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6/10
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Stranger Eyes
(2024)
|
Emiliano Basile
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The film seems more interested in maintaining its conceptual ambiguity than in delving emotionally into its conflicts. This constant search for answers ultimately leaves a sense of distance that weakens its final impact. [Full review in Spanish]
Posted May 07, 2026
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7/10
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Dreams
(2024)
|
Amparo Cabal
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The narrative of Dreams is permeated by a desire to reflect on how art...has the power to both crystallize the transcendence of certain events in our personal lives and to awaken our interest in experiences outside our own reality.[Full review in Spanish]
Posted May 07, 2026
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7/10
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The Sheep Detectives
(2026)
|
Laia Cabuli
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It's a detective story that upholds the genre's conventions but also explores sensitive topics with an honest eye, demonstrating that reality can be more complex—and painful—than any fiction. [Full review in Spanish]
Posted May 06, 2026
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7/10
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Mortal Kombat II
(2026)
|
Nicolás Dell’Acqua
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The fight scenes are well done, the special effects are effective, and there are plenty of nods to those who grew up with the video game. [Full review in Spanish]
Posted May 06, 2026
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5/10
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Annabelle
(2014)
|
Emiliano Basile
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Annabelle serves as a minor, low-budget prequel to The Conjuring. It doesn't pretend to be much more than that. [Full review in Spanish]
Posted May 06, 2026
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8/10
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My Dearest Señorita
(2026)
|
Juan Pablo Russo
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...the film finds its rhythm in this movement, in the possibility of letting the character move forward without needing to fixate on anything. [Full review in Spanish]
Posted May 04, 2026
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9/10
|
A Land Imagined
(2018)
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Juan Pablo Russo
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A Land Imagined...is a clear example of how a socially conscious film can be reinvented by mixing different genres to create a fascinating delirium with the necessary dose of social and existential reflection. [Full review in Spanish]
Posted May 04, 2026
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7/10
|
12 Years a Slave
(2013)
|
Emiliano Basile
|
...McQueen's film stands out as one of the most stark approaches to that period of American history, both for its focus and for the formal choices that structure its narrative. [Review in Spanish]
Posted May 04, 2026
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4/10
|
Synecdoche, New York
(2008)
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Emiliano Basile
|
The truth is that Charlie Kaufman achieves catharsis in his directorial debut. It's a catharsis we've often enjoyed in his previous films as a screenwriter, but here we suffer through Synecdoche, New York's inconsistent execution. [Full review in Spanish]
Posted May 04, 2026
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8/10
|
Contempt
(1963)
|
José C. Donayre Guerrero
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Godard thus achieves a film where the intimacy of the characters and the mechanisms of filmmaking converge in a portrait as lucid as it is devastating. [Full review in Spanish]
Posted May 04, 2026
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6/10
|
The Devil Wears Prada 2
(2026)
|
Laia Cabuli
|
The Devil Wears Prada 2 attempts to avoid clichés and rely on artificial nostalgia to connect with audiences, though it does include some charming references. [Full review in Spanish]
Posted Apr 30, 2026
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6/10
|
Thor
(2011)
|
Lucía Roitbarg
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...it is the sheer satisfaction of enjoying adventure and fantasy on a grand scale that makes Thor a guaranteed source of entertainment. [Full review in Spanish]
Posted Apr 29, 2026
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8/10
|
Iron Man 2
(2010)
|
Ezequiel Boetti
|
The feeling that remains is bittersweet: an uneven mixture between the unease that Iron Man 2 is just filler...and the joy of a film as attractive as Tony Stark, the uncle we all wished we had. [Full review in Spanish]
Posted Apr 29, 2026
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10/10
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Sidewalls
(2011)
|
Juan Pablo Russo
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...the experience that Medianeras offers ultimately rests on its journey. The film is not exhausted by its interpretation: it is completed in the act of watching it. [Full review in Spanish]
Posted Apr 28, 2026
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6/10
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Honey Don't!
(2025)
|
Emiliano Basile
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With a film noir structure, we can say that the only "noir" element in this attempt at a crime thriller is its humor. The rest unfolds as a succession of ideas and situations treated with grace and a certain postmodern charm. [Full review in Spanish]
Posted Apr 27, 2026
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7/10
|
Apex
(2026)
|
Emiliano Basile
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It's a well-executed film, even better shot, but also predictable and, at times, implausible in its plot development. [Full review in Spanish]
Posted Apr 27, 2026
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9/10
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Power Ballad
(2026)
|
Laia Cabuli
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Power Ballad is one of Carney's most daring projects. [Full review in Spanish]
Posted Apr 27, 2026
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5/10
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Outcome
(2026)
|
Emiliano Basile
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The accumulation of ideas—many of them interesting—never quite coalesces into a cohesive narrative. [Full review in Spanish]
Posted Apr 27, 2026
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7/10
|
Dead Man's Wire
(2025)
|
Emiliano Basile
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Without abandoning his sharp social commentary, [Gus Van Sant] delivers a dynamic and accessible film. [Full review in Spanish]
Posted Apr 24, 2026
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Un Cabo Suelto
(2025)
|
Juan Pablo Russo
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Un Cabo Suelto doesn't present an mystery to decipher, but rather an experience where even escape can become another way of remaining suspended. [Full review in Spanish]
Posted Apr 23, 2026
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7/10
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Cuerpo Celeste
(2025)
|
Santiago Echeverría
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The film maintains a register that avoids explicit conflict, producing a sense of distance from the events. The integration of the historical context, while coherent, could have been more fully developed. [Full review in Spanish]
Posted Apr 23, 2026
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6/10
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The Jester 2
(2025)
|
Emiliano Basile
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It doesn't reinvent the [horror] genre's rules, but it proves that it's still possible to reshuffle the deck and deal again. [Full review in Spanish]
Posted Apr 23, 2026
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6/10
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Michael
(2026)
|
Laia Cabuli
|
Throughout its 120 minutes, it introduces dramatic threads that it never fully resolves, leaving the impression of an incomplete story that seems to be saving its most significant tensions for a previously announced sequel. [Full review in Spanish]
Posted Apr 22, 2026
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8/10
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Yiya Murano: Death at Tea Time
(2026)
|
Emiliano Basile
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[The film] is a documentary that meets the expectations of the true crime genre, but also expands into a reflection on the contexts...that not only allow crime, but in some cases turn its protagonists into celebrities. [Full review in Spanish]
Posted Apr 22, 2026
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8/10
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The Stranger
(2025)
|
Emiliano Basile
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Far from softening or updating the original material, Ozon respects its harshness. The result is a dense, rigorous film...sustained by a precise command of cinematic language that also engages with the tensions of the present. [Full review in Spanish]
Posted Apr 20, 2026
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5/10
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American Sweatshop
(2025)
|
Juan Pablo Russo
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Although the direction attempts to inject visual intensity, the lack of development in the supporting roles prevents the viewer from fully connecting with the protagonist's world, leaving the drama unfinished. [Full review in Spanish]
Posted Apr 20, 2026
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6/10
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The Blue Box
(2026)
|
Juan Pablo Russo
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The result is a story that prioritizes internal tension over action, with moments where the intrigue is sustained and others where the veil is exposed, but without losing its central focus...[Full review in Spanish]
Posted Apr 20, 2026
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6/10
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Vengeance
(2026)
|
Juan Pablo Russo
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Vengeance is a product designed for pure entertainment. It doesn't offer a reinvention of the genre or a deeper exploration of its characters, but it does manage to hold the viewer's attention through its verve. [Full review in Spanish]
Posted Apr 20, 2026
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7/10
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Monument
(2026)
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Emiliano Basile
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Monument is a powerful thriller with a clear and accessible narrative that focuses on its characters and their ethical dilemmas. From there, it constructs a message of peace for a world in constant conflict. [Full review in Spanish]
Posted Apr 20, 2026
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4/10
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The Curious Case of Benjamin Button
(2008)
|
Ezequiel Obregón
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... the work as a whole reveals a disconnect between the semantic field it proposes and the story it unfolds. [Full review in Spanish]
Posted Apr 20, 2026
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6/10
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By His Hand
(2025)
|
Emiliano Basile
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By His Hand takes the tropes of folk horror as a starting point and then shifts towards a narrative about identity reconstruction. [Full review in Spanish]
Posted Apr 20, 2026
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7/10
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Chronicles of a Wandering Saint
(2023)
|
Juan Pablo Russo
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With its bold approach, the film challenges us to reconsider our perceptions of the sacred and the mundane, opening a dialogue about the authenticity of faith and the search for truth. [Full review in Spanish]
Posted Apr 20, 2026
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4/10
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Space Jam: A New Legacy
(2021)
|
Rolando Gallego
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Some gags , humor, but also a lot, a lot of advertising, end up weakening a proposal that could have benefited from nostalgia for the original and the iconic characters...[Full review in Spanish]
Posted Apr 17, 2026
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8/10
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Rough Night
(2017)
|
Emiliano Basile
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Rough Night is a welcome surprise amidst so much forgettable, crude comedy. Here, excess is the means of transgressing the system, and at the same time, that very transgression is what grants them entry into it. [Full review in Spanish]
Posted Apr 17, 2026
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7/10
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Risa y la Cabina del Viento
(2026)
|
Sofía Rossi Sauer
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Uneven yet profoundly personal, the film solidifies Cabral as a director to watch in the film industry. [Full review in Spanish]
Posted Apr 17, 2026
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9/10
|
Lee Cronin's The Mummy
(2026)
|
Miguel Calabria
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A film that can be enjoyed both for the precision of its construction and for the visceral reaction it provokes, and which will likely divide opinions depending on each viewer's tolerance for that type of experience. [Full review in Spanish]
Posted Apr 16, 2026
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1/10
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Balls Up
(2026)
|
Juan Pablo Russo
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Balls Up exposes a fundamental problem: it doesn't understand the world it represents or the genre it attempts to uphold. Football is reduced to an excuse, Brazil to a caricature, and comedy to a series of failed attempts. [Full review in Spanish]
Posted Apr 15, 2026
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4/10
|
G.I. Joe: Retaliation
(2013)
|
Juan Pablo Pugliese
|
Beyond a few Bruce Willis gags and Jonathan Pryce's increased screen time compared to the previous film, this sequel follows the same formula as its predecessor. [Full review in Spanish]
Posted Apr 14, 2026
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7/10
|
The Great Arch
(2025)
|
Amparo Cabal
|
...by focusing on the materials, textures, forms, and the way light falls on the surface, the film invites us to consider architecture from an artistic perspective. [Full review in Spanish]
Posted Apr 13, 2026
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5/10
|
Thrash
(2026)
|
Emiliano Basile
|
Thrash is ridiculous, but it's not a comedy—at least not intentionally—and this makes it difficult to connect with either the realism of the catastrophe or the absurdity of the premise. [Full review in Spanish]
Posted Apr 13, 2026
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6/10
|
Trouble With the Curve
(2012)
|
Emiliano Basile
|
Trouble With the Curve remains a sentimental melodrama, with extensive dialogue scenes and the development of good and bad characters, one of the film's weak points. [Full review in Spanish]
Posted Apr 13, 2026
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4/10
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Two Pianos
(2025)
|
Amparo Cabal
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Although music permeates the film from the very beginning, it feels like little more than a pretext for presenting a character who fits a stereotypical image of a suffering artist. [Full review in Spanish]
Posted Apr 13, 2026
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8/10
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La venue de l'avenir
(2025)
|
Denise Pieniazek
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The filme propose a constant interplay between the dreamlike, the past, and the present, where spaces merge. Although some aspects change over time, souls seem to connect through it, and in a way, history repeats itself. (full review in spanish)
Posted Apr 11, 2026
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6/10
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La casaca de Dios
(2026)
|
Juan Pablo Russo
|
...the film does not seek to establish an epic narrative, but rather to question what remains when memory is transformed into an object, and what place those who try to sustain it occupy when everything else begins to disappear. [Full review in Spanish]
Posted Apr 10, 2026
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8/10
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Case 137
(2025)
|
Amparo Cabal
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...Moll constructs a well-rounded and interesting police drama, with moments of great suspense, and with a political and social relevance that invites viewers to exchange opinions about fiction and reality. [Full review in Spanish]
Posted Apr 09, 2026
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6/10
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Pride and Prejudice and Zombies
(2016)
|
Rolando Gallego
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The main virtue of a film like Pride and Prejudice and Zombies lies in the possibility of generating humor from parody within a context that has generally been shown as serious and solemn. [Full review in Spanish]
Posted Apr 09, 2026
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8/10
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Torrente Presidente
(2026)
|
Emiliano Basile
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The film relies on some effective plot twists—including cameos from foreign celebrities—and a barrage of well-executed jokes that accurately target the vices and contradictions of contemporary politics. [Full review in Spanish]
Posted Apr 09, 2026
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8/10
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Sweetheart
(2025)
|
Emiliano Basile
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[Sweetheart is] one of those stories capable of connecting with the viewer through simplicity and lived experience. [Full review in Spanish]
Posted Apr 08, 2026
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7/10
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Young Mothers
(2025)
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Amparo Cabal
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...this Franco-Belgian co-production maintains the realistic style that has characterized the [Dardenne brothers] throughout their career, allowing them to focus on the humanity of the characters. [Full review in Spanish]
Posted Apr 08, 2026
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7/10
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The Rise of the Red Hot Chili Peppers: Our Brother, Hillel
(2026)
|
Pachi Laurino
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Feldman succeeds in eschewing the conventional structure of a musical biography, instead offering an intimate essay on loss and identity. [Full review in Spanish]
Posted Apr 08, 2026
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