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3.5/4
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Project Hail Mary
(2026)
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Peter Travers
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In the most purely pleasurable movie so far this year, Ryan Gosling has a blast as a science guy who rockets into space to save all our asses with jolts, jokes and smarts that won’t quit.
Posted Mar 20, 2026
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3/4
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Tow
(2025)
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Peter Travers
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Even when her film dips into melodrama, Rose Byrne grounds her portrayal of an unhoused woman living in her car a humanity that feels detailed and true.
Posted Mar 20, 2026
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2.5/4
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Ready or Not 2: Here I Come
(2026)
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Peter Travers
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Scream queen Samara Weaving is back in this horror comedy as a bride who takes her vow of "till death do us part" way too seriously. There’s more of everything this time, except for the irreplaceable shock of the new.
Posted Mar 20, 2026
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2.5/4
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The Pout-Pout Fish
(2026)
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Peter Travers
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This animated tale of a grumpy finboy is as bland as blueberries, yet some wonder if sad Mr. Fish can inspire suicidal thoughts. Nah. Positive messaging swims will all these fishes.
Posted Mar 20, 2026
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0.5/4
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Melania
(2026)
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Peter Travers
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Shallow, sycophantic and absent a single unguarded moment, ‘Melania’ is a near-two-hour infomercial disguised as a documentary. What’s the movie actually worth as entertainment? I’ll start the bidding at two cents.
Posted Mar 14, 2026
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2.5/4
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The Gates
(2026)
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Peter Travers
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In his final film, James Van der Beek raises the bar on a standard-issue thriller through the sheer force of his talent and magnetism.
Posted Mar 14, 2026
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2.5/4
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Reminders of Him
(2026)
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Peter Travers
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Maika Monroe brings battered heart and soul to a Colleen Hoover soap opera that renders "big" emotions with the small details that make them count.
Posted Mar 14, 2026
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3/4
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Hoppers
(2026)
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Peter Travers
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Even when it hops off course, this animated gem is funny and fierce in all the right places. Pixar is back, baby. Haters deserve a good squishing.
Posted Mar 06, 2026
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2/4
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THE BRIDE!
(2026)
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Peter Travers
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Despite Christian Bale and a wow Jessie Buckley as Frankenstein and his missus, Maggie Gyllenhaal’s big swing at remaking a horror classic is a hot, unholy mess. One caveat: no one who still values artistic risk should dream of missing it.
Posted Mar 06, 2026
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2.5/4
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Peaky Blinders: The Immortal Man
(2026)
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Peter Travers
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Cillian Murphy’s gangster icon Tommy Shelby makes his big-screen debut in a standalone film that can’t stand up against the great series that spawned it. For all its entertaining fan service, it’s an unnecessary coda to an unforgettable TV classic.
Posted Mar 06, 2026
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3.5/4
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Paul McCartney: Man on the Run
(2025)
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Peter Travers
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In Morgan Neville’s intimate and insightful musical doc, Paul McCartney finds his musical wings without the Beatles but with wife Linda riding shotgun and teaching him about hard to reach places in the heart.
Posted Feb 27, 2026
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3.5/4
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EPiC: Elvis Presley in Concert
(2025)
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Peter Travers
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Forget the biopic imitations, the found concert footage in this music doc soars with 100 essential minutes of The King back on his throne and thrillingly alive on stage and off. I’d call that a must-see.
Posted Feb 27, 2026
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1/4
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Scream 7
(2026)
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Peter Travers
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Its disposable, defanged thrills feel like chatgpt prompts fed the wrong info about what constitutes scary. The result drops the ball on gore, giggles and a reason to care.
Posted Feb 27, 2026
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1/4
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The Dreadful
(2026)
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Peter Travers
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This muddled medieval borefest drags down the talents of Sophie Turner and Kit Harington, but can be commended for one thing: truth in advertising. It’s dreadful to the max.
Posted Feb 21, 2026
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2.5/4
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How to Make a Killing
(2026)
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Peter Travers
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In this sadly stunted comic thriller, a delightfully depraved Glen Powell must kill seven of his family members to inherit $28 billion. Would you? By the end, the film commits the worst crime of all by killing our interest.
Posted Feb 21, 2026
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2/4
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Midwinter Break
(2026)
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Peter Travers
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Watching Lesley Manville and Ciarán Hinds is usually time well spent, but this woebegone wintery love story makes you want to jump into an Amsterdam canal.
Posted Feb 21, 2026
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2.5/4
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Wuthering Heights
(2026)
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Peter Travers
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Margot Robbie and Jacob Eloridi get steamy in Emerald Fennell’s overheated but undercooked take on Emily Brontë’s classic Gothic romance in which they suck each other’s faces with a wild, porny abandon that would shock Victorians. No complaints here.
Posted Feb 14, 2026
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3.5/4
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Good Luck, Have Fun, Don't Die
(2025)
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Peter Travers
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Sam Rockwell excels as a wild man from the future in Gore Verbinski's deceptively profound satire that holds up a dark mirror to the dangerous game we’re playing with AI. A true film for its time.
Posted Feb 14, 2026
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3/4
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Crime 101
(2026)
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Peter Travers
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Chris Hemsworth leads a starry cast in a heist drama that fascinates even through a veil of familiarity. Near the end, a standout Halle Berry flashes a smile of sweet satisfaction. My guess is that you’ll feel the same way.
Posted Feb 14, 2026
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2.5/4
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GOAT
(2026)
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Peter Travers
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This hoop dreams animation romp from producer Steph Curry isn’t NBA quality, but it gets the job done for family fun. The inclusivity messaging abut teamwork is laid on thick, but still worthwhile for immature audiences of all ages.
Posted Feb 14, 2026
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3.5/4
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Pillion
(2025)
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Peter Travers
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In this queer BDSM romdomcom with a core of sweetness, Alexander Sarsgård and Harry Melling bring passion and compassion to a taboo subject rare in mainstream cinema. It’s about time.
Posted Feb 07, 2026
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2.5/4
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Solo Mio
(2026)
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Peter Travers
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See this romcom for the soft side of Kevin James as a jilted groom in Roma and Italian scenery that’s gorgeous in any language. That’s the only way to come out ahead.
Posted Feb 07, 2026
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2/4
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Dracula
(2025)
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Peter Travers
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The bloodsucking Count is back again, but this time in a strangely bloodless love story that even wickedly seductive fangboy Caleb Landry Jones can’t save from the cliché stockpile
Posted Feb 07, 2026
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2/4
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Scarlet
(2025)
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Peter Travers
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The visuals dazzle, the plotting not so much in this gender-switched take on "Hamlet" as a warrior princess revenge epic from Japanese anime master Mamoru Hosoda.
Posted Feb 07, 2026
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3/4
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Send Help
(2026)
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Peter Travers
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Looking for fun and a chance to scream, send for this hella horror comedy in which Rachel McAdams crash lands on a desert island with her bullying boss (Dylan O’Brien) and decides to even the odds. Despite a divisive ending, I smell a hit.
Posted Jan 30, 2026
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2/4
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The Moment
(2026)
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Peter Travers
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Props to Charli xcx for grabbing her brat moment at Sundance. The dance-pop princess shows real acting potential, even though this misbegotten mockumentary gives her few chances to show her range.
Posted Jan 30, 2026
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3/4
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The Wrecking Crew
(2026)
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Peter Travers
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This lean, mean, R-rated action machine is better than you'd think since Momoa and Bautista take the time, between fights and jokes, to examine the bruised places in the hearts of these half brothers. You feel for them, and that makes all the difference.
Posted Jan 30, 2026
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3/4
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Islands
(2025)
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Peter Travers
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A sexy tennis bum (Sam Riley) and a married woman (Stacy Martin) meet at a resort and stir up murderous thoughts in a too cryptic thriller fthat recalls Hitchcock and Antonioni while revealing a tormented mind of its own.
Posted Jan 30, 2026
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3.5/4
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The Love That Remains
(2025)
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Peter Travers
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I kept smiling watching this fractured family drama. A bizarre reaction for an Icelandic movie about the end of a marriage. But it’s the high spirits that stay with you in Hlynur Pálmason's charmer about the intangibles of love.
Posted Jan 30, 2026
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25/100
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Mercy
(2026)
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Peter Travers
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Chris Pratt sits in a witness hair for most of the action while I sit in wonder about how a movie with such timely potential—an AI arbiter (Rebecca Ferguson) serving as judge, jury and executioner— manages to fall so hard on its fatuous pretentions.
Posted Jan 23, 2026
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2/4
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In Cold Light
(2025)
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Peter Travers
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Maika Monroe plays a drug dealer facing off with her rodeo champ dad Troy Kotsur in a by-the-numbers thriller minus any real thrills. It’s the hints of a better film—fiercer, funnier, more attuned to a woman’s point of view—that nag at you.
Posted Jan 23, 2026
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3/4
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H Is for Hawk
(2025)
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Peter Travers
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In this slow but touching biopic, Claire Foy excels as an academic who buries her grief about her father’s death by caring for a predator goshawk, so both can relearn to fly.
Posted Jan 23, 2026
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3/4
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28 Years Later: The Bone Temple
(2026)
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Peter Travers
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You’ll be thinking about this scary, savvy fright fest long after you wake up screaming.
Posted Jan 17, 2026
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2.5/4
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The Rip
(2026)
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Peter Travers
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It’s the Mattfleck starshine, plus the indisputable action bonafides of director Joe Carnahan, that sell this cop thriller when formula threatens to overtake it.
Posted Jan 17, 2026
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2.5/4
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A Private Life
(2025)
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Peter Travers
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Jodie Foster speaks French with elan, but even her indisputable star power and fun bond with costar Daniel Auteuil can’t keep this frothy bauble aloft.
Posted Jan 17, 2026
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3.5/4
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Sound of Falling
(2025)
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Peter Travers
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One thing is for sure about this century-spanning story about the dangers faced by young women trying to negotiate a safe space in a world of men—you’ll never forget it.
Posted Jan 17, 2026
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3.5/4
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Dead Man's Wire
(2025)
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Peter Travers
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Love that Gus Van Sant has crafted his true-crime hostage drama in the grand 1970s tradition of Sidney Lumet’s Dog Day Afternoon. Bill Skarsgard drops his Pennywise psycho clown persona to make his unmasked mark as an actor. And does he ever.
Posted Jan 09, 2026
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2/4
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Primate
(2025)
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Peter Travers
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As killer ape movies go, this one’s a bloody wonder—it’s too bad no one bothered to add plot, character or a reason to care
Posted Jan 09, 2026
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3.5/4
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The Chronology of Water
(2025)
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Peter Travers
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Kristen Stewart’s directing debut is not an easy sit, but with actress Imogen Poots, she creates an indelible, impressionistic film about a competitive swimmer that doesn’t follow tidy biopic rules or, let’s face it, any rules at all.
Posted Jan 09, 2026
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3/4
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The Dutchman
(2025)
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Peter Travers
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In a fresh film take a 1964 race play, Kate Mara’s sexed-up subway rider hits on André Holland like a white Eve out to destroy a Black Adam through assimilation, intimidation, and worse. You can’t watch it passively. It dares you to engage.
Posted Jan 09, 2026
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2.5/5
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We Bury the Dead
(2024)
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Peter Travers
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Before it reverts to moldy zombie tropes, this low-budget, no-frills survival thriller puts a fresh spin on the familiar thanks to Daisy Ridley as a human living among the walking dead.
Posted Jan 02, 2026
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3.5/4
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The Plague
(2025)
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Peter Travers
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A terrifying first film in which a tween water polo team becomes a "Lord of the Flies" metaphor for the hell of modern bullying. The scares are killer, but it’s the violence of the adolescent mind that hits hardest.
Posted Jan 02, 2026
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3/4
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The Choral
(2025)
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Peter Travers
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Stodgy? Maybe. But the sincerity of this crowdpleaser starring Ralph Fiennes as wartime choirmaster is a refreshing alternative to the glut of computer-generated junk that crowds our movie houses
Posted Jan 02, 2026
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2.5/4
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Avatar: Fire and Ash
(2025)
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Peter Travers
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What was once riveting now feels rote. What once made us want more of the same now makes us eager for the shock of the new.
Posted Dec 26, 2025
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1.5/4
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Anaconda
(2025)
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Peter Travers
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Jack Black and Paul Rudd can’t carry the unbearable weight of massive missteps in this comic remake of the 1997 snake movie that was always funnier when it tried to be serious.
Posted Dec 26, 2025
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3/4
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Father Mother Sister Brother
(2025)
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Peter Travers
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In this compassionate comedy of missed connections, Jarmusch makes us see the ordinary in fresh, pertinent and provocative ways. And the cumulative power of his vision is undeniable.
Posted Dec 26, 2025
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2.5/4
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Song Sung Blue
(2025)
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Peter Travers
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It sounds pretty cheesy and sometimes it’s a whole cheese wheel, but Hugh Jackman and especially Kate Hudson sing and act their hearts out.
Posted Dec 26, 2025
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2/4
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Goodbye June
(2025)
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Peter Travers
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Kate Winslet makes her directing debut with a script written by her 22-year-old son and acted by A-listers who, try as they might, can’t save it from dying-at-Christmas clichés.2/4
Posted Dec 26, 2025
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3.5/4
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Sirāt
(2025)
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Peter Travers
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Nothing about the pulsating ‘Sirāt’ is appropriate or expected or traditional or fully comprehensible. It just is. And it is utterly transfixing.
Posted Dec 26, 2025
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3/4
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Urchin
(2025)
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Peter Travers
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It may be tonally all over the place as cinema, but in his first film, actor turned director Harris Dickinson cuts a direct path to the heart and certifies star Frank Dillane as a major talent.
Posted Dec 26, 2025
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