Eureka (2023)
83%
EDIT
“Eureka is a bold attempt to unmoor us, switch around the signposts and un-map terra cognita, embracing both mystery and simplicity as the keys to possibility. ” –
Sight & Sound
Apr 30, 2026
Full Review
If Only I Could Hibernate (2023)
100%
EDIT
“Its schematics may be obvious, but Zoljargal Purevdash’s debut about a gifted teenager living in the impoverished yurt district of Mongolia’s capital shows great ambition and promise.
” –
Sight & Sound
Dec 31, 2025
Full Review
Only the River Flows (2023)
85%
EDIT
“Despite the film’s absurdist streak, there’s no mistaking its subversive edge, and comparisons to Bong Joon Ho’s Memories of Murder, and Mother, are clearly on point.” –
Sight & Sound
Dec 19, 2025
Full Review
Good One (2024)
98%
EDIT
“Good One is a backwoods horror film after all – even if there’s no physical violence. It’s a horror film in which nothing much happens, but for Sam the world is turned upside down.” –
Sight & Sound
Nov 4, 2025
Full Review
Islands (2025)
92%
EDIT
“It’s a bold move to build an entire film around an unspoken suspicion while staving off Antonioni-ennui, but Gerster pulls it off.” –
Sight & Sound
Sep 12, 2025
Full Review
The Fabelmans (2022)
92%
5/5
EDIT
“At times, The Fabelmans feels like a marathon session on the therapist’s couch, but that’s not really a criticism; the movie is rich in barbed Jewish humour, eccentricity, and prodigious teenage wheeler-dealing.” –
The Times (UK)
Sep 13, 2022
Full Review
My Policeman (2022)
44%
2/5
EDIT
“... An earnest, heavy-handed adaptation of Bethan Roberts’s tragic love story, for which the word “plodding” seems all too appropriate.” –
The Times (UK)
Sep 13, 2022
Full Review
Barking Dogs Never Bite (2000)
88%
EDIT
“Beautifully directed, unsentimental and darkly funny.” –
Time Out
Apr 8, 2020
Full Review
Greed (2019)
50%
EDIT
“Too many scenes never land any jokes, or falter in a no-man's-land between comedy and character drama.” –
Sight & Sound
Oct 10, 2019
Full Review
Uncut Gems (2019)
91%
EDIT
“Uncut Gems is a prime slab of concentrated pulp storytelling in 135 New York minutes, gripping and remorseless, and probably the cruellest, funniest joke of Adam Sandler's career.” –
Sight & Sound
Sep 27, 2019
Full Review
The Personal History of David Copperfield (2019)
92%
EDIT
“Armando Iannucci's rollicking adaptation announces itself as a radical and progressive reclamation of the heritage 'lit pic' from the off.” –
Sight & Sound
Sep 10, 2019
Full Review
Observe and Report (2009)
51%
EDIT
“More than once, writer-director Jody Hill teases out the slippy, gray area between a subversive gross-out gag and something unsettlingly misogynist. He wants to push buttons, and he's talented enough to get away with it.” –
CNN.com
Apr 10, 2019
Full Review
Jennifer's Body (2009)
47%
EDIT
“The bitingly smart, funny teen-speak is carried over from "Juno," along with sharp pop culture references and a sassy feminist attitude, but the million-dollar question has to be: Is it scary? Only occasionally, I'm afraid.” –
CNN.com
Mar 28, 2019
Full Review
Don Juan DeMarco (1995)
70%
EDIT
“It's a joy to see Brando throwing himself into the spirit of the thing, ardently courting his perplexed wife of 30 years, a ravished Dunaway (they share a lovely five-minute bed scene -- in one, uninterrupted take).” –
Time Out
Mar 4, 2019
Full Review
Fahrenheit 11/9 (2018)
82%
EDIT
“While some of Moore's shtick feels old hat there is a renewed urgency about his message.” –
Sight & Sound
Jan 2, 2019
Full Review
Shadow (2018)
94%
4
EDIT
“Zhang seems more taken with the chichi set decoration than the bodies posed in front of it.” –
Sight & Sound
Jan 2, 2019
Full Review
Renaissance Man (1994)
13%
EDIT
“In essence, a painfully earnest sit-com.” –
Time Out
Dec 4, 2018
Full Review
Real Steel (2011)
60%
EDIT
“It's as corny as Kansas, but the mix of old fashioned heart and new fangled animatronic cyber tech will make this picture a winner for fathers and sons.” –
CNN.com
Nov 14, 2018
Full Review
Something Big (1971)
0%
EDIT
“One gruesome symptom of the Death of the Western was the 'comedy Western', a messy, confused genre that flourished briefly... Occasionally, the genre produced the odd bizarre gem, but this was one of the less honourable efforts.” –
Time Out
Oct 31, 2018
Full Review
The Others (2001)
84%
EDIT
“Shrewdly cast, Kidman is pitch perfect. It's a clammy, ingenious film, one of the best studio movies of the year.” –
Time Out
Oct 30, 2018
Full Review
There Will Be Blood (2007)
91%
EDIT
“[There is] a jaw-dropping, annihilating ending to a bold, deeply American, success story.” –
Cinema Scope
Oct 11, 2017
Full Review
Post Tenebras Lux (2012)
53%
EDIT
“If Reygadas set out to make an intuitive, pre-cognitive film, then this mysterious, intangible but profoundly resonant prologue comes closest to realizing that dream.” –
Cinema Scope
Oct 11, 2017
Full Review
A Field in England (2013)
86%
EDIT
“A Field in England can be seen as a dying man's fever dream, or even a sojourn into the afterlife, a vision of hell in which O'Neill must be Lucifer.” –
Cinema Scope
Oct 11, 2017
Full Review
Tracks (2013)
83%
EDIT
“John Curran eschews hollow moralizing, opting instead for Herzogian spectacle with discreet, if somewhat shallow, psychological underpinnings.” –
Cinema Scope
Oct 11, 2017
Full Review
The Wonders (2014)
96%
EDIT
“The Wonders signals the maturation of a significant cinematic talent, and kudos to Jane Campion and her jury for recognizing as much.” –
Cinema Scope
Oct 11, 2017
Full Review
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