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Rating Title | Year Author Quote
7/10
Normal (2025) Sean Boelman While it would have been stronger had there been more excitement in the first half, the back half more than makes up for it with some incredibly propulsive, fun action that will have you laughing and on the edge of your seat.
Posted Mar 22, 2026  Edit critic review
5/10
Sender (2026) Sean Boelman You can tell that there is something special beneath the surface in Sender, as there are enough glimpses of really interesting filmmaking throughout. However, the final product is just too messy and scattered to be fully effective.
Posted Mar 22, 2026  Edit critic review
7/10
Wishful Thinking (2026) Sean Boelman Although it doesn’t fully deliver on the promise of its creative premise, Wishful Thinking is the type of romantic comedy that’s hard not to fall in love with, if only out of the strength of its two lead performances.
Posted Mar 22, 2026  Edit critic review
7/10
The Fox (2026) Sean Boelman Although it isn’t as original as it seems to think it is, The Fox works as a satire because of a wicked sense of dark humor, a stellar cast, and an abundance of style.
Posted Mar 22, 2026  Edit critic review
6/10
Love Language (2026) Sean Boelman If you’re a fan of rom-coms and are looking for something straightforward but charming and well-made, Joey Power’s film delivers an enjoyable, funny, and heartwarming experience.
Posted Mar 22, 2026  Edit critic review
3/10
The Saviors (2026) Sean Boelman That’s not to say that anti-Arab discrimination has gone away, but it feels like we are past needing satires that stop at saying "maybe all Muslims aren’t terrorists," and instead need films to interrogate the systems that got us to that point.
Posted Mar 22, 2026  Edit critic review
7/10
Drag (2026) Alan French There’s a darkness to Drag that lesser films would default to so they could score points with the audience. However, by being true to their vision, they make a far more effective experience.
Posted Mar 21, 2026  Edit critic review
5/10
The Sun Never Sets (2026) Alan French While we wanted Joe Swanberg to return to the big screen with new ideas and concepts, he falls back into clichés about relationships. Dakota Johnson and Cory Michael Smith provide some new textures to the film, but the themes are too one-note.
Posted Mar 21, 2026  Edit critic review
4/10
The Pout-Pout Fish (2026) M.N. Miller The laughs are as scarce as oxygen on the ocean floor.
Posted Mar 20, 2026  Edit critic review
7/10
Power Ballad (2026) Sean Boelman Its sincere heart shines through in the script, performances, and music in a way that you can’t help but love.
Posted Mar 20, 2026  Edit critic review
9/10
Erupcja (2025) Sean Boelman Pete Ohs’ Erupcja, is a wonderfully quaint indie drama that is filled to the brim with quiet emotion.
Posted Mar 19, 2026  Edit critic review
5/10
Mile End Kicks (2025) Sean Boelman Chandler Levack attempts to recapture the awkwardly charming lightning-in-a-bottle of her debut in her second film, Mile End Kicks, but the characters here are just so unlikeable that the film becomes hard to enjoy.
Posted Mar 19, 2026  Edit critic review
2/10
DreamQuil (2026) Sean Boelman Despite having all the pieces in place for this to be a solid sci-fi satire... it ends up being one of the most bafflingly bad misfires to (dis)grace the festival circuit this side of Poolman.
Posted Mar 19, 2026  Edit critic review
6/10
Vampires of the Velvet Lounge (2026) Joshua Ryan ... destined to become a cult classic.
Posted Mar 18, 2026  Edit critic review
9/10
They Will Kill You (2026) Sean Boelman They Will Kill You is one of the best action movies this side of John Wick: Chapter 2, featuring show-stopping fight choreography and an abundance of epic gore.
Posted Mar 18, 2026  Edit critic review
6/10
Wardriver (2026) Manuel São Bento While the pacing might feel a bit too deliberate for some and the technical polish occasionally falters, the strong performances from Dane DeHaan and Sasha Calle make it a journey worth taking.
Posted Mar 18, 2026  Edit critic review
6/10
Over Your Dead Body (2026) Sean Boelman Over Your Dead Body is rather uneven but has enough funny and disturbing moments to be mostly effective as a dark comedy.
Posted Mar 18, 2026  Edit critic review
8/10
Crash Land (2026) Sean Boelman Crash Land is a film that knows its audience. If you are a twenty-something dude reveling in nostalgia for the glory days of your teenage years, this is sure to land in a way that will have you laughing and maybe even wiping away a few tears.
Posted Mar 18, 2026  Edit critic review
6/10
Seekers of Infinite Love (2026) Sean Boelman Seekers of Infinite Love coasts on the charm of its cast to deliver a moderately enjoyable comedy, even when its script leaves something to be desired.
Posted Mar 18, 2026  Edit critic review
5/10
He Bled Neon (2026) Sean Boelman Drew Kirsch’s He Bled Neon is shockingly a drag because of a screenplay that can’t settle on its tone or escape from the shadow of its inspirations.
Posted Mar 18, 2026  Edit critic review
9/10
Project Hail Mary (2026) Alan French Project Hail Mary is a glorious return to the big screen for Phil Lord and Chris Miller, yet perhaps most important of all, allows Ryan Gosling to give one of the most complete performances of his career.
Posted Mar 16, 2026  Edit critic review
5/10
Sparks (2026) Alan French While growing up is hard, we needed more from Sparks for it to fulfill its promise.
Posted Mar 16, 2026  Edit critic review
6/10
Family Movie (2026) Alan French Yes, Kyra Sedgwick and Kevin Bacon make a fun little horror romp that’s ultimately very enjoyable. It is eclectic in its storytelling choices, including a martial arts side plot, but at less than ninety minutes, it moves.
Posted Mar 16, 2026  Edit critic review
8/10
Hokum (2026) Alan French While the film relies on jump scares, it features a direct confrontation with darkness in the human spirit that feels very unique.
Posted Mar 16, 2026  Edit critic review
5/10
Ready or Not 2: Here I Come (2026) Sean Boelman Ready or Not 2: Here I Come is a marginal step down from the original film. It’s more repetitive, less fun, and full of inconsistencies.
Posted Mar 16, 2026  Edit critic review
9/10
Brian (2026) Sean Boelman Brian is easily one of the funniest and overall best coming-of-age movies in years.
Posted Mar 15, 2026  Edit critic review
4/10
Pizza Movie (2026) M.N. Miller Sean Giambrone is hysterically adorkable in the role. However, Pizza Movie ultimately suffers from a lack of a steady, disciplined hand.
Posted Mar 14, 2026  Edit critic review
7/10
Phoenix Jones: The Rise and Fall of a Real Life Superhero (2026) Sean Boelman Like many nonfiction films, it could have used a bit of a tighter edit, but the story is so compelling and its subjects willing to engage with its nuances that the result is mostly very gripping.
Posted Mar 13, 2026  Edit critic review
7/10
Same Same but Different (2026) Sean Boelman Although it is, for the most part, much ‌the same that we have seen from the romantic comedy genre in the past decade, this story is told with a different (and, importantly, authentic) enough perspective to be memorable.
Posted Mar 13, 2026  Edit critic review
7/10
Anima (2026) Sean Boelman Although it’s certainly quaint and occasionally a bit conventional, the film’s genuine human emotion keeps the film incredibly effective from an emotional standpoint.
Posted Mar 13, 2026  Edit critic review
9/10
I Love Boosters (2026) Sean Boelman Even if it doesn’t quite reach the "instant classic" status that Sorry to Bother You earned, I Love Boosters is still one of the boldest, most singular works that any filmmaker has made… maybe in the history of cinema?
Posted Mar 13, 2026  Edit critic review
5/10
Grind (2026) Sean Boelman Although it has enough fun and genuinely creative moments to satisfy those who are already all-in on the format, its big swings are too often missed for it to really have broad appeal.
Posted Mar 13, 2026  Edit critic review
7/10
Kill Me (2026) Sean Boelman As long as you don’t come in expecting a comedic masterpiece, you’ll walk away feeling amused and maybe even a little moved.
Posted Mar 13, 2026  Edit critic review
2/10
Perfect (2026) Sean Boelman Perfect is the rare film so bad that it’s hard to see what a programmer could have seen in this.
Posted Mar 13, 2026  Edit critic review
3/10
Reminders of Him (2026) Cole Groth There's nary a moment in Reminders of Him deserving the emotion it’s going for.
Posted Mar 13, 2026  Edit critic review
8/10
André Is an Idiot (2025) Alan French André Is an Idiot is something of an enigma. It is both one of the funniest movies you'll see all year, and yet you'll feel a lump in your throat for most of the film. A poignant film about the human experience and defiance.
Posted Mar 08, 2026  Edit critic review
7/10
Youngblood (2025) Alan French A few too many clichés hurt Youngblood from reaching instant classic status. However, thanks to a brilliant Ashton James, it still lands its incredible emotional story.
Posted Mar 08, 2026  Edit critic review
4/10
Bodycam (2025) Joshua Ryan Bodycam is a movie built on a great concept that desperately needed stronger execution. It plays less like a finished screenplay and more like a rough first draft...
Posted Mar 06, 2026  Edit critic review
8/10
Peaky Blinders: The Immortal Man (2026) M.N. Miller Murphy’s creation of Tommy is haunting, centered, and controlled. His turn is post-war trauma distilled into a performance of pure criminal introspection.
Posted Mar 05, 2026  Edit critic review
8/10
THE BRIDE! (2026) Manuel São Bento The Bride! establishes itself as one of the year's most unique experiences, where Maggie Gyllenhaal's bold vision and a vibrant punk-rock aesthetic are anchored by the visceral performances of Jessie Buckley and Christian Bale.
Posted Mar 04, 2026  Edit critic review
9/10
Hoppers (2026) Brandon Lewis While a long-time veteran, Daniel Chong’s first Pixar feature takes the studio into thrilling and modern new territory, where out-there humor rests comfortably with heartwarming profundity.
Posted Mar 02, 2026  Edit critic review
9/10
Dreams (2025) Sean Boelman It is, first and foremost, designed to make the audience uncomfortable, and by that standard, Franco’s latest is an unequivocal success.
Posted Mar 02, 2026  Edit critic review
3/10
Scream 7 (2026) Cole Groth The diminishing returns have been part of the franchise's commentary, but without anything to anchor it this time, it feels random.
Posted Feb 27, 2026  Edit critic review
6/10
Solo Mio (2026) Matt Hambidge On the backs of James and Grimaudo and a beautiful Italian backdrop, Solo Mio is a decent family-friendly offering.
Posted Feb 26, 2026  Edit critic review
3/10
The Bluff (2026) M.N. Miller The final product is so recycled that the experience becomes innocuous.
Posted Feb 25, 2026  Edit critic review
7/10
Yellow Letters (2026) Sean Boelman In an era in which fascism is terrifyingly taking ‌hold over so many aspects of our lives, and in so many parts of the world, Yellow Letters is at a minimum compelling as an act of rebellion.
Posted Feb 23, 2026  Edit critic review
10/10
I Want Your Sex (2026) Sean Boelman I Want Your Sex encapsulates everything that fans have loved about Gregg Araki’s work, but transposes it into the genre of a more mainstream sex comedy.
Posted Feb 23, 2026  Edit critic review
6/10
The History of Concrete (2026) Sean Boelman Not all of it works, and it does begin to test your patience as it meanders, but there are plenty of laughs and maybe even a little bit of heart to be found in The History of Concrete.
Posted Feb 23, 2026  Edit critic review
9/10
EPiC: Elvis Presley in Concert (2025) Ricky Valero EPiC: Elvis Presley in Concert is not just a concert film; it's a look at greatness from multiple perspectives. It showcases the dedication, drive, and want by Presley to be the best at what he did.
Posted Feb 21, 2026  Edit critic review
7/10
Paul McCartney: Man on the Run (2025) Alan French Using Paul McCartney's narration and his home video from his wife, Linda, MAN ON THE RUN gives us insights into the artistic process after you've already reached the mountaintop.
Posted Feb 20, 2026  Edit critic review
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