “If the film does not test your patience, you should probably check your pulse.” – Eye for Film May 1, 2026 Full Review Köln 75 (2025) 88% 4/5 EDIT “Emde is a force to be reckoned with. The film could not have been made any other way.” – Eye for Film May 1, 2026 Full Review Tony Odyssey (2025) 4/5 EDIT “A hugely ambitious first feature from director Thales Banzai, Tony Odyssey repeatedly bites off more than it can chew, but it has lots of great ideas, both conceptual and visual.” – Eye for Film Apr 27, 2026 Full Review The North (2025) 3.5/5 EDIT “This is stunning country under any circumstances, and if you can’t be there in person, watching this on a big screen is the next best thing.” – Eye for Film Apr 27, 2026 Full Review Rose of Nevada (2025) 100% 4.5/5 EDIT “Jenkin’s style, impressionistic when it comes to places, is particular in regard to objects, the real anchors of our lives.” – Eye for Film Apr 24, 2026 Full Review CAMP (2025) 95% 3.5/5 EDIT “A thoughtful, subtly dangerous film which denies viewers the reassurance of a conventional ending.” – Eye for Film Apr 20, 2026 Full Review Itch! (2024) 82% 3.5/5 EDIT “The scenes of violent confrontation are relatively few, but mroe powerful for it... Kang wants us to see not just the physical effects of this, but the psychological effect on those doing harm.” – Eye for Film Apr 20, 2026 Full Review Frankie, Maniac Woman (2025) 100% 3/5 EDIT “Tsigaridis and Silva weave comedy and tragedy together, letting each remain distinct, and in the process create a kind of discomfort that the genre rarely admits to.” – Eye for Film Apr 17, 2026 Full Review Departures (2025) 95% 4.5/5 EDIT “There is plenty here for viewers to relate to, whether or not they’ve ever gone to those extremes. There’s also an ample supply of humour, with laugh-out-loud moments occurring in the bleakest situations.” – Eye for Film Apr 16, 2026 Full Review Mārama (2025) 100% 5/5 EDIT “One of the most impressive films of the year to date.” – Eye for Film Apr 15, 2026 Full Review PH-1 (2026) 2/4 EDIT “Though not particularly original or inspired, this is a serviceable thriller. It’s unfortunate that it has come out at a time when its central tenets are difficult to take seriously.” – Eye for Film Apr 14, 2026 Full Review The Cramps: A Period Piece (2025) 100% 4/5 EDIT “The film’s general campiness does not diminish the points it’s making.” – Eye for Film Apr 13, 2026 Full Review Empire of Lies (2026) 3/5 EDIT “Matthew Hope's low budget thriller is a exercise in what can be achieved with just two actors, a caravan and a field.” – Eye for Film Apr 10, 2026 Full Review Mr. Burton (2025) 93% 4.5/5 EDIT “A film full of finely crafted detail.” – Eye for Film Apr 3, 2026 Full Review Two Women (2025) 77% 2.5/5 EDIT “It is silly and playful, but there are times when it becomes uncomfortable.” – Eye for Film Apr 3, 2026 Full Review Night Stage (2025) 85% 3.5/5 EDIT “The film is shot in gorgeous shades of noir by Luciana Baseggio, and has a deliciously dark, sultry score.” – Eye for Film Apr 2, 2026 Full Review Boorman and the Devil (2025) 100% 5/5 EDIT “Boorman has an extraordinary openness about him which would make him a compelling subject even if he’d never made a film in his life.” – Eye for Film Mar 31, 2026 Full Review The Snake (2026) 4/5 EDIT “Although it’s dealing with potentially grim situations – homelessness, codependency, petty crime – the film is consistently entertaining.” – Eye for Film Mar 24, 2026 Full Review Abode (2025) 80% 4/5 EDIT “The whole anthology feels lived-in, creating an immediate intimacy with the viewer.” – Eye for Film Mar 20, 2026 Full Review The Land of Sometimes (2025) 2/5 EDIT “In places the film feels skeletal, the bones of the story barely covered, let alone properly fleshed out.” – Eye for Film Mar 19, 2026 Full Review Crash Land (2026) 100% 4.5/5 EDIT “There’s a considerable sensitivity and intelligence to this film, underlying its glorious stupidity.” – Eye for Film Mar 19, 2026 Full Review Fifteen (2026) 4/5 EDIT “Ricardo Álvarez Canales and Andrzej Rattinger’s dialogue is wonderfully observed and the two leads give lively, fresh performances which make them feel like real 14-year-old girls, looking at the world in a way most adults forget.” – Eye for Film Mar 19, 2026 Full Review Their Town (2026) 90% 4/5 EDIT “Astutely observed and sensitively performed.” – Eye for Film Mar 17, 2026 Full Review
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