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Kevin Maher

Kevin Maher's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Arco (2025) 93% 4/5 EDIT “It doesn’t all work. Iris and Arco are slightly bland, and a third-act chase sequence seems superfluous. But the bleak ending, the key character killed and the brutal twist? Bravo! ” – The Times (UK) Mar 19, 2026 Full Review A Pale View of Hills (2025) 61% 4/5 EDIT “It is a fascinating, often moving exploration of Japanese family life in the traumatised, bomb-blasted aftermath of the Second World War.” – The Times (UK) Mar 17, 2026 Full Review The Love That Remains (2025) 94% 3/5 EDIT “This is a film of rolling vignettes, beautifully shot on 35mm film, that are often zany and surreal but slowly coalesce to form a portrait of a family at the mercy of, oh yes, the unforgiving elements.” – The Times (UK) Mar 17, 2026 Full Review Reminders of Him (2026) 56% 2/5 EDIT “The Colleen Hoover school of social realism is back — and this time it's more idiotic than ever.” – The Times (UK) Mar 12, 2026 Full Review How to Make a Killing (2026) 43% 2/5 EDIT “There are some mildly diverting moments, and it’s pleasing to see Ed Harris emerge later on in a significant set piece. Like everything else in this ill-judged effort, his appearance is a wasted opportunity.” – The Times (UK) Mar 12, 2026 Full Review Project Hail Mary (2026) 95% 4/5 EDIT “Gosling is the sugar that helps the medicine go down. He hasn’t been this perfectly cast between roguish and ingenuous since La La Land in 2016.” – The Times (UK) Mar 10, 2026 Full Review Mother's Pride (2025) 2/5 EDIT “It’s full of telegraphed “comedy”, ersatz emotions and daytime telly twists. Please, marketing people, stop calling these films “Ealing-style comedies”.” – The Times (UK) Mar 5, 2026 Full Review All the President's Men (1976) 95% 5/5 EDIT “Redford and Hoffman generate fabulous screwball energy.” – The Times (UK) Mar 5, 2026 Full Review Peaky Blinders: The Immortal Man (2026) 91% 4/5 EDIT “ The rock soundtrack thumps along with propulsive vigour, the screen pulses with stylish slow-mo from the director Tom Harper, while the top-tier acting duo of Murphy and Keoghan bring some unexpected poignancy to an otherwise familiar Oedipal clash.” – The Times (UK) Mar 5, 2026 Full Review THE BRIDE! (2026) 57% 1/5 EDIT “It’s a howling misfire for the actress turned director Maggie Gyllenhaal who has, in this latest flashy Frankenstein reboot, abandoned all the artistic integrity she displayed in her stunning debut, The Lost Daughter.” – The Times (UK) Mar 4, 2026 Full Review The Prince and the Showgirl (1957) 55% 4/5 EDIT “Monroe and Olivier never once seem comfortable together yet this is oddly appropriate for their characters’ deeply combative relationship. You can’t look away.” – The Times (UK) Mar 3, 2026 Full Review The Testament of Ann Lee (2025) 86% 2/5 EDIT “The film is overwhelmingly self-serious and thus accidentally very Monty Python. So many scenes live just on the verge of unintentional side-splitting comedy. ” – The Times (UK) Mar 3, 2026 Full Review Scream 7 (2026) 31% 2/5 EDIT “There are a handful of limp references to AI deepfakes but otherwise all the sharp culture awareness, and certainly all the irony, has been removed. It’s as if nobody realised that a Scream movie without the irony is just a bad horror movie. ” – The Times (UK) Mar 3, 2026 Full Review Hoppers (2026) 93% 3/5 EDIT “There’s lots of fun here, some of the one-liners are exquisite and the helter-skelter finale is delightfully overstuffed. Frustratingly, it’s still second-grade Pixar.” – The Times (UK) Mar 2, 2026 Full Review Paul McCartney: Man on the Run (2025) 100% 4/5 EDIT “In the end there are no revelations, just a warm and cosy restatement of cultural history. ” – The Times (UK) Feb 25, 2026 Full Review Good Luck, Have Fun, Don't Die (2025) 82% 2/5 EDIT “I can’t remember seeing a film that espoused ideas and beliefs with which I agreed wholeheartedly (social media is evil and we’re all going to die) while simultaneously boring me stupid.” – The Times (UK) Feb 25, 2026 Full Review The Secret Agent (2025) 98% 5/5 EDIT “For all its showmanship, exquisite period details and flashy Tarantino-style denouement, Filho’s film never loses its profound emotional ache, or the central idea — that the departing dictatorship left behind an entire population in a state of trauma.” – The Times (UK) Feb 24, 2026 Full Review Stolen Face (1952) 4/5 EDIT “Unlike Vertigo, where we empathise with James Stewart’s Scottie, Philip here is the stooge, weak and overlooked by the innately powerful Alice. ” – The Times (UK) Feb 24, 2026 Full Review The Moment (2026) 66% 2/5 EDIT “It’s a film directed and co-written by Aitchison’s regular pop video wunderkind Aidan Zamiri, who’s here made a feature-length promo with hit’n’miss jokes and a handful of two-dimensional ciphers.” – The Times (UK) Feb 18, 2026 Full Review Little Amélie or the Character of Rain (2025) 98% 4/5 EDIT “The film is serious, sweet and yet boldly sui generis. ” – The Times (UK) Feb 13, 2026 Full Review The President's Cake (2025) 99% 4/5 EDIT “It’s a testament to Nayyef’s ingenuous performance and the mesmerising sense of place that the film is always compelling and sometimes bleakly funny, although there are no happy endings.” – The Times (UK) Feb 13, 2026 Full Review Crime 101 (2026) 88% 3/5 EDIT “It’s a prime example of the LA-set B-movie, a genre that also includes Guy Ritchie’s Wrath of Man and Gerard Butler’s Den of Thieves franchise. Crime 101 is far better than those efforts and in places is sublime.” – The Times (UK) Feb 11, 2026 Full Review Wuthering Heights (2026) 57% 2/5 EDIT “With a chemistry-free central romance between the bizarrely uninteresting Heathcliff and Cathy, this film self-deflates.” – The Times (UK) Feb 9, 2026 Full Review 100 Nights of Hero (2025) 68% 1/5 EDIT “The director Julia Jackman has created a tonal hodgepodge. ” – The Times (UK) Feb 7, 2026 Full Review Send Help (2026) 93% 4/5 EDIT “It’s a lot of fun.” – The Times (UK) Feb 7, 2026 Full Review
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