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Peter Keough

Tomatometer-approved critic

Reviews

Movies TV Shows
Erupcja (2025) 85% EDIT “It’s a deceptively slight, engagingly effervescent, and sneakily profound study of desire, self-deception, and the mysteries of synchronicity.” – Arts Fuse May 5, 2026 Full Review Steal This Story, Please! (2025) 95% EDIT “Like one of Goodman’s shows, the film is briskly put together, breathlessly intercutting its sometimes harrowing footage with the occasional heartwarming scene.” – Arts Fuse May 1, 2026 Full Review The Big Cheese (2025) EDIT “The outcome is unexpected and downright suspenseful, all overshadowed by the manic, magnetic, occasionally obnoxious organizer of the American team, Adam Moskowitz.” – Arts Fuse Apr 24, 2026 Full Review Your Attention Please (2026) EDIT “Uses a jazzy assortment of multi-screens, animation, and other devices to rival the attention-grabbing tactics of the medium it critiques. ” – Arts Fuse Apr 24, 2026 Full Review Werckmeister Harmonies (2000) 97% EDIT “This adaptation ruthlessly condenses the original text. ” – Arts Fuse Apr 17, 2026 Full Review Sátántangó (1994) 100% EDIT “ With Kieslowskian aplomb, Tarr adopted the writer’s knack for multiple points of view, his cyclical chronology, and his interlinking of individual narratives.” – Arts Fuse Apr 17, 2026 Full Review Damnation (1988) EDIT “It is the film noir from hell.” – Arts Fuse Apr 17, 2026 Full Review Labors of Love: The Life and Legacy of Henrietta Szold (2025) EDIT “Expertly orchestrating such conventional documentary devices as archival footage and photos, newspaper clippings, and interviews, Ginzberg augments Szold’s story with a personal connection. ” – Arts Fuse Apr 13, 2026 Full Review All I Had Was Nothingness (2025) EDIT “Ribot’s film is as much about the process and purpose of documentary filmmaking itself as it is about the Holocaust, about the toll of trial and failure, the struggle to clarify ethics, and the ongoing refining of technique, strategy, and vision.” – Arts Fuse Apr 13, 2026 Full Review Uchronia (2026) EDIT “ Alternately outrageous, hilarious, insightful, and insufferable, Uchronia (like Utopia, but with time) is a tour de force that deserves to be seen, probably more than once.” – Arts Fuse Apr 7, 2026 Full Review Barbara Forever (2026) 100% EDIT “Like Hammer’s own work, this documentary is formally bold and unconventional, incorporating clips from the subject’s films and interviews with her and with her spouse Florrie Burke.” – Arts Fuse Apr 7, 2026 Full Review American Doctor (2026) 100% EDIT “Perhaps a film like this, with its unemphatic, even-handed tone and unforgettable images of demolished landscapes and destroyed bodies, will make a difference. As with the six little victims seen at the beginning of the film, you must not look away.” – Arts Fuse Mar 30, 2026 Full Review Fiume o morte! (2025) 92% EDIT “A freewheeling, farcical collage charged with the mordant irony of a more subdued Radu Jude.” – Arts Fuse Mar 30, 2026 Full Review Miroirs No. 3 (2025) 95% EDIT “The narrative is filled with secrets and mysteries that tease and fade away — and the deepest mysteries lie within that basic social unit, the family.” – Arts Fuse Mar 30, 2026 Full Review André Is an Idiot (2025) 97% EDIT “A zesty combination of witty interviews, zippy montages, gruesome Pythonesque animation, and a cameo by a bong-puffing, bizarrely paternal Tommy Chong, the film tries, perhaps a bit too hard, to turn the Grim Reaper into the Grin Reaper.” – Arts Fuse Mar 19, 2026 Full Review RoboCop 2 (1990) 31% EDIT “A human brain throbs beneath Robocop 2's steely skin. Messy, troubling truths lurk below the gaudy surface for those willing to look, and for those who aren't, the thrills exceed in skill and wit.” – Boston Phoenix Mar 11, 2026 Full Review The Love That Remains (2025) 94% EDIT “To deal with this not especially fresh material, Pálmason indulges in chronological chaos and metaphorical mishigas.” – Arts Fuse Feb 24, 2026 Full Review The Postman (1994) 92% EDIT “A touching and poignant comic tragedy that deftly avoids the pitfalls of sentimentality and preachiness. Like any successful artist or work of art, it transcends its humble origins and blossoms into something close to sublimity.” – Boston Phoenix Feb 22, 2026 Full Review Chocolat (2000) 63% EDIT “The enduring appeal of chocolate is that it's not too sweet; there's always a trace of its essential bitterness. Not so in Chocolat; Lasse Hallström's adaptation of the Joanne Harris novel is all confection. ” – Boston Phoenix Feb 17, 2026 Full Review Crime 101 (2026) 88% EDIT “With its briskly intoxicating style, narrative aplomb, and masterful performances Bart Layton’s adaptation transforms this pulpy material into a gripping entertainment with a satisfying, social justice subtext.” – Arts Fuse Feb 14, 2026 Full Review Magellan (2025) 89% EDIT “Magellan proffers a nightmarish vision of history as tragedy, farce, and prophecy. ” – Arts Fuse Feb 11, 2026 Full Review A Poet (2025) 100% EDIT “Elliptical editing mirrors Oscar’s poetic – or soused – consciousness. The effect is sardonic, satiric, and endearing.” – Arts Fuse Feb 6, 2026 Full Review Erin Brockovich (2000) 87% 3/4 EDIT “The film becomes, by default, a character piece, and Erin is some character, affording Roberts the grist for perhaps her best performance in a budget-stretching if not range-stretching career.” – Boston Phoenix Feb 6, 2026 Full Review The Things You Kill (2025) 94% EDIT “Khatami makes a bold but miscalculated choice halfway through the film – like many Iranian directors, he challenges not only social and political conventions but cinematic ones as well. ” – Arts Fuse Feb 3, 2026 Full Review Black Rabbit, White Rabbit (2025) EDIT “As the film’s imagery grows increasingly surreal and magical-realistic, the story climaxes with a young woman escaping from a giant burqa, a metaphor, perhaps, for a triumph over theocratic patriarchy.” – Arts Fuse Feb 3, 2026 Full Review
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