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Paula Vázquez Prieto

Paula Vázquez Prieto's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Peaky Blinders: The Immortal Man (2026) 91% 3/5 EDIT “After six successful seasons, Peaky Blinders needed more than just a good story. It needed mystique and anticipation, a cast of familiar faces, and a few new names to add a touch of distinction. [Full review in Spanish]” – La Nación (Argentina) Mar 20, 2026 Full Review Project Hail Mary (2026) 95% 4/5 EDIT “...Miller and Lord manage to strike the perfect tone for their film as the story unfolds and they develop a buddy movie with a galactic flair. [Full review in Spanish]” – La Nación (Argentina) Mar 19, 2026 Full Review Landmarks (2025) 94% 4/5 EDIT “[Landmarks] is a chronicle of the present and past of the Chuschagasta community through the voices of its protagonists, the beauty of the place and the memory of its inhabitants, and those struggles that deserve to be told. [Full review in Spanish]” – La Nación (Argentina) Mar 6, 2026 Full Review Keeper (2025) 49% 2/5 EDIT “Here, the achieved atmosphere—magnified by Erdö Van Breemen's unsettling soundtrack—isn't enough to give substance to a story that doesn't deviate from its predictability...[Full review in Spanish]” – La Nación (Argentina) Feb 19, 2026 Full Review Wuthering Heights (2026) 57% 3/5 EDIT “Fennell's vision [of Wuthering Heights] is more mischievous than audacious...but it sustains each of its decisions, right or wrong, with more conviction than skill. [Full review in Spanish]” – La Nación (Argentina) Feb 12, 2026 Full Review The Damned (2024) 90% 3/5 EDIT “The strategy of The Damned is fairly predictable, but working in its favor is an aesthetic that forgoes cheap shock in favor of a steadily mounting sense of unease, one that takes Eva's mind as its point of entry. [Full review in Spanish]” – La Nación (Argentina) Feb 8, 2026 Full Review Hamnet (2025) 87% 4/5 EDIT “...Zhao emphasizes the origin of Hamlet's tragedy as a secret, deeply human experience, one that's hard to translate into the right words, whose only intimate form of expiation lies in the art it reveals. [Full review in Spanish]” – La Nación (Argentina) Feb 8, 2026 Full Review Sirāt (2025) 91% 3/5 EDIT “...Laxe opts for a more extreme approach: stretching conventional narrative structure to its limits—even challenging the expectations of his audience—to the point of flirting with a contemplative, almost musical, style of cinema. [Full review in Spanish]” – La Nación (Argentina) Jan 29, 2026 Full Review Mercy (2026) 25% 2/5 EDIT “The structural problem with Mercy is that it doesn't aspire to be anything more than an illustration of contemporary dilemmas regarding artificial intelligence. [Full review in Spanish]” – La Nación (Argentina) Jan 22, 2026 Full Review Marty Supreme (2025) 93% 4/5 EDIT “Chalamet's performance is monumental, imbuing his character with both charisma and infamy in a constant, precarious balance. [Full review in Spanish]” – La Nación (Argentina) Jan 15, 2026 Full Review Kiss of the Spider Woman (2025) 76% 3/5 EDIT “...while Condon is a director with some questionable track records in the genre—like Dreamgirls with its Donna Summer disco vibe and Disney's Beauty and the Beast —he pulls things off quite well in staging several numbers...[Full review in Spanish]” – La Nación (Argentina) Jan 8, 2026 Full Review Nouvelle Vague (2025) 92% 4/5 EDIT “The story may be familiar to cinephiles...but Linklater embraces this dual nature—cinema and myth—to position viewers who today want to take a journey into the past as a way to understand the anguished present. [Full review in Spanish]” – La Nación (Argentina) Jan 2, 2026 Full Review Louise Violet (2024) 3/5 EDIT “In the vein of directors like Laurent Cantet and the unjustly forgotten Bertrand Tavernier, Besnard explores a time that, though distant in the calendar, presents dilemmas that resonate even today. [Full review in Spanish]” – La Nación (Argentina) Dec 18, 2025 Full Review Five Nights at Freddy's 2 (2025) 16% 3/5 EDIT “In this sequel, there's an attempt to prioritize the nostalgic atmosphere over the narrative, which becomes lush with digressions (and plants the seeds for possible sequels) and creative in some chilling dream sequences. [Full review in Spanish]” – La Nación (Argentina) Dec 4, 2025 Full Review Please Don't Feed the Children (2025) 36% 2/5 EDIT “The film not only flounders in its repetitive plotting, but also resolves most scenes with an anticlimactic intent. [Full review in Spanish]” – La Nación (Argentina) Dec 3, 2025 Full Review La Muerte de un Comediante (2025) 3/5 EDIT “Peretti uses his face in service of the same artifice that sustains the film itself: the appearance of an improbable, dreamlike hero, momentary as life and eternal as fiction. [Full review in Spanish]” – La Nación (Argentina) Dec 1, 2025 Full Review Crazy Old Lady (2025) 73% 4/5 EDIT “Even with its predictable and codified gothic airs, this framework...manages to instill a profound unease, one that robs away all possible rationality, all restorative understanding, all escape from the inner abyss. [Full review in Spanish]” – La Nación (Argentina) Nov 14, 2025 Full Review Die My Love (2025) 74% 4/5 EDIT “Ramsay succeeds by crafting a hypnotic vision all her own, guided by an extraordinary performance from Jennifer Lawrence, who gives it her all from start to finish, body and soul in every scene. [Full review in Spanish]” – La Nación (Argentina) Nov 7, 2025 Full Review The Red Book Ritual: Gates of Hell (2025) 2/5 EDIT “Unfortunately, this insistent attempt to appear professional and expensive ultimately makes problems like the poor acting, the heavy-handed clichés,... and the lack of a sense of horror insurmountable. [Full review in Spanish]” – La Nación (Argentina) Oct 30, 2025 Full Review Regretting You (2025) 29% 3/5 EDIT “Regretting You doesn't risk straying from the script, but instead follows that literary plan that leaves clear coordinates and warm seats for box office hits. [Full review in Spanish]” – La Nación (Argentina) Oct 23, 2025 Full Review The Woman in Cabin 10 (2025) 29% 2/5 EDIT “...it's not a good film either. Not only because it fails to build any mystery, becomes predictable as it goes on, has mediocre staging, and pretty weak performances, but also because it fails in its conception...[Full review in Spanish]” – La Nación (Argentina) Oct 20, 2025 Full Review Madly (2025) 82% 3/5 EDIT “The humor in Madly is not strident, nor does it propose the absurdity of chaos or misunderstanding as Perfect Strangers had capitalized on , but it does achieve some effective moments...[Full review in Spanish]” – La Nación (Argentina) Oct 16, 2025 Full Review After the Hunt (2025) 37% 2/5 EDIT “...After the Hunt doesn't quite free its characters from their role as spokespeople for an imposed dilemma, to which Guadagnino tries to add his own style, but without success. [Full review in Spanish]” – La Nación (Argentina) Oct 9, 2025 Full Review Queen of Coal (2025) 3/5 EDIT “The contradictions that define Carli are also—in the eyes of Macri and his film—those that define societies, not just Argentina's. [Full review in Spanish]” – La Nación (Argentina) Oct 2, 2025 Full Review One Battle After Another (2025) 94% 5/5 EDIT “Ultimately, One Battle After Another displays its director's epic ambition, turning his most expensive film...into a brave and determined stance against a mainstream that has opted to play it down. [Full review in Spanish]” – La Nación (Argentina) Sep 25, 2025 Full Review
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