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Nandini Ramnath

Nandini Ramnath's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Ek Din (2026) EDIT “The 125-minute remake is largely faithful, from the Nakul character arc to the holiday in Hokkaido. However, a key rewrite can’t salvage Ek Din, only underlining how icky and corny the overall premise is.” – Scroll.in May 5, 2026 Full Review Raja Shivaji (2026) EDIT “Only Vidya Balan and Sanjay Dutt emerge as somewhat fleshed-out characters. Most of the cast members deliver performances as uninspiring and studious as the film itself.” – Scroll.in May 1, 2026 Full Review The Devil Wears Prada 2 (2026) 78% EDIT “Emily Blunt and Stanley Tucci are terrific reminders not just of why the first movie worked, but also why continuity and experience matter.” – Scroll.in Apr 30, 2026 Full Review Mercy (2026) EDIT “Mercy is one of those low-budget, Rotary Club-worthy films that is noteworthy only for its topicality. The bareness across the scripting, performance and production design departments doesn’t do justice to an important subject, especially in India.” – Scroll.in Apr 24, 2026 Full Review Michael (2026) 39% EDIT “The film isn’t expected to be objective, nuanced or revelatory, and it isn’t. But it’s also undeniably exhilarating – a modern-day musical fairy tale packed with sing-along, foot-tapping chartbusters that use Michael Jackson’s original singing voice.” – Scroll.in Apr 24, 2026 Full Review Bhooth Bangla (2026) 17% EDIT “Perhaps more effort could have been expended on clearly explaining why the bat-shaped creature is stalking Arjun and Meera. Instead, Bhooth Bangla is a victim of laziness coupled with banality.” – Scroll.in Apr 20, 2026 Full Review Toh Ti Ani Fuji (2026) EDIT “Despite plumbing the depths of emotion, Toh Ti Ani Fuji stills feels incomplete, but there’s a fullness to the performances that’s a marvel unto itself.” – Scroll.in Apr 15, 2026 Full Review Toaster (2026) EDIT “The crisp premise is overstretched but the buffoonery is consistent.” – Scroll.in Apr 15, 2026 Full Review Dacoit: A Love Story (2026) 25% EDIT “The Covid pandemic is written into the 155-minute film, resulting in facial coverings, but that hardly excuses Hari’s ease of movement. Little else does too.” – Scroll.in Apr 13, 2026 Full Review The Drama (2026) 76% EDIT “Kristoffer Borgli’s anti-romcom rattles the cage but doesn’t shatter it, leaving us with hilariously off-kilter moments and lovely scenes of a couple dragging themselves to the wedding aisle, not quite sure of anything anymore.” – Scroll.in Apr 3, 2026 Full Review Tighee (2026) EDIT “...Tighee is powerful in its own right. The examination of the complexities of womanhood survives the outing and its mildly unconvincing immediate outcome.” – Scroll.in Mar 30, 2026 Full Review Project Hail Mary (2026) 94% EDIT “Ryan Gosling keeps the banter coming, smoothly handles the emotion-heavy moments and makes the difference between engagement and boredom. ” – Scroll.in Mar 26, 2026 Full Review Dhurandhar: The Revenge (2026) 35% EDIT “Dhurandhar: The Revenge doesn’t quite capture what Dhar sets out to do. In a movie seething with demonic rage and torture porn, “The Revenge” turns out to be a colossal understatement.” – Scroll.in Mar 19, 2026 Full Review No Other Choice (2025) 97% EDIT “No Other Choice is possibly one of the funniest and saddest movies about trying to dodge the wrecking ball of rampaging capitalism.” – Scroll.in Mar 13, 2026 Full Review Made in Korea (2026) 31% EDIT “The staging has a slapdash quality. The script is all over the place, like Shenba. The 113-minute movie lacks the realistic touches or the lived-in texture that would have made Shenba’s journey engaging and convincing.” – Scroll.in Mar 12, 2026 Full Review It Was Just an Accident (2025) 98% EDIT “Panahi’s latest expression of rage is raw and powerful, filled with tense scenes and suspenseful moments.” – Scroll.in Mar 9, 2026 Full Review Boong (2024) EDIT “There is another yearning at work in Boong, for a world ruled by simplicity, diversity and humour. Seen from a knee-high perspective, the complexities of a conflict-ridden zone magically appears to be navigable.” – Scroll.in Mar 9, 2026 Full Review Subedaar (2026) 69% EDIT “ The overwritten script, which proceeds on two tracks and then several, can’t quite bring all its strands together.” – Scroll.in Mar 5, 2026 Full Review The Kerala Story 2: Goes Beyond (2026) EDIT “...the movie states its agenda plainly, forcefully and without inhibition: to portray an entire community as unfeeling villains whose only goal is to expand their flock by any means possible...” – Scroll.in Mar 3, 2026 Full Review Accused (2026) 33% EDIT “While Accused too is curious about the way in which powerful women conduct themselves, the movie’s commitment to the difficult questions it has raised is not as strong or thorough.” – Scroll.in Feb 27, 2026 Full Review Hamnet (2025) 87% EDIT “In Hamnet, art acts as a salve, making the film more than a speculative exploration of a real-life occurrence.” – Scroll.in Feb 27, 2026 Full Review The Secret Agent (2025) 98% EDIT “Despite clunky plotting in places, The Secret Agent gives a sense of how unelected governments, supported by corrupt elites, carry out their dirty deeds.” – Scroll.in Feb 27, 2026 Full Review Do Deewane Seher Mein (2026) EDIT “Do Deewane Seher Mein isn’t a plot in search of a movie. It isn’t even much of a plot.” – Scroll.in Feb 20, 2026 Full Review Kennedy (2023) 53% EDIT “What Kennedy unerringly achieves is a withering portrait of Mumbai as the capital of anomie, in which greed has reached stratospheric proportions and values have no meaning.” – Scroll.in Feb 20, 2026 Full Review Assi (2026) 90% EDIT “Harrowing, hard-hitting and high-minded – Assi proudly wears the triple-H crown of the conscience-pricking Bollywood social drama.” – Scroll.in Feb 20, 2026 Full Review
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