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Cocalecas

Cocalecas is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Ruben Peralta Rigaud.

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Rating Title | Year Author Quote
Mortal Kombat II (2026) Ruben Peralta Rigaud Mortal Kombat II is more complete than its predecessor and more confident in what it wants to be, but it still fails to strike a balance between spectacle and narrative. [Full review in Spanish]
Posted May 06, 2026  Edit critic review
Apex (2026) Ruben Peralta Rigaud Apex isn't a film remembered for its narrative, but for its physicality. For the way it transforms space into conflict and the body into resistance. [Full review in Spanish]
Posted May 04, 2026  Edit critic review
Deep Water (2026) Ruben Peralta Rigaud The result is a film that works on a superficial level, capable of entertaining at specific moments, but unable to leave a lasting impression. [Full review in Spanish]
Posted May 04, 2026  Edit critic review
Mistura (2024) Ruben Peralta Rigaud It's not a perfect film, but it's one that understands that real transformations rarely are. [Full review in Spanish]
Posted May 04, 2026  Edit critic review
The Devil Wears Prada 2 (2026) Ruben Peralta Rigaud It works as a reunion. It works as light entertainment. It works as a reminder of what these characters stood for. But it fails to transcend that. [Full review in Spanish]
Posted May 04, 2026  Edit critic review
Omaha (2025) Ruben Peralta Rigaud At a time when many stories seek to escape reality, this one chooses to confront it. And it does so without raising its voice, without excessive dramatization, without seeking approval. Simply by showing. [Full review in Spanish]
Posted Apr 22, 2026  Edit critic review
The Super Mario Galaxy Movie (2026) Ruben Peralta Rigaud The result is a film that feels more like an extension of the video game than a cinematic work. There's no clear intention to tell a story beyond the immediate experience. [Full review in Spanish]
Posted Apr 22, 2026  Edit critic review
Beast (2026) Ruben Peralta Rigaud Ultimately, Beast doesn't redefine mixed martial arts cinema or sports drama. Instead, it's a film that clearly understands what it is and what it wants to be. [Full review in Spanish]
Posted Apr 14, 2026  Edit critic review
Thrash (2026) Ruben Peralta Rigaud Thrash is, ultimately, a film that is remembered not for what it does, but for everything it chooses not to do. [Full review in Spanish]
Posted Apr 14, 2026  Edit critic review
Peaky Blinders: The Immortal Man (2026) Ruben Peralta Rigaud It's a film that might feel limited in ambition, but its value lies in its honesty. It doesn't try to be bigger than it is, and in that gesture, there's consistency with the character's own journey. [Full review in Spanish]
Posted Mar 19, 2026  Edit critic review
Project Hail Mary (2026) Ruben Peralta Rigaud It's awkward. It's slow. It's imperfect. And that's precisely why it works, because it reflects something true about how we understand, or try to understand, each other. [Full review in Spanish]
Posted Mar 19, 2026  Edit critic review
Scream 7 (2026) Ruben Peralta Rigaud This seventh installment, however, seems content to simply repeat the old ones. And in a saga that was always about the evolution of the genre, that feels like the biggest betrayal of all.
Posted Mar 10, 2026  Edit critic review
Hoppers (2026) Ruben Peralta Rigaud It may not reach the perfection of Pixar classics, but it does demonstrate that the studio is still capable of telling stories that combine imagination, humor, and sensitivity. [Full review in Spanish]
Posted Mar 09, 2026  Edit critic review
The Strangers: Chapter 3 (2026) Ruben Peralta Rigaud The trilogy concludes with a sense of missed opportunity. It's not a complete disaster, but neither is it a significant evolution of the concept. [Full review in Spanish]
Posted Feb 20, 2026  Edit critic review
28 Years Later: The Bone Temple (2026) Ruben Peralta Rigaud In a landscape of franchises that repeat formulas, DaCosta dares to insist on discomfort.[Full review in Spanish]
Posted Feb 20, 2026  Edit critic review
Send Help (2026) Ruben Peralta Rigaud Send Help isn't after awards or pomp. It's after adrenaline, unsettling laughter, and a brutal inversion of hierarchies. And it succeeds. [Full review in Spanish]
Posted Feb 20, 2026  Edit critic review
The Wrecking Crew (2026) Ruben Peralta Rigaud Just another missed opportunity, wrapped in muscle, noise, and unfulfilled promises. [Full review in Spanish]
Posted Jan 30, 2026  Edit critic review
Is This Thing On? (2025) Ruben Peralta Rigaud You believe in something more difficult: that life after a breakup isn't an epic tale, but a strange process where the everyday becomes a minefield. [Full review in Spanish]
Posted Jan 20, 2026  Edit critic review
Dead Man's Wire (2025) Ruben Peralta Rigaud Ultimately, Dead Man's Wire works best when it's accepted for what it is: a charmingly formal crime satire with solid performances and a well-achieved sense of period. [Full review in Spanish]
Posted Jan 20, 2026  Edit critic review
The Rip (2026) Ruben Peralta Rigaud A thriller that starts strong and atmospheric, builds top-notch paranoia, and then shifts gears into more generic action. Damon and Affleck elevate it. The first half justifies it. The second half simplifies it. [Full review in Spanish]
Posted Jan 20, 2026  Edit critic review
No Other Choice (2025) Ruben Peralta Rigaud Park doesn't choose a single axis; he lets them coexist uncomfortably. Just like in real life. [Full review in Spanish]
Posted Dec 23, 2025  Edit critic review
Song Sung Blue (2025) Ruben Peralta Rigaud When Jackman and Hudson are on screen, singing as if the world were reduced to a familiar melody, Song Sung Blue reminds us why we keep going to the movies: to be moved by imperfect, yet heartfelt, stories. [Full review in Spanish]
Posted Dec 23, 2025  Edit critic review
Sirāt (2025) Ruben Peralta Rigaud Stays with you like strange dreams do: you don't remember all the details, but you remember the state of your body. The bass's drone. The sand. The sensation of walking on a razor's edge, with hell below and a glimpse of paradise. [Full review in Spanish]
Posted Dec 23, 2025  Edit critic review
Avatar: Fire and Ash (2025) Ruben Peralta Rigaud For the first time, Pandora doesn't seem like an expanding world, but one that repeats itself. [Full review in Spanish]
Posted Dec 19, 2025  Edit critic review
Ella McCay (2025) Ruben Peralta Rigaud In the end, Ella McCay feels like a film made by someone who no longer listens to the world they're trying to portray. [Full review in Spanish]
Posted Dec 19, 2025  Edit critic review
The Housemaid (2025) Ruben Peralta Rigaud In the end, The Housemaid isn't a good film, but it is a curiously effective experience. [Full review in Spanish]
Posted Dec 19, 2025  Edit critic review
Marty Supreme (2025) Ruben Peralta Rigaud Beneath the noise, there's something recognizable: the sadness of a man who believes he's destined for greatness because he doesn't know how to live without that myth. [Full review in Spanish]
Posted Dec 19, 2025  Edit critic review
Zootopia 2 (2025) Ruben Peralta Rigaud Ultimately, Zootopia 2 doesn't aspire to be a revolution. But it is a reaffirmation that the franchise can grow without losing its soul, and that the playful energy of the original lives on. [Full review in Spanish]
Posted Dec 17, 2025  Edit critic review
Jay Kelly (2025) Ruben Peralta Rigaud In the end, Jay Kelly doesn't try to reinvent cinema or redefine Baumbach's filmography. Rather, it's a film that allows itself to be honest, luminous at times, fragile at others, and deeply aware of the passage of time. [Full review in Spanish]
Posted Dec 11, 2025  Edit critic review
Train Dreams (2025) Ruben Peralta Rigaud Few films manage to capture the beauty of the ordinary without betraying its harshness. This one does. Train Dreams breathes, it hurts, it comforts. [Full review in Spanish]
Posted Dec 11, 2025  Edit critic review
Wicked: For Good (2025) Ruben Peralta Rigaud It's a powerful, visually stunning, and emotionally devastating conclusion that reaffirms the musical's impact and gives it an unforgettable cinematic dimension. [Full review in Spanish]
Posted Nov 21, 2025  Edit critic review
Predator: Badlands (2025) Ruben Peralta Rigaud The message that floats amidst explosions, fangs, and exoskeletons is simple: sometimes what you desire most isn't worth the price of becoming what destroyed you. [Full review in Spanish]
Posted Nov 17, 2025  Edit critic review
Ballad of a Small Player (2025) Ruben Peralta Rigaud In the end, Ballad of a Small Player feels like a failed gamble by a director who wanted to film excess without getting his hands dirty. [Full review in Spanish]
Posted Nov 06, 2025  Edit critic review
A HOUSE OF DYNAMITE (2025) Ruben Peralta Rigaud Its pacing, its precision, its rejection of spectacle, make it a cinematic event that is painful to watch but impossible to forget. [Full review in Spanish]
Posted Nov 06, 2025  Edit critic review
Springsteen: Deliver Me from Nowhere (2025) Ruben Peralta Rigaud As a piece about creation, “Deliver Me from Nowhere” captures something difficult: the mystery between the first line and the first chord. [Full review in Spanish]
Posted Oct 27, 2025  Edit critic review
Bugonia (2025) Ruben Peralta Rigaud The film prevails through its accumulation: Stone and Plemons stretch the thread until it cracks; Lanthimos fine-tunes his ear to the times; and, when the punchline arrives, the laughter hurts where it should. [Full review in Spanish]
Posted Oct 27, 2025  Edit critic review
Black Phone 2 (2025) Ruben Peralta Rigaud It's a film that's less frightening than its predecessor, but resonates more like an elegy. [Full review in Spanish]
Posted Oct 15, 2025  Edit critic review
After the Hunt (2025) Ruben Peralta Rigaud After the Hunt doesn't seek to please or provoke out of sheer rebellion. It's a film that demands attention, that earns its own respect by refusing to be easily digested. [Full review in Spanish]
Posted Oct 15, 2025  Edit critic review
One Battle After Another (2025) Ruben Peralta Rigaud Anderson, more humanistic than ever, delivers a film that hums and moves and, at the same time, looks at his creatures with an unromanticized affection. [Full review in Spanish]
Posted Oct 06, 2025  Edit critic review
A tiro limpio (2013) Ruben Peralta Rigaud In current form, it's an important step forward for Dominican action cinema, one that fulfills its mission to entertain, but makes clear the enormous territory it still needs to explore: script, dialogue, emotional connection. [Full review in Spanish]
Posted Sep 26, 2025  Edit critic review
Lovely Day (2025) Ruben Peralta Rigaud In that tension between celebration and collapse, between music that promises harmony and the mind that insists on chaos, Lovely Day stands as one of the most honest and moving looks at anxiety in recent cinema. [Full review in Spanish]
Posted Sep 19, 2025  Edit critic review
Blue Moon (2025) Ruben Peralta Rigaud Richard Linklater has made many portraits of time. This is perhaps one of his most intimate and saddest. And Ethan Hawke, in one of the best performances of his career, accompanies him with a heartbreaking dedication. [Full review in Spanish]
Posted Sep 19, 2025  Edit critic review
Hedda (2025) Ruben Peralta Rigaud In the end, Hedda isn't a perfect film. It's a brave one. One that dares to explore female desire with rage and elegance, that transforms a classic into something radically contemporary. [Full review in Spanish]
Posted Sep 15, 2025  Edit critic review
Kiss of the Spider Woman (2025) Ruben Peralta Rigaud This new Spider-Woman isn't afraid of visual excesses or theatrical artifice. Quite the contrary: it embraces them as aesthetics and as ideological statements. [Full review in Spanish]
Posted Sep 15, 2025  Edit critic review
Orphan (2025) Ruben Peralta Rigaud It's ambitious, rigorously executed, and, at its best, unsettling. But it's also a self-enclosed work, privileging form over life, concept over character. [Full review in Spanish]
Posted Sep 15, 2025  Edit critic review
Hamnet (2025) Ruben Peralta Rigaud Many will say that Hamnet is "too sad," "too slow," "too interior." But those who know how to surrender to it, those who are willing to look loss in the face, will find in this film not a tragedy, but a form of redemption. [Full review in Spanish]
Posted Sep 15, 2025  Edit critic review
Wake Up Dead Man: A Knives Out Mystery (2025) Ruben Peralta Rigaud Perhaps Wake Up Dead Man 's greatest risk is also its greatest strength: Johnson's ambition to make a more complex work, more laden with symbolism, less weighty than its predecessors. [Full review in Spanish]
Posted Sep 15, 2025  Edit critic review
Frankenstein (2025) Ruben Peralta Rigaud There is a contemporary interpretation in this story that speaks to the present: fear of the other, rejection of what we don't understand, the instrumentalization of life. [Full review in Spanish]
Posted Sep 12, 2025  Edit critic review
A Poet (2025) Ruben Peralta Rigaud It's an honest, uncomfortable, and deeply necessary work. Not so much for what it says about poetry, but for what it reveals about the people who cling to it as a last refuge from their own irrelevance. [Full review in Spanish]
Posted Sep 12, 2025  Edit critic review
The Smashing Machine (2025) Ruben Peralta Rigaud one of the most honest films of the year. Because it dares to look at glory from the other side, to tell a story where muscle isn't enough, where strength doesn't save. [Full review in Spanish]
Posted Sep 12, 2025  Edit critic review
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