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8/10
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Project Hail Mary
(2026)
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Dionar Hidalgo
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A heartfelt and visually stunning sci-fi adventure that blends humor, science, and emotion into an irresistibly engaging cosmic journey.
Posted Mar 19, 2026
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9/10
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The Testament of Ann Lee
(2025)
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Dionar Hidalgo
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A feverish, unconventional religious biopic. Mona Fastvold turns Ann Lee’s story into a hypnotic mix of musical ritual, mysticism and epic ambition, anchored by a ferocious Amanda Seyfried performance. Strange, uneven, but undeniably fascinating.
Posted Mar 17, 2026
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8/10
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The Last Viking
(2025)
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Dionar Hidalgo
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Dark, violent and hilariously absurd, The Last Viking blends black comedy with a surprisingly emotional story about broken families and toxic masculinity. Mads Mikkelsen steals every scene in Anders Thomas Jensen’s chaotic but entertaining tale.
Posted Mar 15, 2026
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6/10
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Leave One Day
(2025)
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Dionar Hidalgo
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Charming but predictable, Partir un jour blends romance, nostalgia and pop music with mixed results. Bastien Bouillon’s charisma and the film’s light tone keep it enjoyable, even when the scattered script struggles to find emotional depth.
Posted Mar 15, 2026
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6/10
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Strangers in the Park
(2026)
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Dionar Hidalgo
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A gentle, dialogue-driven comedy lifted by the chemistry of Luis Brandoni and Eduardo Blanco. While its theatrical roots and sentimental tone limit its cinematic power, Parque Lezama remains a warm reflection on friendship and aging.
Posted Mar 14, 2026
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6/10
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La Tregua
(2025)
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A visually strong historical drama with solid performances, especially from Miguel Herrán. But its heavy-handed message and uneven pacing prevent La tregua from fully realizing the powerful story it aims to tell.
Posted Mar 14, 2026
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6/10
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The Moment
(2026)
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Dionar Hidalgo
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The Moment captures the chaos of Charli XCX’s pop stardom with style and self-awareness, but its mockumentary satire never fully lands. Visually slick and occasionally funny, yet strangely shallow for a film about the cost of fame.
Posted Mar 08, 2026
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4/10
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In the Blink of an Eye
(2026)
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Dionar Hidalgo
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Andrew Stanton’s In the Blink of an Eye aims for cosmic humanism but ends up oddly flat. Ambitious ideas, three timelines and a Pixar-like sentimentality never quite work in live action, leaving behind a sci-fi drama that’s more dull than profound.
Posted Mar 07, 2026
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7/10
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Hoppers
(2026)
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Dionar Hidalgo
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Pixar’s Hoppers is lively, colorful and well-meaning, but also strangely familiar. Gorgeous animation and a sweet eco-message can’t fully hide a story that feels recycled and lighter than what the studio once delivered.
Posted Mar 07, 2026
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4/10
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Scream 7
(2026)
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Dionar Hidalgo
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Scream 7 proves even a self-aware franchise can become the cliché it once mocked. Despite Neve Campbell’s return, sloppy plotting, weak new characters and tired meta-humor turn this sequel into a surprisingly lifeless Ghostface revival.
Posted Mar 07, 2026
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8/10
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THE BRIDE!
(2026)
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Dionar Hidalgo
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Maggie Gyllenhaal’s The Bride! is chaotic, bold and defiantly strange. Jessie Buckley’s feral performance electrifies this feminist reinvention of the Frankenstein myth. It doesn’t always hold together—but when it sparks, it burns bright.
Posted Mar 07, 2026
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8/10
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Los Domingos
(2025)
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Dionar Hidalgo
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Alauda Ruiz de Azúa delivers a sober, ambiguous drama that refuses easy answers. Anchored by Blanca Soroa’s restrained performance, Los domingos turns a young woman’s spiritual calling into a piercing exploration of faith, freedom, and family fractures.
Posted Mar 01, 2026
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7/10
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Calle Málaga
(2025)
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Dionar Hidalgo
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Carmen Maura radiates warmth and defiance in this gentle tale of aging and belonging. Though predictable, Calle Málaga offers a tender reminder that love, desire and autonomy don’t fade with time.
Posted Mar 01, 2026
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8/10
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I Swear
(2025)
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Dionar Hidalgo
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Robert Aramayo delivers a fearless, deeply human performance in this compassionate biopic. I Swear balances humor and heartbreak while shedding light on Tourette syndrome, reminding us how much empathy society still owes.
Posted Mar 01, 2026
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5/10
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The Choral
(2025)
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Dionar Hidalgo
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Ralph Fiennes delivers a finely restrained performance in this well-intentioned WWI drama. Yet despite its warmth and handsome period detail, The Choral never quite earns the emotional crescendo it so clearly aims for.
Posted Feb 28, 2026
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8/10
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L’attachement
(2024)
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A tender, intimate drama that subverts rom-com expectations. Carine Tardieu crafts a nuanced portrait of chosen family, elevated by a beautifully restrained Valeria Bruni Tedeschi. Honest, heartfelt, and quietly profound.
Posted Feb 28, 2026
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5/10
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Keeper
(2025)
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Stylish and unsettling, Keeper turns relationship anxiety into slow-burning horror. Tatiana Maslany anchors the film with raw intensity, even if its ambitious finale can’t quite match the power of its atmospheric descent.
Posted Feb 22, 2026
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6/10
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Franz
(2025)
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Dionar Hidalgo
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Fragmented yet compelling, Franz mirrors Kafka’s own unease. Agnieszka Holland crafts an intimate, meta-cinematic portrait that questions legacy as much as it honors it — uneven at times, but intellectually and emotionally resonant.
Posted Feb 22, 2026
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8/10
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Pillion
(2025)
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Dionar Hidalgo
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Bold, intimate and unexpectedly tender, Pillion transforms kink into emotional language. Anchored by Harry Melling’s vulnerable performance and Skarsgård’s magnetic restraint, it’s a daring love story about power, identity and growth.
Posted Feb 22, 2026
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7/10
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La Cena
(2025)
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A well-crafted tragicomedy set in post–Civil War Spain, La cena balances satire and tension with solid performances and strong production design. Entertaining and polished, though it stops short of delivering a truly biting political punch.
Posted Feb 15, 2026
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7/10
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Aída y Vuelta
(2026)
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Dionar Hidalgo
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More than a reunion, Aída y vuelta turns nostalgia into meta-commentary. Sharp, self-aware and powered by cast chemistry, it reflects on comedy, fame and changing sensitivities—uneven at times, but smart enough to justify its return.
Posted Feb 15, 2026
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5/10
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Ella McCay
(2025)
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Warm, old-fashioned and uneven, Ella McCay recalls James L. Brooks at his most sentimental. A strong cast and flashes of sharp dialogue can’t fully overcome its scattered narrative, but it remains an endearing, if flawed, adult dramedy.
Posted Feb 15, 2026
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7/10
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Crime 101
(2026)
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Dionar Hidalgo
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Sleek, controlled and proudly derivative, Crime 101 doesn’t reinvent the heist movie but plays it with style and conviction. Strong performances and tight set pieces outweigh familiar beats in this polished neo-noir throwback.
Posted Feb 15, 2026
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5/10
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Greenland 2: Migration
(2026)
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Dionar Hidalgo
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Bigger in scale but smaller in impact, Greenland 2: Migration trades intimacy for generic spectacle. Solid effects and a committed Gerard Butler can’t hide a sequel that feels predictable, overly solemn and ultimately interchangeable.
Posted Feb 15, 2026
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8/10
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Wuthering Heights
(2026)
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Dionar Hidalgo
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Emerald Fennell’s Wuthering Heights isn’t faithful to Brontë, but it’s fiercely intoxicating. Stylish, sensual and unapologetically excessive, it reimagines Cathy and Heathcliff as addicts of desire in a visually ravishing gothic fever dream.
Posted Feb 12, 2026
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8/10
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It Would Be Night in Caracas
(2025)
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Dionar Hidalgo
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Aún es de noche en Caracas is an intense, claustrophobic political thriller that turns Venezuela’s collapse into lived experience, using fear, identity loss, and survival as a stark warning for Latin America’s fragile democracies.
Posted Feb 07, 2026
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8/10
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Dracula
(2025)
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Dionar Hidalgo
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Radu Jude’s Dracula is a ferocious, grotesque essay on myth, power, and cultural appropriation, turning the vampire into a symbol of capitalism, nationalism, and digital excess with fearless, exhausting energy.
Posted Feb 07, 2026
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7/10
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Strange River
(2025)
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Dionar Hidalgo
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A tender, atmospheric coming-of-age film that embraces ambiguity over answers, Strange River turns adolescent desire and family tension into a hypnotic, beautifully textured journey of feeling rather than explanation.
Posted Feb 07, 2026
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8/10
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Palestine '36
(2025)
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Dionar Hidalgo
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A sweeping yet intimate historical epic, Palestine 36 revisits the roots of conflict with clarity and restraint. Anchored by strong performances and a humanist gaze, Annemarie Jacir turns history into a necessary act of remembrance.
Posted Jan 24, 2026
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6/10
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The Captive
(2025)
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Dionar Hidalgo
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A polished and ambitious historical drama that finds poetry in imagination as survival, but plays it a bit too safe. Elegant, provocative at times, yet oddly restrained for a film about the birth of literary madness.
Posted Jan 24, 2026
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6/10
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All You Need Is Kill
(2025)
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Dionar Hidalgo
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A visually striking and melancholic take on the time-loop premise. Akimoto’s anime finds beauty in repetition and despair, but its thin characterization and rushed emotional turns keep it from fully blooming.
Posted Jan 24, 2026
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2/10
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Mercy
(2026)
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A dystopian thriller that looks like a warning but plays like propaganda. Mercy borrows the aesthetics of classic sci-fi while quietly endorsing surveillance, police states, and algorithmic justice. Stylish noise, hollow ideas
Posted Jan 24, 2026
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7/10
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Paternal Leave
(2025)
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Dionar Hidalgo
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A quiet, honest debut that finds emotional power in silences and small gestures. Juli Grabenhenrich is a revelation, and Luca Marinelli brings fragile restraint, even if the film hesitates to fully explore the weight of absent fatherhood.
Posted Jan 18, 2026
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6/10
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She Walks in Darkness
(2025)
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Dionar Hidalgo
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A restrained and competent infiltration thriller, anchored by a solid lead performance. Díaz Yanes builds tension and historical context, but the film’s didactic tone and shallow psychology keep it from digging deeper into its troubling subject.
Posted Jan 18, 2026
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6/10
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The Piano Accident
(2025)
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Dionar Hidalgo
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A sharp, abrasive satire of viral fame, elevated by Adèle Exarchopoulos’ deliberately ugly performance. Dupieux provokes and entertains, but the film’s punch fades quickly, leaving more sting than substance.
Posted Jan 18, 2026
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8/10
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28 Years Later: The Bone Temple
(2026)
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Dionar Hidalgo
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A ferocious, human-centered reinvention of the franchise. DaCosta and Garland turn zombies into background noise, letting Fiennes and a terrifying Jack O’Connell explore how language, power, and cruelty truly end the world.
Posted Jan 14, 2026
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6/10
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The Tank
(2025)
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Dionar Hidalgo
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'Der Tiger' trades battlefield spectacle for moral decay and existential dread. Claustrophobic and technically impressive, it raises sharp questions about guilt and obedience, but struggles to turn its heavy ideas into compelling drama.
Posted Jan 11, 2026
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6/10
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Rental Family
(2025)
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Dionar Hidalgo
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A gentle, well-meaning dramedy carried by Brendan Fraser’s warmth. Rental Family touches on loneliness and emotional labor, but its reluctance to dig deeper turns a fascinating premise into a safe, sentimental comfort watch.
Posted Jan 11, 2026
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7/10
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Song Sung Blue
(2025)
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A warm, crowd-pleasing biopic lifted by Hugh Jackman’s showmanship and, above all, Kate Hudson’s heartfelt performance. Conventional and rushed in its drama, but emotionally anchored by Hudson’s undeniable screen presence.
Posted Dec 30, 2025
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9/10
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2000 Meters to Andriivka
(2025)
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Dionar Hidalgo
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Relentless and immersive, 2000 Meters to Andriivka turns a short distance into an abyss. Chernov places us inside the war’s physical and emotional toll, stripping combat of heroism and revealing only exhaustion, loss, and uncertainty.
Posted Dec 29, 2025
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8/10
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Mr. Nobody Against Putin
(2025)
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Dionar Hidalgo
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A chilling, intimate look at how war is taught before it’s fought. Mr. Nobody Against Putin reveals the classroom as a frontline, where propaganda replaces education and fear quietly shapes the next generation.
Posted Dec 29, 2025
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8/10
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Apocalypse in the Tropics
(2024)
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Dionar Hidalgo
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A chilling, deeply personal essay on how faith mutates into power. Petra Costa exposes Brazil’s evangelical populism as a global warning: democracy doesn’t collapse overnight—it’s slowly preached into oblivion.
Posted Dec 27, 2025
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8/10
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Cover-Up
(2025)
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Dionar Hidalgo
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A rigorous, unsentimental portrait of Seymour Hersh that doubles as a defense of investigative journalism. Laura Poitras and Mark Obenhaus craft a sober, gripping reminder of why truth still matters in an age of noise.
Posted Dec 26, 2025
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6/10
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Goodbye June
(2025)
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Dionar Hidalgo
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A well-acted and sincere family drama elevated by Mirren and Riseborough, but held back by a cautious direction and a predictable script. Kate Winslet shows promise behind the camera, even if Goodbye June plays it too safe.
Posted Dec 26, 2025
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8/10
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We Shall Not Be Moved
(2024)
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Dionar Hidalgo
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A powerful debut that turns historical trauma into lived, intimate cinema. Luisa Huertas anchors a film about memory, impunity, and the cost of refusing to forget, rejecting easy forgiveness in favor of uneasy, necessary remembrance.
Posted Dec 26, 2025
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6/10
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The Storm
(2024)
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Dionar Hidalgo
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A visually stunning animated film with a confusing but heartfelt core. Its myth-heavy narrative feels culturally distant, yet the father-son bond and bold artistic vision make it an intriguing, if uneven, experience.
Posted Dec 25, 2025
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6/10
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Springsteen: Deliver Me from Nowhere
(2025)
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Dionar Hidalgo
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A respectful and intimate portrait of Bruce Springsteen during the making of Nebraska, elevated by Jeremy Allen White’s soulful performance. Honest and restrained, yet too conventional to match the boldness of the album it celebrates.
Posted Dec 23, 2025
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3/10
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Anaconda
(2025)
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A self-aware remake that knows its jokes but never sharpens them. Jack Black and Paul Rudd can’t rescue thin characters, flat satire, or toothless horror. A clever idea strangled by caution and predictability.
Posted Dec 23, 2025
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7/10
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The Housemaid
(2025)
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Dionar Hidalgo
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A glossy, twisty thriller that leans heavily on ’90s erotic noir vibes. Amanda Seyfried steals the show, elevating uneven material. It lacks the boldness of its influences, but delivers guilty-pleasure fun when it finally lets loose.
Posted Dec 23, 2025
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5/10
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Christy
(2025)
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A painfully routine sports biopic that wastes an extraordinary life. Despite solid physical work from Sydney Sweeney, Christy relies on tired boxing clichés and domestic abuse tropes, offering little insight into its trailblazing subject.
Posted Dec 21, 2025
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