|
|
The Sheep Detectives
(2026)
|
Todd Jorgenson
|
This charming if corny British comedy playfully tweaks classic murder-mystery tropes with a mix of silly quirks and heartwarming loyalty between species. It's a jolly delight.
Posted May 08, 2026
Edit critic review
|
|
|
Silent Friend
(2025)
|
Todd Jorgenson
|
This visually stunning triptych is a cumulatively profound glimpse into the relationship between humans and nature.
Posted May 08, 2026
Edit critic review
|
|
|
The Python Hunt
(2025)
|
Todd Jorgenson
|
Smartly embracing the absurdity of its titular competition rather than fixating on winners and losers, this documentary is compelling regardless of your preference for buying into its slithering sincerity.
Posted May 08, 2026
Edit critic review
|
|
|
Keep Quiet
(2025)
|
Todd Jorgenson
|
Layered with rich cultural specificity, this gritty and evocative crime drama yields authentic emotional depth beneath its formulaic procedural surface.
Posted May 08, 2026
Edit critic review
|
|
|
Affection
(2025)
|
Todd Jorgenson
|
As this intimate science-fiction thriller loses its logical footing in the second half, it squanders our patience in piecing together its twisty puzzle.
Posted May 08, 2026
Edit critic review
|
|
|
Mother Mary
(2026)
|
Todd Jorgenson
|
Despite some stylish visuals this melodramatic portrait of tortured artists winds up more tedious than profound.
Posted May 08, 2026
Edit critic review
|
|
|
Addition
(2024)
|
Todd Jorgenson
|
A committed portrayal by Teresa Palmer can’t save this calculated Australian romantic comedy, in which mental illness functions primarily as a plot device.
Posted May 08, 2026
Edit critic review
|
|
|
Mad Bills to Pay (or Destiny, dile que no soy malo)
(2025)
|
Todd Jorgenson
|
Thematically familiar but richly specific in its setting and cultural texture, this gritty and evocative coming-of-age drama is ultimately a tribute to its surroundings.
Posted May 01, 2026
Edit critic review
|
|
|
The Devil Wears Prada 2
(2026)
|
Todd Jorgenson
|
This slick sequel offers an intriguing narrative backdrop but winds up as shallow and superficial as its characters.
Posted May 01, 2026
Edit critic review
|
|
|
Swapped
(2026)
|
Todd Jorgenson
|
Innocuous yet insubstantial, it’s humorous and heartwarming enough to engage the target demographic and some adults outside of it.
Posted May 01, 2026
Edit critic review
|
|
|
Two Pianos
(2025)
|
Todd Jorgenson
|
Eventually finding its rhythm as a portrait of a musician at a personal and professional crossroads, this uneven melodrama is bolstered by richly textured performances.
Posted May 01, 2026
Edit critic review
|
|
|
RZA's One Spoon of Chocolate
(2025)
|
Todd Jorgenson
|
Wearing its 1970s influences on its visual sleeves, this ponderous satirical thriller emphasizes vintage style over contemporary substance.
Posted May 01, 2026
Edit critic review
|
|
|
The Last One for the Road
(2025)
|
Todd Jorgenson
|
Combining mischievous energy with stylish throwback visuals, this meandering Italian comedy of lifelong friendships and arrested development compensates for its jumbled narrative momentum with bittersweet charm.
Posted May 01, 2026
Edit critic review
|
|
|
Hokum
(2026)
|
Todd Jorgenson
|
... uneven if unsettling exploration of folklore, paranoia, and personal demons that’s intense yet only superficially frightening.
Posted May 01, 2026
Edit critic review
|
|
|
Michael
(2026)
|
Todd Jorgenson
|
This sanitized biopic of the global pop-music superstar is mostly an exercise in image rehabilitation, basking so heavily in fan service and revisionist nostalgia that it lacks any meaningful insight or fresh perspective.
Posted Apr 24, 2026
Edit critic review
|
|
|
Apex
(2026)
|
Todd Jorgenson
|
While it spotlights some breathtaking mountain scenery, this contrived survival thriller struggles to escalate the psychological stakes.
Posted Apr 24, 2026
Edit critic review
|
|
|
Desert Warrior
(2025)
|
Todd Jorgenson
|
... impressive more for its scope than its storytelling, which becomes stranded without an oasis in sight.
Posted Apr 24, 2026
Edit critic review
|
|
|
Fuze
(2025)
|
Todd Jorgenson
|
Despite an explosive premise that builds genuine white-knuckle tension, this thriller burns out too soon and stumbles toward a needlessly convoluted payoff.
Posted Apr 24, 2026
Edit critic review
|
|
|
Two Women
(2025)
|
Todd Jorgenson
|
Starting out as a playful throwback homage, this update stumbles when aiming for a more dramatic probe of empowerment, parental anxieties, and gender politics.
Posted Apr 24, 2026
Edit critic review
|
|
|
Ricky
(2025)
|
Todd Jorgenson
|
Contrivances undermine the worthwhile message in this gritty yet heavy-handed drama about recidivism and the need for criminal justice reform.
Posted Apr 24, 2026
Edit critic review
|
|
|
Over Your Dead Body
(2026)
|
Todd Jorgenson
|
Featuring some clever ways to keep its one-joke premise spinning, this thinly sketched comedic thriller nevertheless can’t sustain its humor or tension throughout.
Posted Apr 24, 2026
Edit critic review
|
|
|
Omaha
(2025)
|
Todd Jorgenson
|
Despite its familiar narrative structure, the film builds compassion not via pity or guilt, but by putting moviegoers in the protagonist’s shoes and identifying with the raw emotion behind his choices and circumstances.
Posted Apr 24, 2026
Edit critic review
|
|
|
Kangaroo Island
(2024)
|
Todd Jorgenson
|
The fractured family dynamics are too familiar, redeemed only partially by committed performances and heartfelt intentions.
Posted Apr 24, 2026
Edit critic review
|
|
|
I Swear
(2025)
|
Todd Jorgenson
|
Propelled by Aramayo, the film refuses to wallow in shame or embarrassment, instead infusing some self-deprecating humor amid the cringeworthy anxiety. The ability to navigate that tonal tightrope enables broader insight and promotes understanding.
Posted Apr 24, 2026
Edit critic review
|
|
|
Horseshoe
(2025)
|
Todd Jorgenson
|
Offering a fresh take on familiar dysfunctional family dynamics, this Irish drama compensates for some narrative missteps by effectively sprinkling humor and charm into a story of grief and discord.
Posted Apr 24, 2026
Edit critic review
|
|
|
Our Hero, Balthazar
(2025)
|
Todd Jorgenson
|
Navigating a tonal tightrope, this darkly provocative comedy lacks subtlety yet compensates with sincerity.
Posted Apr 19, 2026
Edit critic review
|
|
|
Wasteman
(2025)
|
Todd Jorgenson
|
Although the screenplay lacks contextual depth, the volatile chemistry between the two leads helps to sustain tension and fuel a rooting interest.
Posted Apr 17, 2026
Edit critic review
|
|
|
Mile End Kicks
(2025)
|
Todd Jorgenson
|
A sense of heartfelt authenticity pulses throughout this nostalgic portrait of personal and professional empowerment, keeping it from bogging down in angst-ridden millennial cliches.
Posted Apr 17, 2026
Edit critic review
|
|
|
Lorne
(2026)
|
Todd Jorgenson
|
... seems content to pay tribute to Michaels and his accomplishments rather than creating a well-rounded portrait with fresh insight for outsiders.
Posted Apr 17, 2026
Edit critic review
|
|
|
Everyone Is Lying to You for Money
(2025)
|
Todd Jorgenson
|
McKenzie’s directorial debut sprinkles self-deprecating humor to keep the material from becoming too depressing, while the film persuasively cuts through the hype for those willing to listen.
Posted Apr 17, 2026
Edit critic review
|
|
|
Erupcja
(2025)
|
Todd Jorgenson
|
Intriguing relationship dynamics add subtle layers to this understated romantic drama that incisively explores commitment and connections.
Posted Apr 17, 2026
Edit critic review
|
|
|
Eagles of the Republic
(2025)
|
Todd Jorgenson
|
Although its satirical barbs are hit-and-miss, this slick conspiracy thriller is mildly provocative and consistently intriguing.
Posted Apr 17, 2026
Edit critic review
|
|
|
Brothers Under Fire
(2026)
|
Todd Jorgenson
|
Despite some intermittent thrills, the film struggles to generate any meaningful suspense with its thinly sketched characters and narrative predictability.
Posted Apr 17, 2026
Edit critic review
|
|
|
Blue Heron
(2025)
|
Todd Jorgenson
|
Emphasizing mood over plot, the film is quietly unassuming yet cumulatively powerful without providing an easy path to catharsis.
Posted Apr 17, 2026
Edit critic review
|
|
|
Amrum
(2025)
|
Todd Jorgenson
|
Driven by Billerbeck’s expressive portrayal, the film’s exploration of adolescent unease avoids heavy-handed sentimentality while carrying a haunting contemporary resonance.
Posted Apr 17, 2026
Edit critic review
|
|
|
Lee Cronin's The Mummy
(2026)
|
Todd Jorgenson
|
This bloated and fetishistically bloody thriller mixes throwback scare tactics and mythological tropes with a missing-persons mystery, yet struggles to translate its disturbing imagery into sustained tension or terror.
Posted Apr 17, 2026
Edit critic review
|
|
|
Normal
(2025)
|
Todd Jorgenson
|
Odenkirk shines in this amusing if somewhat generic ultraviolent thriller, which coasts on some mildly compelling twists and stylish western-infused set pieces.
Posted Apr 17, 2026
Edit critic review
|
|
|
Balls Up
(2026)
|
Todd Jorgenson
|
Any stimulation you feel won’t be of the intellectual variety while watching thsi low-brow affair that gives moviegoers the shaft.
Posted Apr 17, 2026
Edit critic review
|
|
|
Outcome
(2026)
|
Todd Jorgenson
|
While it generates some big laughs with its acerbic mix of sight gags and one-liners, the energetic comedy ultimately becomes caught between too scathing and too soft.
Posted Apr 10, 2026
Edit critic review
|
|
|
You, Me & Tuscany
(2026)
|
Todd Jorgenson
|
... a collection of fish-out-of-water cliches and stereotypes that provide some scattered surface laughs but leave this exotic travelogue funneling toward the most obvious of narrative destinations.
Posted Apr 10, 2026
Edit critic review
|
|
|
The Travel Companion
(2025)
|
Todd Jorgenson
|
What starts as a quirky comedy about struggling artists in New York evolves into a peculiar yet incisive drama probing petty jealousies, creativity versus commerce, and the perils of the gig economy.
Posted Apr 10, 2026
Edit critic review
|
|
|
Heads or Tails?
(2025)
|
Todd Jorgenson
|
An ambitious mishmash of nostalgic references and stylish visual flourishes, this throwback western finds its own amusing niche that both indulges and tweaks genre tropes.
Posted Apr 10, 2026
Edit critic review
|
|
|
Hamlet
(2025)
|
Todd Jorgenson
|
Admirable more for its ambition than its execution, this contemporary reimagining never fully meshes with the Bard’s theatrical language as intended.
Posted Apr 10, 2026
Edit critic review
|
|
|
Exit 8
(2025)
|
Todd Jorgenson
|
... genuinely creepy in the first half but struggles to sustain its narrative momentum.
Posted Apr 10, 2026
Edit critic review
|
|
|
The Drama
(2026)
|
Todd Jorgenson
|
Straddling a line between exploitation and provocation, the film skillfully shifts our loyalties, challenges our boundaries, and toys with our emotions. As you laugh and cringe, it also shakes you to the core.
Posted Apr 03, 2026
Edit critic review
|
|
|
The Stranger
(2025)
|
Todd Jorgenson
|
Ozon immerses us in the sociopolitical volatility of the setting while remaining intimately focused on the existential crisis of his troubled antihero, with uneven but fascinating results.
Posted Apr 03, 2026
Edit critic review
|
|
|
Pizza Movie
(2026)
|
Todd Jorgenson
|
One slice is more than enough to get a taste of this relentlessly silly and sophomoric stoner comedy that’s more exhausting than amusing.
Posted Apr 03, 2026
Edit critic review
|
|
|
Fantasy Life
(2025)
|
Todd Jorgenson
|
It might not break any new ground, but this at least this perceptive comedy about relationships and middle age is layered with authenticity and nuance rather than contrivances.
Posted Apr 03, 2026
Edit critic review
|
|
|
They Will Kill You
(2026)
|
Todd Jorgenson
|
Consistently creepy and almost cartoonishly intense, it’s a series of progressively outrageous confrontations that showcase some invigorating fight choreography and stylish visual gimmickry, but provide little substance beneath the surface spectacle.
Posted Mar 28, 2026
Edit critic review
|
|
|
Mike & Nick & Nick & Alice
(2026)
|
Todd Jorgenson
|
Emphasizing chaos over coherence, this genre hybrid succeeds better as a quirky buddy comedy than a crime thriller, bolstered by a science-fiction twist that distinguishes it from its formulaic trappings.
Posted Mar 28, 2026
Edit critic review
|
Continue with Google
>
