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Luis Martínez

Luis Martínez 's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Después de Kim (2026) 2/5 EDIT “An uneven drama, a confusing plot and an incomprehensible ending. [Full review in Spanish]” – El Mundo (Spain) May 1, 2026 Full Review The Plague (2025) 97% 3/5 EDIT “The entire film, with its irresistible underwater shots duly harmonized by a captivating soundtrack, oscillates between undeniable fascination and repulsion. [Full review in Spanish]” – El Mundo (Spain) Apr 29, 2026 Full Review Resurrection (2025) 91% 5/5 EDIT “[A] dazzling work conceived from beginning to end not so much as a dream but, a step further, as the dream of cinema itself dreaming a dream. [Full review in Spanish]” – El Mundo (Spain) Apr 29, 2026 Full Review Amrum (2025) 97% 3/5 EDIT “A film that far from excusing anything or softening any responsibility manages to describe from the most anomalous, tranquil, and even perfect of places the most brutal, unjust, and vulgar of possible worlds. [Full review in Spanish]” – El Mundo (Spain) Apr 29, 2026 Full Review The Devil Wears Prada 2 (2026) 78% 2/5 EDIT “A self-celebratory liturgy that is as chaotic and inane as it is simply boring. [Full review in Spanish]” – El Mundo (Spain) Apr 29, 2026 Full Review Sound of Falling (2025) 94% 4/5 EDIT “Mascha Schilinski delivers one of the most enigmatic, mysterious, and hypnotic films in a long time. [Full review in Spanish]” – El Mundo (Spain) Apr 24, 2026 Full Review I Only Rest in the Storm (2025) 81% 4/5 EDIT “Pedro Pinho crafts an odyssey-like film of three and a half hours that functions as an exceptional, feverish, and somnambulistic political and poetic manifesto. [Full review in Spanish]” – El Mundo (Spain) Apr 24, 2026 Full Review Michael (2026) 39% 2/5 EDIT “Antoine Fuqua's clumsy, redemptive biopic about the King of Pop barely manages to be a sad and condescending tribute, despite the irresistible soundtrack. [Full review in Spanish] ” – El Mundo (Spain) Apr 22, 2026 Full Review Dead Man's Wire (2025) 91% 2/5 EDIT “A madcap thriller that teeters between revelation and simple chaos. [Full review in Spanish]” – El Mundo (Spain) Apr 20, 2026 Full Review The Richest Woman in the World (2025) 2/5 EDIT “An unbalanced farce that finds its place between gossip columns and moral fables. [Full review in Spanish]” – El Mundo (Spain) Apr 20, 2026 Full Review My Dearest Señorita (2026) 3/5 EDIT “An exercise of cinema that is as conscious and emotional as it is, let's admit it, over-explained. [Full review in Spanish]” – El Mundo (Spain) Apr 20, 2026 Full Review A Poet (2025) 100% 5/5 EDIT “Anomalous, tender, beautiful, funny, and tragic. [Ful lreview in Spanish]” – El Mundo (Spain) Apr 20, 2026 Full Review The Good Daughter (2026) 3/5 EDIT “Julia de Paz delivers a precise portrait, as illuminating as it is tremendous. [Full review in Spanish]” – El Mundo (Spain) Apr 13, 2026 Full Review I Swear (2025) 97% 4/5 EDIT “Kirk Jones crafts a drama about overcoming adversity and good feelings in the most conventional, orthodox, and irresistible of senses. [Full review in Spanish] ” – El Mundo (Spain) Apr 13, 2026 Full Review Good Luck, Have Fun, Don't Die (2025) 81% 3/5 EDIT “Gore Verbinski returns to life with a hysterical update of Groundhog Day that is as uncontrolled, chaotic, and whimsical as it is unmissable. [Full review in Spanish]” – El Mundo (Spain) Apr 13, 2026 Full Review Lapönia (2026) EDIT “The director's consistently decisive approach and the solid performances leave a pleasant impression, if not a satisfying one. [Full review in Spanish]” – El Mundo (Spain) Apr 1, 2026 Full Review Calle Málaga (2025) 98% 3/5 EDIT “Maryan Touzani crafts a delightful, transparent, and outspoken fable about old age, brought to life by an actress free of prejudice and filters. [Full review in Spanish]” – El Mundo (Spain) Apr 1, 2026 Full Review We Believe You (2025) 100% 4/5 EDIT “Debutants Charlotte Devillers and Arnaud Dufeys deliver a voracious, direct, feverish, and essentially true exercise in filmmaking. [Full review in Spanish]” – El Mundo (Spain) Mar 26, 2026 Full Review Two Prosecutors (2025) 97% 4/5 EDIT “The hyperactive director completes his most refined and sober work, although just as desolate and visceral as his entire essential filmography. [Full review in Spanish] ” – El Mundo (Spain) Mar 26, 2026 Full Review Project Hail Mary (2026) 94% 3/5 EDIT “A spectacular epic film that is as entertaining as it is enjoyable, featuring a surreal ET and the charisma of a Ryan Gosling in top form. [Full review in Spanish]” – El Mundo (Spain) Mar 26, 2026 Full Review Torrente Presidente (2026) 4/5 EDIT “Torrente's return 12 years later results in a satire that is as witty and funny as it is timely, exposing the far right's deceit to the bone. [Full review in Spanish]” – El Mundo (Spain) Mar 17, 2026 Full Review The Great Arch (2025) 89% 3/5 EDIT “Stéphane Demoustier crafts an architecturally brilliant film. [Full review in Spanish]” – El Mundo (Spain) Mar 13, 2026 Full Review Eagles of the Republic (2025) 77% 2/5 EDIT “A murky, labyrinthine, and, worst of all, excessively thick plot. [Full review in Spanish]” – El Mundo (Spain) Mar 13, 2026 Full Review The Little Sister (2025) 88% 3/5 EDIT “Hafsia Herzi crafts a delicate coming-of-age drama from the magnetism and silence of debutante actress Nadia Melliti. [Full review in Spanish] ” – El Mundo (Spain) Mar 13, 2026 Full Review Pillion (2025) 99% 4/5 EDIT “As dazzling and fun as it is murky and unsettling. [Full review in Spanish]” – El Mundo (Spain) Mar 6, 2026 Full Review
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