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Fish Jelly Films (YouTube)

Fish Jelly Films (YouTube) is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Joseph Robinson, Nicholas Bell.

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Rating Title | Year Author Quote
2/5
Ready or Not 2: Here I Come (2026) Joseph Robinson A muddled mix of family drama, routine carnage, and flashes of dark comedy, Ready or Not 2 is a nonsensical slog—fit only for forgettable, one-time viewing.
Posted Mar 20, 2026  Edit critic review
4/5
Project Hail Mary (2026) Joseph Robinson Project Hail Mary is an inspiring tribute to learning, human ingenuity, and the courage to be great.
Posted Mar 17, 2026  Edit critic review
1.5/5
Slanted (2025) Joseph Robinson All premise and no punch - Slanted is a frustrating, half-baked satire that can’t even scare up the horror.
Posted Mar 14, 2026  Edit critic review
2.5/5
The Gates (2026) Joseph Robinson An intriguing premise and flashes of real tension keep The Gates watchable, but it ultimately fumbles the ball with a series of baffling choices.
Posted Mar 13, 2026  Edit critic review
1/5
Reminders of Him (2026) Joseph Robinson Despite earnest performances from Monroe and Withers, Reminders of Him lacks the emotional depth and complexity the story requires.
Posted Mar 13, 2026  Edit critic review
2/5
undertone (2025) Joseph Robinson Undertone drifts through uneventful stretches of repetition before a late surge of energy, and its abrasive sound design may alienate some viewers.
Posted Mar 13, 2026  Edit critic review
2.5/5
Dolly (2025) Joseph Robinson A gleefully ludicrous throwback to ’70s gore that may spin its wheels, but still feels tailor-made for the Midnight Madness crowd.
Posted Mar 06, 2026  Edit critic review
3.5/5
THE BRIDE! (2026) Nicholas Bell A gonzo, feminist manifesto which suffocates a bit beneath the weight of tangential shoutouts to 1930s cinema but is narratively bold, abrasive and daring for a studio picture in an era defined by regression and consumerism.
Posted Mar 06, 2026  Edit critic review
3.5/5
Heel (The Good Boy) (2025) Nicholas Bell A subversive take on the essence of "chosen family," Heel is also a strangely effective portrait of Nature vs. Nurture and how, depressing as it may be, love tends to blossom in the possibilities of usefulness.
Posted Mar 06, 2026  Edit critic review
3.5/5
THE BRIDE! (2026) Joseph Robinson A bold, darkly comedic take on reclamation that’s as intelligent as it is chaotic — though its ambition occasionally sends it off the rails.
Posted Mar 06, 2026  Edit critic review
3.5/5
Heel (The Good Boy) (2025) Joseph Robinson Heel is an effective psychological thriller — a twisted and depressing take on chosen families that lingers long after the credits, leaving you with more questions than answers.
Posted Mar 06, 2026  Edit critic review
2.5/5
Wuthering Heights (2026) Nicholas Bell Emerald Fennell's lusty take on Emily Bronte's classic novel feels all dressed up with nowhere to go - a sumptuous visual feast speckled with camp elements and superficial passions which align her version with the same myopic parameters...
Posted Mar 04, 2026  Edit critic review
1.5/5
The Mortuary Assistant (2026) Nicholas Bell The Mortuary Assistant is desperately in need of a script doctor who understands the necessity of crafting a video game adaptation into a cogent narrative, because, as it stands, the only cardinal sin Kipp's film embraces is reveling in a void..
Posted Mar 04, 2026  Edit critic review
3.5/5
Whistle (2025) Nicholas Bell Arguably similar to a wide variety of thematically comparable films, Whistle plays its own tune well enough, harmonizing angsty YA characterizations with moody ambience, gruesome violence, and committed performances...
Posted Mar 04, 2026  Edit critic review
1.5/5
Double Double Trouble (2026) Joseph Robinson Double Double Trouble boasts an intriguing premise and a demented dual performance from Tami Roman, but its ridiculous plot and remedial dialogue make it entertaining for all the wrong reasons.
Posted Mar 01, 2026  Edit critic review
2/5
Scream 7 (2026) Nicholas Bell One was Original Two was a Must Three was Parker Posey Four was a Bust Five was a Cash Grab Six won't uphold And Seven's a story that shouldn't be told.
Posted Feb 28, 2026  Edit critic review
1.5/5
Undercard (2025) Nicholas Bell The irreconcilable flaw of Undercard is how its dramatic undercarriage consists almost exclusively of sports drama cliches which unfortunately cannot be ignored thanks to one-dimensional characterizations...
Posted Feb 28, 2026  Edit critic review
2/5
Undercard (2025) Joseph Robinson Undercard never slows down — but the clichés pile up and the low-budget feel never lets you forget it.
Posted Feb 28, 2026  Edit critic review
1.5/5
Scream 7 (2026) Joseph Robinson Scream 7 is not funny enough to be this dumb.
Posted Feb 27, 2026  Edit critic review
.5/5
Tyler Perry's Joe's College Road Trip (2026) Nicholas Bell Somehow, the "quality" of Tyler Perry's storytelling feels even worse when a positive, meaningful message is attempted, this time through the prism of Madea-universe regular Joe, a crass, nonsensical conduit for Black History 101...
Posted Feb 19, 2026  Edit critic review
0.5/5
Tyler Perry's Joe's College Road Trip (2026) Joseph Robinson Despite a more overt message than we're used to from Mr. Perry, Joe’s College Road Trip feels stuck in the same tired rhythms — recycling broad caricature, nonsensical plotting, and humor that rarely rises above offensive.
Posted Feb 19, 2026  Edit critic review
3.5/5
Crime 101 (2026) Joseph Robinson With a star-studded cast and gorgeous cinematography, Crime 101 is a tense, stylish heist caper that leaves you wishing for even more — perhaps as a miniseries.
Posted Feb 13, 2026  Edit critic review
1.5/5
The Mortuary Assistant (2026) Joseph Robinson The Mortuary Assistant feels like being plopped into the middle of a weird conversation in a language you're not completely fluent in.
Posted Feb 13, 2026  Edit critic review
4/5
Wuthering Heights (2026) Joseph Robinson A pared-down Wuthering Heights that delivers enough campy drama and tragic passion to warm this cold heart.
Posted Feb 09, 2026  Edit critic review
1/5
Relationship Goals (2026) Joseph Robinson Even setting aside the religious propaganda, Relationship Goals is a corny, awkward rom-com with clunky dialogue, stiff performances, and a troubling view of women’s worth — though the soundtrack is lovely.
Posted Feb 08, 2026  Edit critic review
3.5/5
Whistle (2025) Joseph Robinson Though echoes of other films linger, Whistle distinguishes itself with unnerving scares, visceral gore, a standout soundtrack, and a refreshing queer narrative.
Posted Feb 06, 2026  Edit critic review
1/5
Melania (2026) Nicholas Bell As a portrait of a vestigial appendage to the dangerous machine dissolving democracy, "Melania" is merely a well shot marketing campaign for the luckiest Stepford wife as she spouts innocuous, vague details on First Lady expectations...
Posted Feb 06, 2026  Edit critic review
1.5/5
Melania (2026) Joseph Robinson More PR campaign than personal portrait, Melania is an astonishingly dull documentary that masquerades as a glamorous immigrant story while offering little insight beyond carefully curated image-making.
Posted Feb 06, 2026  Edit critic review
1.5/5
Dracula (2025) Joseph Robinson Luc Besson's Dracula plays like one of the fake trailers at the beginning of Tropic Thunder made feature-length, but it's ridiculous enough to eventually earn cult status.
Posted Feb 03, 2026  Edit critic review
4/5
Paralyzed by Hope: The Maria Bamford Story (2026) Nicholas Bell A straightforward but loving homage to the incomparable comic Maria Bamford examining her life and professional accomplishments, including how they intertwined to create one of the most uniquely down-to-earth innovators of her craft.
Posted Feb 03, 2026  Edit critic review
2.5/5
Josephine (2026) Nicholas Bell Frustrating and formidably uncomfortable, Beth de Araujo presents a compelling portrait of the rippling effects of trauma but unfortunately spins wheels on repetitive characterizations, ultimately feeling a bit one dimensional and sometimes cliche...
Posted Feb 03, 2026  Edit critic review
2.5/5
Carousel (2026) Nicholas Bell A bit too simple and too meandering to generate any significant emotional response, the chemistry between Pine and Slate is enough to coast by on in Lambert's old-fashioned adult romance, which could have used a bit of soap to lather up some sentiment.
Posted Feb 03, 2026  Edit critic review
3.5/5
If I Go Will They Miss Me (2026) Nicholas Bell Even as it relies too heavily on fantasy sequences, Thompson-Hernandez captures a solemn and profound portrait of dreams distilled by intergenerational trauma, ultimately delivering a beautiful, emotionally charged and stupendously shot drama...
Posted Feb 03, 2026  Edit critic review
3.5/5
Tell Me Everything (2026) Nicholas Bell Despite the dramatic parameters defining the backdrop of Tell Me Everything, Rosenthal establishes a somewhat tranquil but meaningful exercise on regret and reconciliation that italicizes the sentiment 'the truth shall set you free.'
Posted Feb 03, 2026  Edit critic review
3.5/5
Tell Me Everything (2026) Joseph Robinson Tell Me Everything is a quietly engaging father-son drama, lifted by strong performances and an excellent soundtrack.
Posted Feb 02, 2026  Edit critic review
3.5/5
If I Go Will They Miss Me (2026) Joseph Robinson Danielle Brooks anchors this touching, visually inventive story with a tender, emotionally charged performance.
Posted Feb 01, 2026  Edit critic review
2.5/5
Carousel (2026) Joseph Robinson Carousel paints a portrait of tightly wound middle-aged lives that may strain credibility, but still carries the pleasant, familiar rhythms of a ’90s-style comfort drama.
Posted Feb 01, 2026  Edit critic review
1.5/5
Moses the Black (2026) Joseph Robinson Too literal to be moving and too sloppy to be compelling, Moses the Black is undone by an overly ambitious plot, shaky performances, rough cinematography, and questionable dialogue.
Posted Jan 30, 2026  Edit critic review
2.5/5
Josephine (2026) Joseph Robinson Josephine is certainly bold and attention-grabbing, though it struggles to justify the spotlight.
Posted Jan 30, 2026  Edit critic review
4/5
Paralyzed by Hope: The Maria Bamford Story (2026) Joseph Robinson Paralyzed by Hope is exactly what you'd want from this kind of story—intimate access, sharp humor, real poignancy, and rich archival footage.
Posted Jan 29, 2026  Edit critic review
3.5/5
Send Help (2026) Joseph Robinson With Rachel McAdams’ wickedly fun performance and Sam Raimi’s comedic horror touch, Send Help pulls off its Misery-meets-Swept Away premise beautifully.
Posted Jan 28, 2026  Edit critic review
5/5
Natchez (2025) Nicholas Bell Natchez is about a specific place obsessed with and defined by a specific era, and perhaps it's not surprising that a documentary about antebellum tourism provides the most potent and observant microcosm of America's arrested development...
Posted Jan 28, 2026  Edit critic review
4.5/5
Natchez (2025) Joseph Robinson Natchez is a hauntingly compelling look at the beauty and brutality of America’s past.
Posted Jan 28, 2026  Edit critic review
3/5
The Moment (2026) Joseph Robinson Charli XCX shines in this gritty, darkly humorous look at artistic integrity versus corporate pressure—though The Moment loses some momentum when it matters most.
Posted Jan 28, 2026  Edit critic review
3/5
The Moment (2026) Nicholas Bell The warping realities of celebrity are satirized in this waggish but often thoughtful mockumentary which finds Charli xcx processing the demands of commerce eclipsing creation, as if it's 'Portrait of the Artist as a Young Machine.'
Posted Jan 27, 2026  Edit critic review
1.5/5
Return to Silent Hill (2026) Nicholas Bell Visually arresting manifestations of trauma aren't enough to sustain Gahn's return to the video game adaptation...now reducing his gloomy netherworld to a somnolence only interrupted by disdain generated for its wooden performances.
Posted Jan 27, 2026  Edit critic review
3.5/5
Send Help (2026) Nicholas Bell Sam Raimi returns to adult flavored cinema with Send Help, featuring a stellar Rachel McAdams in a survivor noir asserting 'the female of the species is more deadly than the male.'
Posted Jan 27, 2026  Edit critic review
1/5
Moses the Black (2026) Nicholas Bell Despite the efforts of its intriguing ensemble, Moses the Black is only successful as a case study of failed artistic hubris, simultaneously showcasing the inherent limitations of cinema wielded as thinly veiled religious propaganda...
Posted Jan 27, 2026  Edit critic review
1.5/5
Dracula (2025) Nicholas Bell Besson's unnecessary take on Dracula is a jarring, oxymoronic exercise of glossy visuals often marred by subpar effects and clunky dialogue navigated by principal cast members who were seemingly all told to do whatever the hell they wanted...
Posted Jan 27, 2026  Edit critic review
2.5/5
Mercy (2026) Nicholas Bell Bekmambetov may have an innovative knack for slick pacing, as well as a forward thinking fascination with topical themes elevated by the incorporation of modern technology, but this hokey wrong-man thriller could have been much more astute...
Posted Jan 27, 2026  Edit critic review
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