Katie McCabe
Katie McCabe's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Testament of Ann Lee (2025)
86%
EDIT
“Unconvincing Manchester accent aside, Amanda Seyfried delivers a brilliant, primal performance as Ann Lee, the radical leader of a celibate religious sect that absolved sins through intense physical worship.
” –
Sight & Sound
Feb 26, 2026
Full Review
Catching Fire: The Story of Anita Pallenberg (2023)
88%
EDIT
“Inspired by her unpublished memoir, this documentary exploring the wild life of 1960s actress Anita Pallenberg provides welcome insight on her career as well as her influence on the Rolling Stones.
” –
Sight & Sound
Dec 31, 2025
Full Review
Animalia (2023)
100%
EDIT
“Alaoui uses simple effects – slow-mo, dissolves, a flash of what looks like the aurora borealis – with great skill to communicate the uncanny. ” –
Sight & Sound
Dec 11, 2025
Full Review
Predators (2025)
97%
EDIT
“This film’s strength is its hand-wringing uncertainty – Osit knows the end doesn’t always justify the murky means.
” –
Sight & Sound
Nov 14, 2025
Full Review
E.1027: Eileen Gray and the House by the Sea (2024)
EDIT
“. E.1027 shows an archive interview in which Gray at 96 is asked about her work, “Does it amuse you, Eileen, that 50 years later, that work you were doing is high fashion again?” You can feel her scepticism. It all came too late.
” –
Sight & Sound
Nov 4, 2025
Full Review
Sorry, Baby (2025)
97%
EDIT
“With this film, Victor inhabits the naked uncertainty that hangs in the air after a punchline, and asks us to join them there.” –
Sight & Sound
Nov 4, 2025
Full Review
September Says (2024)
63%
EDIT
“Labed’s film, like Johnson’s novel, understands how sisters practise life on one another, testing out the worst facets of their personalities until they are ready to present them to the world.” –
Sight & Sound
Mar 10, 2025
Full Review
Nocturnes (2024)
93%
EDIT
“With its mesmeric micro-cinematography, Nocturnes allows us to investigate the dusty filigree of a moths’ wings, or watch them stumble along like a drunken hang gliders.” –
Sight & Sound
Feb 10, 2025
Full Review
Janet Planet (2023)
85%
EDIT
“The film has enough empathy to go round – for a mother overwhelmed by a child’s bottomless need, and a child’s agony over the changing rules of their bond.” –
Sight & Sound
Feb 10, 2025
Full Review
Bring Them Down (2024)
89%
EDIT
“The burden a parent places on a child, and the question of how much they can be blamed for the damage caused by its weight, runs like a compressed nerve through director Christopher Andrews’s brutal Irish pulp pastoral Bring Them Down. ” –
Sight & Sound
Feb 9, 2025
Full Review
Baltimore (AKA Rose's War) (2023)
88%
EDIT
“Baltimore is not really a biopic. You could call it a ‘character-driven heist movie’, a moody triptych that leaps freely between timelines.” –
Sight & Sound
May 7, 2024
Full Review
Sick of Myself (2022)
88%
EDIT
“Excessive self-medicating eventually lands Signe in hospital with a ‘mysterious illness’, and as she smokes through Eyes Without a Face-esque bandages, the film begins to find its uncomfortably funny feet. ” –
Sight & Sound
Apr 21, 2023
Full Review
Shirley (2020)
88%
4/5
EDIT
“Through all the film's fictionalised, domestic delirium, Decker tells a story of female artistic power.” –
Time Out
Oct 27, 2020
Full Review
Ride, Rise, Roar (2010)
78%
2/5
EDIT
“Everything that happens... will soon be forgotten.” –
Little White Lies
Jan 20, 2011
Full Review
Brotherhood (2010)
54%
2/5
EDIT
“Most are curious about the seedy undertones of fraternity life and the reality behind the hazing clichs. Brotherhood opens up the story, it just doesn't waste time telling it.” –
Little White Lies
Jan 14, 2011
Full Review
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